Greatest Hits

~ Release by Wilson Pickett (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I’m in Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m in Love (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) and Tracebob Music Co.
2:35
2Hey Jude
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-11-27)
electric bass guitar [electric bass]:
Jerry Jemmott (on 1968-11-27)
electric guitar:
Duane Allman (on 1968-11-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-11-27)
piano:
Barry Beckett (on 1968-11-27)
saxophone:
Floyd Newman (on 1968-11-27)
tenor saxophone:
Andrew Love (on 1968-11-27) and James Mitchell (US saxophonist/arranger) (on 1968-11-27)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-11-27)
lead vocals:
Wilson Pickett (on 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-11-27)
cover recording of:
Hey Jude (on 1968-11-27)
written in:
England, United Kingdom (in 1968-06)
writer:
John Lennon (The Beatles) (in 1968-06) and Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-06 until 1968-07-26)
4:07
3It’s Too Late
recorded in:
Detroit, Michigan, United States (in 1963)
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
It’s Too Late
lyricist and composer:
Wilson Pickett
publisher:
Correc-Tone and Cotillion Music Inc. (BMI)
3:10
4In the Midnight Hour
recording of:
In the Midnight Hour
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
2:39
5Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. and Tune-Kel
42:27
6634–5789
recording of:
634‒5789 (Soulsville, U.S.A.)
writer:
Steve Cropper and Eddie Floyd
publisher:
Irving Music, Inc. and Pronto Music (publisher)
2:58
7Everybody Needs Somebody to Love
recording of:
Everybody Needs Somebody to Love
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
2:20
8Mustang Sally
recorded in:
Muscle Shoals, Alabama, United States (on 1966-10-13)
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
43:08
9Funky Broadway
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
cover recording of:
Funky Broadway (from 1967-02-01 until 1967-02-04)
lyricist and composer:
Arlester “Dyke” Christian
publisher:
Drive-In Music Co. and Embassy Music Corporation
22:37
10I’m a Midnight Mover
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m a Midnight Mover (on 1968-03-04)
writer:
Wilson Pickett and Bobby Womack
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) and Tracebob Music Co.
2:26
11I Found a Love
recording of:
I Found a Love
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
2:25
12If You Need Me
recorded in:
Detroit, Michigan, United States (in 1963)
producer:
Robert Bateman (R&B singer/songwriter/record producer)
bass:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar:
Robert White (US funk/soul guitarist) and Eddie Willis
piano:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
vocals:
Wilson Pickett
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
If You Need Me (in 1963)
writer:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett and Sonny Sanders
publisher:
Belinda (ended), Cotillion Music Inc. (BMI) and Lupine Music
2:37
13Don’t Find It
2:10
14Ninety‐Nine and a Half
recording of:
Ninety‐Nine and a Half (Won’t Do)
writer:
Steve Cropper, Eddie Floyd and Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:42
15Soul Dance Number Three
recording of:
Soul Dance Number Three
writer:
Wilson Pickett and Jerry Wexler
publisher:
Erva Music Publishing (BMI) and Pronto Music (publisher)
2:40
16You Keep Me Hangin’ On
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass:
Harold Cowart (on 1969-08-29)
drums (drum set):
Tubby Ziegler (on 1969-08-29)
guitar:
Jim O’Rourke (guitar) (on 1969-08-29)
keyboard:
Billy Carter (organ, jazz) (on 1969-08-29)
vocals:
Wilson Pickett (on 1969-08-29)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-08-29)
cover recording of:
You Keep Me Hangin’ On (on 1969-08-29)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
4:52