Maria Callas Live - Remastered Recordings 1949-1964

~ Release by Maria Callas (see all versions of this release, 1 available)

Annotation

A collection of 20 live and 5 filmed performances. Incliudes 42 CDs, 3 Blu-Rays, and a 216-page booklet.

Annotation last modified on 2025-05-26 09:38 UTC.

Tracklist

1CD: Giuseppe Verdi: Nabucco (Parts 1 & 2)
2CD: Giuseppe Verdi: Nabucco (Parts 3 & 4)
3CD: Richard Wagner: Parsifal (Act 1 beginning)
4CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2)
5CD: Richard Wagner: Parsifal (Act 3)
6CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2)
7CD: Giuseppe Verdi: I vespri siciliani (Act 3)
8CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5)
9CD: Giuseppe Verdi: Aida (Acts 1 & 2)
#TitleArtistRatingLength
1Aida: Preludio (Orchestra)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Preludio (standard opening to the opera, ~4min) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:21
2Aida: Atto primo, scena prima. “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:41
3Aida: Atto primo, scena prima. “Se quel guerriero io fossi!” (Radamès)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi0:55
4Aida: Atto primo, scena prima. “Celeste Aida” (Radamès)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:22
5Aida: Atto primo, scena prima. “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:11
6Aida: Atto primo, scena prima. “Vieni, o diletta, appressati” (Amneris, Aida, Radamès)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:37
7Aida: Atto primo, scena prima. “Alta cagion v'aduna” (Re, Messaggero, Aida, Radamès, Amneris, Coro)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
tenor vocals [Un messaggero]:
Carlos Sagarminaga (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:16
8Aida: Atto primo, scena prima. “Su! del Nilo al sacro lido” (Re, Ramfis, Aida, Radamès, Amneris, Messaggero, Coro)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
tenor vocals [Un messaggero]:
Carlos Sagarminaga (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:48
9Aida: Atto primo, scena prima. “Ritorna vincitor!” (Aida)
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:51
10Aida: Atto primo, scena seconda. “Possente Fthà…Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Coro)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
soprano vocals [Una sacerdotessa]:
Rosa Rodríguez (1950s operatic soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:16
11Aida: Atto primo, scena seconda. “Immenso Fthà!…Mortal, diletto ai numi” (Ramfis, Coro)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:31
12Aida: Atto primo, scena seconda. “Nume, custode e vindice” (Ramfis, Radamès, Coro)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:52
13Aida: Atto secondo, scena prima. “Chi mai fra gl'inni e i plausi” (Coro, Amneris)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:48
14Aida: Atto secondo, scena prima. Danza degli schiavi mori (Orchestra)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:30
15Aida: Atto secondo, scena prima. “Vieni, sul crin ti piovano” (Coro, Amneris)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:34
16Aida: Atto secondo, scena prima. “Fu la sorte dell'armi a' tuoi funesta” (Amneris, Aida)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:38
17Aida: Atto secondo, scena prima. “Pietà ti prenda del mio dolor” (Coro, Aida, Amneris)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:51
18Aida: Atto secondo, scena prima. “Su! del Nilo al sacro lido…Numi, pietà” (Coro, Aida, Amneris)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:57
19Aida: Atto secondo, scena seconda. “Gloria all'Egitto, ad Iside” (Coro)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:34
20Aida: Atto secondo, scena seconda. Marcia trionfale (Orchestra)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:33
21Aida: Atto secondo, scena seconda. Ballabile (Orchestra)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:33
22Aida: Atto secondo, scena seconda. “Vieni, o guerriero vindice” (Coro)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:21
23Aida: Atto secondo, scena seconda. “Salvator della patria” (Re, Radamès, Ramfis, Coro)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:11
24Aida: Atto secondo, scena seconda. “Che veggo! Egli? Mio padre!…Anch'io pugnai…Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Re, Ramfis, Coro)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:40
25Aida: Atto secondo, scena seconda. “Il dolor che in quel volto favella” (Radamès, Amneris, Amonasro, Re, Aida, Ramfis, Coro)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:20
26Aida: Atto secondo, scena seconda. “O Re, pei sacri numi…Gloria all'Egitto” (Radamès, Amneris, Amonasro, Re, Aida, Ramfis, Coro)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:26
10CD: Giuseppe Verdi: Aida (Acts 3 & 4)
11CD: Gioachino Rossini: Armida (Act 1)
12CD: Gioachino Rossini: Armida (Acts 2 & 3)
13CD: Giuseppe Verdi: Rigoletto (Act 1)
14CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3)
15CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning)
16CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2)
17CD: Giuseppe Verdi: Macbeth (Acts 1 & 2)
18CD: Giuseppe Verdi: Macbeth (Acts 3 & 4)
19CD: Luigi Cherubini: Medea (Act 1)
20CD: Luigi Cherubini: Medea (Acts 2 & 3)
21CD: Christoph Willibald Gluck: Alceste (Act 1)
22CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3)
23CD: Gaspare Spontini: La vestale (Act 1)
24CD: Gaspare Spontini: La vestale (Acts 2 & 3)
25CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2)
26CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4)
27CD: Vincenzo Bellini: La sonnambula (Act 1 beginning)
28CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2)
29CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1)
30CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3)
31CD: Gaetano Donizetti: Anna Bolena (Act 1)
32CD: Gaetano Donizetti: Anna Bolena (Act 2)
33CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2)
34CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4)
35CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1)
36CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3)
37CD: Vincenzo Bellini: Il pirata (Act 1)
38CD: Vincenzo Bellini: Il pirata (Act 2)
39CD: Gaetano Donizetti: Poliuto (Act 1)
40CD: Gaetano Donizetti: Poliuto (Acts 2 & 3)
41CD: Giacomo Puccini: Tosca (Act 1)
42CD: Giacomo Puccini: Tosca (Acts 2 & 3)
43Blu-ray: Paris 1958
44Blu-ray: Hamburg 1959 & 1962
45Blu-ray: London 1962 & 1964
46CD