The Greatest Mod and Northern Soul Album

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1You Keep Me Hangin’ On
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione cover di:
You Keep Me Hangin’ On (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
registrazione di:
You Keep Me Hangin’ On
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Supremes3.42:41
2Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamenti:
Verlga norih
Aretha Franklin4.252:43
3Do I Love You (Indeed I Do)
registrazione di:
Do I Love You (Indeed I Do)
paroliere e compositore:
Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music
Frank Wilson2:20
4Going to a Go‐Go
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Going to a Go‐Go
autore:
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers e Marvin Tarplin
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
The Miracles2:47
5You’re Ready Now
Frankie Valli2:19
6Seven Days Too Long (mono)
Chuck Wood2:21
7Tighten Up
registrazione di:
Tighten Up
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:13
8Cool Jerk
The Capitols2:36
9I’m a Man
The Spencer Davis Group2:56
10Tainted Love
tecnico:
Mike Stavrou (producer/engineer) e Gary Ulmer
produttore:
Marc Bolan e Gloria Jones (US singer/songwriter, known for “Tainted Love”)
registrazione di:
Tainted Love (nel 1976)
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones32:43
11Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves and the Vandellas3.552:39
12Knock on Wood
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-07-13)
produttore:
Steve Cropper
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1966-07-13)
chitarra :
Steve Cropper (il 1966-07-13)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-07-13)
organo :
Booker T. Jones (il 1966-07-13)
pianoforte :
Isaac Hayes (il 1966-07-13) e Booker T. Jones (il 1966-07-13)
sassofono baritono :
probably Floyd Newman
sassofono tenore :
probably Andrew Love (il 1966-07-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-07-13)
voce:
Eddie Floyd (il 1966-07-13)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrazione di:
Knock on Wood (il 1966-07-13)
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Eddie Floyd43:04
13In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Memphis pianist) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965, nel 1992) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:37
14I Can’t Wait Until I See My Baby’s Face
Dusty Springfield3.52:41
15I’m Gonna Run Away From You
registrazione di:
I’m Gonna Run Away From You
paroliere e compositore:
Bert Russell Berns
Tami Lynn2:51
16You Hit Me (Right Where It Hurt Me)
Alice Clark2:53
17I’ll Be Loving You
Soul Brothers Six2:19
18Angel Baby (Don’t You Ever Leave Me) (single)
Darrell Banks2:57
19High Heal Sneakers
registrata a:
Chicago, Illinois, Stati Uniti (nel 1963)
produttore:
Herb Abramson
chitarra :
Dean "Cousin Sugar" Young (nel 1963)
chitarra basso [bass] :
Brenda Lee Jones (nel 1963)
organo e pianoforte :
Tommy Tucker (blues) (nel 1963)
voce:
Tommy Tucker (blues) (nel 1963)
registrazione di:
Hi‐Heel Sneakers (nel 1963)
paroliere e compositore:
Robert Higginbotham (blues)
editore:
Lily Pond Music e Robert Higginbotham Publisher
Tommy Tucker42:51
20Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.852:55
21Time
Edwin Starr3:01
22Afternoon of the Rhino
Mike Post Coalition2:19
23Night Train
basso elettrico [bass] :
Hubert Perry (US bassist) (il 1961-02-09)
batteria e voce principale:
James Brown (The Godfather of Soul) (il 1961-02-09)
chitarra :
Les Buie (il 1961-02-09)
organo :
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (il 1961-02-09)
sassofono tenore :
J.C. Davis (il 1961-02-09)
tromba :
Roscoe Patrick (il 1961-02-09)
esecutore:
The James Brown Band (il 1961-02-09)
registrata presso:
King Studios in Cincinnati, Ohio, Stati Uniti (il 1961-02-09)
registrazione di:
Night Train (James Brown lyrics version) (il 1961-02-09)
paroliere:
James Brown (The Godfather of Soul)
compositore:
Jimmy Forrest
versione di:
Night Train (Jimmy Forrest’s original instrumental version)
James Brown23:32
24I’m on My Way
registrazione di:
I'm On My Way
paroliere:
Doug Morris (record executive)
compositore:
Eliot Greenberg
Dean Parrish2:40
25Walking the Dog
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Rufus Thomas (US blues & funk singer & songwriter)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 24)
registrazione di:
Walking the Dog (nel 1963)
paroliere e compositore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e East/Memphis Music
Rufus Thomas32:30
26Hold On, I’m Coming
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes, Hayes, Porter e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:36
27Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:21
28Just One Look
registrata a:
New York, New York, Stati Uniti (il 1963-03-05)
produttore:
Artie Ripp
basso :
Barney Richmond (il 1963-03-05)
batteria :
Bruno Carr (il 1963-03-05)
chitarra :
Napoleon "Snags" Allen (il 1963-03-05)
pianoforte :
Horace Ott (il 1963-03-05)
voce:
Doris Troy (il 1963-03-05)
voce di accompagnamento [harmony vocals] e voce principale:
Doris Troy (il 1963-03-05)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 7) e Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 29)
registrazione di:
Just One Look (il 1963-03-05)
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:29
29Comin’ Home Baby
Mel Tormé2:39
30Stormy
produttore:
Henry Cosby
registrazione cover di:
Stormy
autore:
Buddy Buie e J. R. Cobb
editore:
Low‐Sal Music, Inc.
Diana Ross & The Supremes53:05
31Mr. Pitiful
registrazione di:
Mr. Pitiful
paroliere e compositore:
Steve Cropper e Otis Redding
editore:
Irving Music, Inc.
Otis Redding2:32
32That’s When the Tears Start (single version)
produttore:
Jimmy Bowen (producer, rockabilly musician and songwriter)
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrata presso:
United Recording Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1965)
The Blossoms2:25
33I Can’t Break the News to Myself
registrazione di:
I Can’t Break the News to Myself
autore:
Larry Harrison e Jimmy Williams (50s/60s US funk/soul songwriter)
Ben E. King42:32
34Stupidity
produttore:
Bert Russell Berns
voce:
Solomon Burke
registrazione di:
Stupidity
autore:
Solomon Burke
editore:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Solomon Burke1:56
35Baby Help Me
registrazione di:
Baby Help Me
paroliere e compositore:
Bobby Womack
Percy Sledge2:33
36You Got to Pay Your Dues
The Drifters2:35
37Can’t You See (You’re Losing Me)
registrazione di:
Can’t You See (You’re Losing Me)
autore:
Barrett Strong e Nolan Strong
Mary Wells2:46
38Somebody (Somewhere) Needs Me
registrazione di:
Somebody, Somewhere Needs You
autore:
Marc Gordon (soul songwriter, producer, and manager) e Frank Wilson (Motown singer/songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Ike & Tina Turner2:36
39Last Night
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1961-09)
produttore:
Chips Moman e Jim Stewart (US producer, founder for Stax & Volt Records)
basso [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1961-09)
batteria :
Terry Johnson (drums) (nel 1961-09)
chitarra :
Steve Cropper (nel 1961-09)
organo :
Booker T. Jones (nel 1961-09)
sassofono baritono :
Don Nix (nel 1961-09)
sassofono tenore :
Charles Axton (nel 1961-09)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1961-09)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 28)
registrazione di:
Last Night (nel 1961-09)
autore:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith e Floyd Newman
compositore:
The Mar‐Keys
The Mar‐Keys42:38
40Love Don’t You Go Through No Changes on Me
produttore:
Bert DeCoteaux e Tony Silvester (Panama‐born soul/R&B singer)
registrazione di:
Love Don’t Go Through No Changes on Me
autore:
Patrick Grant (Afro-American songwriter, singer & multi-instrumentalist a.k.a. Haras Fyre) e Gwen Guthrie (US singer, songwriter & pianist)
Sister Sledge3:24
41Beggin’
produttore:
Bob Crewe
direttore d'orchestra:
Bob Crewe
arrangiatore:
Artie Schroeck
registrazione di:
Beggin’ (nel 1967)
autore:
Peggy Farina e Bob Gaudio
editore:
EMI Longitude Music, Saturday Music, Inc. e Seasons Four Music Corp.
The Four Seasons2:46
42Looking for a Fox
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1967-11-10)
batteria :
Roger Hawkins (drummer and producer) (il 1967-11-10)
chitarra :
Clarence Carter (il 1967-11-10)
organo :
Barry Beckett (il 1967-11-10)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-11-10), Andrew Love (il 1967-11-10) e Aaron Varnell (il 1967-11-10)
tromba :
Gene Miller (American trumpeter) (il 1967-11-10) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1967-11-10)
voce:
Clarence Carter (il 1967-11-10)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-11-10)
registrazione di:
Looking for a Fox
autore:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Wilbur Terrell
Clarence Carter2:18
43Open the Door to Your Heart
Darrell Banks2:37
44Dance Dance Dance (mono)
registrazione di:
Dance, Dance, Dance (Casualeers song)
autore:
John Giametta e Rod McBrien
The Casualeers2:42
45Don’t Pity Me
Joanie Sommers2:46
46Mr. Creator
registrazione di:
Mr. Creator
autore:
Nickolas Ashford e Valerie Simpson
The Apollas2:39
47Breakout
registrazione di:
Breakout
autore:
Herb Bernstein e Gary A. Knight
Mitch Ryder & The Detroit Wheels3:16
48Man With the Golden Touch
Charles Thomas52:35
49I Love Her So Much It Hurts Me (single version)
David & Ruben2:14
50Something Good (Is Going to Happen to You)
voce:
Carla Thomas
Carla Thomas2:38
51Satisfied (single version)
Ben Aiken2:37
52Number One in Your Heart
registrazione cover di:
Number One in Your Heart
autore:
Wilburt Jackson e Clyde Wilson (R&B singer and songwriter)
Herbie Goins & The Nightimers2:45
53Stirrin’ Up Some Soul
The Marketts2:23
54Hold On (I’m Coming) (mono)
registrazione cover di:
Hold On, I’m Comin’
autore:
Isaac Hayes, Hayes, Porter e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cliff Bennett & the Rebel Rousers2:21
55Me and My Baby
registrazione di:
Me and My Baby
autore:
Sonny Sanders e Barrett Strong
Mary Wells2:03
56Contact
produttore:
Richard Barrett (US soul producer/singer)
The Three Degrees2:34
57Something’s Burnin’
The Marvellos2:44
58You Said You Loved Me
registrazione di:
You Said You Loved Me
paroliere e compositore:
Deon Jackson
Deon Jackson2:33
59You’ve Got That Something Wonderful
Percy Sledge2:24
60B‐A‐B‐Y
registrazione di:
B-A-B-Y (nel 1966)
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell North America
Carla Thomas4.252:55
61Here I Go Again
registrata a:
Philadelphia, Pennsylvania, Stati Uniti (il 1969-05-16)
archi :
Don Renaldo and His String Section (il 1969-05-16)
basso [electric bass] :
Ronnie Baker (bass) (il 1969-05-16)
batteria :
Earl Young (il 1969-05-16)
chitarra :
Roland Chambers (il 1969-05-16) e Norman Harris (American Philly Soul guitarist, producer, and songwriter) (il 1969-05-16)
corno :
Sam Reed and His Horn Section (il 1969-05-16)
organo :
Thom Bell (keyboards, songwriter, producer) (il 1969-05-16)
pianoforte :
Leon Huff (Philly soul producer, of Gamble & Huff) (il 1969-05-16)
vibrafono :
Bobby Martin (US soul/R&B producer/arranger) (il 1969-05-16)
voce:
Archie Bell (vocals, of Archie Bell & the Drells) (il 1969-05-16)
arrangiatore:
Thom Bell (keyboards, songwriter, producer) e Leon Huff (Philly soul producer, of Gamble & Huff)
Archie Bell & the Drells52:06
62Crazy Baby (single version)
The Coasters2:01
63Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
Wilson Pickett42:27
64Respect
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
basso :
Tommy Cogbill (il 1967-02-14)
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
pianoforte :
Dewey "Spooner" Oldham (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
tromba :
Melvin Lastie (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin2:27
65Bring Your Love Back to Me
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Linda Lyndell2:06
66Ooh Baby (single version)
Deon Jackson2:37
67I Just Can’t Live My Life (Without You Babe)
Linda Jones2:30
68Don’t You Even Care
Leslie Uggams2:04
69Skiing in the Snow
registrazione cover di:
Skiing in the Snow
autore:
Sandy Linzer e Denny Randell
The Invitations2:40
70Philly Dog
registrazione di:
Philly Dog
autore:
Rufus Thomas (US blues & funk singer & songwriter)
The Mar‐Keys2:18
71Some Kind of Wonderful
Soul Brothers Six2:38
72Somebody (Somewhere Needs You)
Darrell Banks2:33
73Change My Darkness Into Light
The Flirtations2:56
74Walkin’ Up a One Way Street
Willie Tee2:41
75Since You Said You’d Be Mine
Lou Ragland3:16
76Tell Me Why
Life+2:56
77Go for Yourself (single version)
Larry Laster2:35
78Catch Me I’m Falling
Esther Phillips2:38
79Soul Finger
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1967)
produttore:
The Stax Staff
basso elettrico [electric bass] :
James Alexander (US soul bassist, singer and songwriter) (nel 1967)
batteria :
Carl Cunningham (drummer for The Bar‐Kays) (nel 1967)
chitarra :
Jimmy King (US guitarist for The Bar‐Kays) (nel 1967)
organo :
Ronnie Caldwell (nel 1967)
sassofono tenore :
Phalon Jones (nel 1967)
tromba :
Ben Cauley (nel 1967)
registrazione di:
Soul Finger (nel 1967)
autore:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones e Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:23

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2018)
streaming gratuito:https://open.spotify.com/album/6Qjfi10MAcVAgEaF5IQgOp [info]
https://www.deezer.com/album/77133182 [info]