The Greatest Mod and Northern Soul Album

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1You Keep Me Hangin’ On
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
cover recording of:
You Keep Me Hangin’ On (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Supremes3.42:41
2Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
Aretha Franklin4.252:43
3Do I Love You (Indeed I Do)
recording of:
Do I Love You (Indeed I Do)
lyricist and composer:
Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music
Frank Wilson2:20
4Going to a Go‐Go
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Going to a Go‐Go
writer:
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers and Marvin Tarplin
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
The Miracles2:47
5You’re Ready Now
Frankie Valli2:19
6Seven Days Too Long (mono)
Chuck Wood2:21
7Tighten Up
recording of:
Tighten Up
lyricist:
Billy Butler (60-70s R&B singer)
composer:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:13
8Cool Jerk
The Capitols2:36
9I’m a Man
The Spencer Davis Group2:56
10Tainted Love
engineer:
Mike Stavrou (producer/engineer) and Gary Ulmer
producer:
Marc Bolan and Gloria Jones (US singer/songwriter, known for “Tainted Love”)
recording of:
Tainted Love (in 1976)
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones32:43
11Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha Reeves and the Vandellas3.552:39
12Knock on Wood
recorded in:
Memphis, Tennessee, United States (on 1966-07-13)
producer:
Steve Cropper
baritone saxophone:
probably Floyd Newman
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-07-13)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (on 1966-07-13)
guitar:
Steve Cropper (on 1966-07-13)
organ:
Booker T. Jones (on 1966-07-13)
piano:
Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
tenor saxophone:
probably Andrew Love (on 1966-07-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-07-13)
vocals:
Eddie Floyd (on 1966-07-13)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (on 1966-07-13)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
Eddie Floyd43:04
13In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:37
14I Can’t Wait Until I See My Baby’s Face
Dusty Springfield3.52:41
15I’m Gonna Run Away From You
recording of:
I’m Gonna Run Away From You
lyricist and composer:
Bert Russell Berns
Tami Lynn2:51
16You Hit Me (Right Where It Hurt Me)
Alice Clark2:53
17I’ll Be Loving You
Soul Brothers Six2:19
18Angel Baby (Don’t You Ever Leave Me) (single)
Darrell Banks2:57
19High Heal Sneakers
recorded in:
Chicago, Illinois, United States (in 1963)
producer:
Herb Abramson
bass guitar [bass]:
Brenda Lee Jones (in 1963)
guitar:
Dean "Cousin Sugar" Young (in 1963)
organ and piano:
Tommy Tucker (blues) (in 1963)
vocals:
Tommy Tucker (blues) (in 1963)
recording of:
Hi‐Heel Sneakers (in 1963)
lyricist and composer:
Robert Higginbotham (blues)
publisher:
Lily Pond Music and Robert Higginbotham Publisher
Tommy Tucker42:51
20Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s3.852:55
21Time
Edwin Starr3:01
22Afternoon of the Rhino
Mike Post Coalition2:19
23Night Train
drums (drum set) and lead vocals:
James Brown (The Godfather of Soul) (on 1961-02-09)
electric bass guitar [bass]:
Hubert Perry (US bassist) (on 1961-02-09)
guitar:
Les Buie (on 1961-02-09)
organ:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (on 1961-02-09)
tenor saxophone:
J.C. Davis (on 1961-02-09)
trumpet:
Roscoe Patrick (on 1961-02-09)
performer:
The James Brown Band (on 1961-02-09)
recorded at:
King Studios in Cincinnati, Ohio, United States (on 1961-02-09)
recording of:
Night Train (James Brown lyrics version) (on 1961-02-09)
lyricist:
James Brown (The Godfather of Soul)
composer:
Jimmy Forrest
version of:
Night Train (Jimmy Forrest’s original instrumental version)
James Brown23:32
24I’m on My Way
recording of:
I'm On My Way
lyricist:
Doug Morris (record executive)
composer:
Eliot Greenberg
Dean Parrish2:40
25Walking the Dog
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 24)
recording of:
Walking the Dog (in 1963)
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East/Memphis Music
Rufus Thomas32:30
26Hold On, I’m Coming
recorded in:
Memphis, Tennessee, United States (on 1966-03-08)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (on 1966-03-08)
recording of:
Hold On, I’m Comin’ (on 1966-03-08)
writer:
Isaac Hayes, Hayes, Porter and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:36
27Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley42:21
28Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
producer:
Artie Ripp
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:29
29Comin’ Home Baby
Mel Tormé2:39
30Stormy
producer:
Henry Cosby
cover recording of:
Stormy
writer:
Buddy Buie and J. R. Cobb
publisher:
Low‐Sal Music, Inc.
Diana Ross & The Supremes53:05
31Mr. Pitiful
recording of:
Mr. Pitiful
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:32
32That’s When the Tears Start (single version)
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter)
conductor:
Ernie Freeman
arranger:
Ernie Freeman
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (in 1965)
The Blossoms2:25
33I Can’t Break the News to Myself
recording of:
I Can’t Break the News to Myself
writer:
Larry Harrison and Jimmy Williams (50s/60s US funk/soul songwriter)
Ben E. King42:32
34Stupidity
producer:
Bert Russell Berns
vocals:
Solomon Burke
recording of:
Stupidity
writer:
Solomon Burke
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Solomon Burke1:56
35Baby Help Me
recording of:
Baby Help Me
lyricist and composer:
Bobby Womack
Percy Sledge2:33
36You Got to Pay Your Dues
The Drifters2:35
37Can’t You See (You’re Losing Me)
recording of:
Can’t You See (You’re Losing Me)
writer:
Barrett Strong and Nolan Strong
Mary Wells2:46
38Somebody (Somewhere) Needs Me
recording of:
Somebody, Somewhere Needs You
writer:
Marc Gordon (soul songwriter, producer, and manager) and Frank Wilson (Motown singer/songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Ike & Tina Turner2:36
39Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:38
40Love Don’t You Go Through No Changes on Me
producer:
Bert DeCoteaux and Tony Silvester (Panama‐born soul/R&B singer)
recording of:
Love Don’t Go Through No Changes on Me
writer:
Patrick Grant (Afro-American songwriter, singer & multi-instrumentalist a.k.a. Haras Fyre) and Gwen Guthrie (US singer, songwriter & pianist)
Sister Sledge3:24
41Beggin’
producer:
Bob Crewe
conductor:
Bob Crewe
arranger:
Artie Schroeck
recording of:
Beggin’ (in 1967)
writer:
Peggy Farina and Bob Gaudio
publisher:
EMI Longitude Music, Saturday Music, Inc. and Seasons Four Music Corp.
The Four Seasons2:46
42Looking for a Fox
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-11-10)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (American trumpeter) (on 1967-11-10) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
Looking for a Fox
writer:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Wilbur Terrell
Clarence Carter2:18
43Open the Door to Your Heart
Darrell Banks2:37
44Dance Dance Dance (mono)
recording of:
Dance, Dance, Dance (Casualeers song)
writer:
John Giametta and Rod McBrien
The Casualeers2:42
45Don’t Pity Me
Joanie Sommers2:46
46Mr. Creator
recording of:
Mr. Creator
writer:
Nickolas Ashford and Valerie Simpson
The Apollas2:39
47Breakout
recording of:
Breakout
writer:
Herb Bernstein and Gary A. Knight
Mitch Ryder & The Detroit Wheels3:16
48Man With the Golden Touch
Charles Thomas52:35
49I Love Her So Much It Hurts Me (single version)
David & Ruben2:14
50Something Good (Is Going to Happen to You)
vocals:
Carla Thomas
Carla Thomas2:38
51Satisfied (single version)
Ben Aiken2:37
52Number One in Your Heart
cover recording of:
Number One in Your Heart
writer:
Wilburt Jackson and Clyde Wilson (R&B singer and songwriter)
Herbie Goins & The Nightimers2:45
53Stirrin’ Up Some Soul
The Marketts2:23
54Hold On (I’m Coming) (mono)
cover recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes, Hayes, Porter and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cliff Bennett & the Rebel Rousers2:21
55Me and My Baby
recording of:
Me and My Baby
writer:
Sonny Sanders and Barrett Strong
Mary Wells2:03
56Contact
producer:
Richard Barrett (US soul producer/singer)
The Three Degrees2:34
57Something’s Burnin’
The Marvellos2:44
58You Said You Loved Me
recording of:
You Said You Loved Me
lyricist and composer:
Deon Jackson
Deon Jackson2:33
59You’ve Got That Something Wonderful
Percy Sledge2:24
60B‐A‐B‐Y
recording of:
B-A-B-Y (in 1966)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Carla Thomas4.252:55
61Here I Go Again
recorded in:
Philadelphia, Pennsylvania, United States (on 1969-05-16)
bass [electric bass]:
Ronnie Baker (bass) (on 1969-05-16)
drums (drum set):
Earl Young (on 1969-05-16)
guitar:
Roland Chambers (on 1969-05-16) and Norman Harris (American Philly Soul guitarist, producer, and songwriter) (on 1969-05-16)
horn:
Sam Reed and His Horn Section (on 1969-05-16)
organ:
Thom Bell (keyboards, songwriter, producer) (on 1969-05-16)
piano:
Leon Huff (Philly soul producer, of Gamble & Huff) (on 1969-05-16)
strings:
Don Renaldo and His String Section (on 1969-05-16)
vibraphone:
Bobby Martin (US soul/R&B producer/arranger) (on 1969-05-16)
vocals:
Archie Bell (vocals, of Archie Bell & the Drells) (on 1969-05-16)
arranger:
Thom Bell (keyboards, songwriter, producer) and Leon Huff (Philly soul producer, of Gamble & Huff)
Archie Bell & the Drells52:06
62Crazy Baby (single version)
The Coasters2:01
63Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. and Tune-Kel
Wilson Pickett42:27
64Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin2:27
65Bring Your Love Back to Me
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Linda Lyndell2:06
66Ooh Baby (single version)
Deon Jackson2:37
67I Just Can’t Live My Life (Without You Babe)
Linda Jones2:30
68Don’t You Even Care
Leslie Uggams2:04
69Skiing in the Snow
cover recording of:
Skiing in the Snow
writer:
Sandy Linzer and Denny Randell
The Invitations2:40
70Philly Dog
recording of:
Philly Dog
writer:
Rufus Thomas (US blues & funk singer & songwriter)
The Mar‐Keys2:18
71Some Kind of Wonderful
Soul Brothers Six2:38
72Somebody (Somewhere Needs You)
Darrell Banks2:33
73Change My Darkness Into Light
The Flirtations2:56
74Walkin’ Up a One Way Street
Willie Tee2:41
75Since You Said You’d Be Mine
Lou Ragland3:16
76Tell Me Why
Life+2:56
77Go for Yourself (single version)
Larry Laster2:35
78Catch Me I’m Falling
Esther Phillips2:38
79Soul Finger
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
The Stax Staff
drums (drum set):
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
electric bass guitar [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
writer:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones and Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:23

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Rhino UK (company credits only; do NOT use as release label) (in 2018)
stream for free:https://open.spotify.com/album/6Qjfi10MAcVAgEaF5IQgOp [info]
https://www.deezer.com/album/77133182 [info]