Bill Evans for Lovers

~ Release by Bill Evans (see all versions of this release, 1 available)

Annotation

Label: Verve - Catalog #:

Annotation last modified on 2006-01-21 05:46 UTC.

Tracklist

1▼Medium
#TitleRatingLength
1For Heaven's Sake
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
For Heaven’s Sake (on 1963-12-18)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
cover recording of:
For Heaven’s Sake (on 1963-12-18)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
instrumental recording of:
For Heaven’s Sake
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
recording of:
For Heaven’s Sake
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:27
2But Beautiful
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
instrumental recording of:
But Beautiful (on 1964-05-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
4:44
3If You Could See Me Now
instrumental cover recording of:
If You Could See Me Now (jazz standard)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:49
4A Time for Love
recording engineer:
Ray Hall (engineer) (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
A Time for Love (from 1968-09 until 1968-10)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Warner/Chappell North America (ended), M. Witmark & Sons and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
5:07
5Spring Is Here
producer:
Creed Taylor
double bass:
Chuck Israels (on 1966-02-21)
drums (drum set):
Arnold Wise (on 1966-02-21)
piano:
Bill Evans (pianist) (on 1966-02-21)
recorded at:
Town Hall in Theater District, New York, New York, United States (on 1966-02-21)
instrumental cover recording of:
Spring Is Here (on 1966-02-21)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
4:45
6It Must Be Love
cover recording of:
It Must Be Love
composer:
Sam Brown (jazz guitarist)
3:39
7Lover Man
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
drums (drum set):
Marty Morell (drums) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
instrumental cover recording of:
Lover Man (from 1969-01-30 until 1969-03-11)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
6:24
8Only Child
recording engineer:
Rudy van Gelder (on 1966-10-04)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
recording of:
Only Child (on 1966-10-04)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc. and TRO-Ludlow Music, Inc.
4:05
9My Foolish Heart
producer:
Creed Taylor
bass:
Chuck Israels (on 1966-02-21)
drums (drum set):
Arnold Wise (on 1966-02-21)
piano:
Bill Evans (pianist) (on 1966-02-21)
recorded at:
Town Hall in Theater District, New York, New York, United States (on 1966-02-21)
live instrumental recording of:
My Foolish Heart (on 1966-02-21)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
4:50
10Melinda
instrumental cover recording of:
Melinda (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
5:07
11Danny Boy
recorded in:
New York, New York, United States (on 1962-08-14)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Monty Budwig (on 1962-08-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1962-08-14)
piano:
Bill Evans (pianist) (on 1962-08-14)
instrumental cover recording of:
Danny Boy (on 1962-08-14)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
3:42