Greatest Hits

~ Veröffentlichung von Wilson Pickett (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I’m in Love
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-07-01 bis 1967-07-03)
recording engineer:
Tom Dowd (von 1967-07-01 bis 1967-07-03)
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-07-01 bis 1967-07-03)
Bass [electric bass]:
Tommy Cogbill (von 1967-07-01 bis 1967-07-03)
Gitarre:
Reggie Young (guitarist and songwriter) (von 1967-07-01 bis 1967-07-03)
Gitarre [lead guitar]:
Bobby Womack (von 1967-07-01 bis 1967-07-03)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (von 1967-07-01 bis 1967-07-03)
Orgel:
Bobby Emmons (von 1967-07-01 bis 1967-07-03)
Schlagzeug:
Gene Chrisman (von 1967-07-01 bis 1967-07-03)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-07-01 bis 1967-07-03) und King Curtis (saxophonist) (von 1967-07-01 bis 1967-07-03)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-07-01 bis 1967-07-03)
vocals:
Wilson Pickett (von 1967-07-01 bis 1967-07-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m in Love (von 1967-07-01 bis 1967-07-03)
Texter und Komponist(in):
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) und Tracebob Music Co.
2:35
2Hey Jude
Techniker(in) und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass [electric bass]:
Jerry Jemmott (am 1968-11-27)
E-Gitarre:
Duane Allman (am 1968-11-27) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-11-27)
Klavier:
Barry Beckett (am 1968-11-27)
Saxophon:
Floyd Newman (am 1968-11-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-11-27)
Tenorsaxophon:
Andrew Love (am 1968-11-27) und James Mitchell (US saxophonist/arranger) (am 1968-11-27)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1968-11-27)
Sologesang:
Wilson Pickett (am 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-11-27)
cover recording of:
Hey Jude (am 1968-11-27)
geschrieben in:
England, Vereinigtes Königreich (in 1968-06)
Verfasser(in):
John Lennon (The Beatles) (in 1968-06) und Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
geschrieben bei:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1968-06 bis 1968-07-26)
4:07
3It’s Too Late
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1963)
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
It’s Too Late
Texter und Komponist(in):
Wilson Pickett
publisher:
Correc-Tone und Cotillion Music Inc. (BMI)
3:10
4In the Midnight Hour
recording of:
In the Midnight Hour
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
2:39
5Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
42:27
6634–5789
recording of:
634‒5789 (Soulsville, U.S.A.)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
Irving Music, Inc. und Pronto Music (publisher)
2:58
7Everybody Needs Somebody to Love
recording of:
Everybody Needs Somebody to Love
Verfasser(in):
Bert Russell Berns, Solomon Burke und Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC und Musical Lights Tokyo
2:20
8Mustang Sally
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-13)
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
E-Bass [electric bass]:
Tommy Cogbill (von 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (von 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (von 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-10-13 bis 1966-10-14) und Eddie Logan (von 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (von 1966-10-13 bis 1966-10-14)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (von 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
43:08
9Funky Broadway
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1967-02-01 bis 1967-02-04)
E-Bass [electric bass]:
Tommy Cogbill (von 1967-02-01 bis 1967-02-04)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-02-01 bis 1967-02-04) und Lincoln "Chips" Moman (von 1967-02-01 bis 1967-02-04)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (von 1967-02-01 bis 1967-02-04)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-02-01 bis 1967-02-04)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1967-02-01 bis 1967-02-04) und Jimmy Mitchell (saxophone) (von 1967-02-01 bis 1967-02-04)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (von 1967-02-01 bis 1967-02-04)
vocals:
Wilson Pickett (von 1967-02-01 bis 1967-02-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1967-02-01 bis 1967-02-04)
cover recording of:
Funky Broadway (von 1967-02-01 bis 1967-02-04)
Texter und Komponist(in):
Arlester “Dyke” Christian
publisher:
Drive-In Music Co. und Embassy Music Corporation
22:37
10I’m a Midnight Mover
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1968-03-04)
Produzent(in):
Tom Dowd
vocals:
Wilson Pickett (am 1968-03-04)
arranger:
Tom Dowd
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m a Midnight Mover (am 1968-03-04)
Verfasser(in):
Wilson Pickett und Bobby Womack
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) und Tracebob Music Co.
2:26
11I Found a Love
recording of:
I Found a Love
Verfasser(in):
Wilson Pickett, Willie Schofield und Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music und Unichappell Music, Inc.
2:25
12If You Need Me
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1963)
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer)
Bass:
James Jamerson
Gitarre:
Robert White (US funk/soul guitarist) und Eddie Willis
Klavier:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
Schlagzeug:
Benny Benjamin (US drummer)
vocals:
Wilson Pickett
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
United Sound Systems in Detroit, Michigan, Vereinigte Staaten (in 1963)
recording of:
If You Need Me (in 1963)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett und Sonny Sanders
publisher:
Belinda (beendet), Cotillion Music Inc. (BMI) und Lupine Music
2:37
13Don’t Find It
2:10
14Ninety‐Nine and a Half
recording of:
Ninety‐Nine and a Half (Won’t Do)
Verfasser(in):
Steve Cropper, Eddie Floyd und Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:42
15Soul Dance Number Three
recording of:
Soul Dance Number Three
Verfasser(in):
Wilson Pickett und Jerry Wexler
publisher:
Erva Music Publishing (BMI) und Pronto Music (publisher)
2:40
16You Keep Me Hangin’ On
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bass:
Harold Cowart (am 1969-08-29)
Gitarre:
Jim O’Rourke (guitar) (am 1969-08-29)
Keyboard:
Billy Carter (organ, jazz) (am 1969-08-29)
Schlagzeug:
Tubby Ziegler (am 1969-08-29)
vocals:
Wilson Pickett (am 1969-08-29)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-08-29)
cover recording of:
You Keep Me Hangin’ On (am 1969-08-29)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
4:52