Verdi (Red Classics)

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Rigoletto: Atto I. Gilda’s Aria “Caro nome”
soprano vocals [Gilda]:
Daniela Lojarro (soprano)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
7:21
2Rigoletto: Atto I. Chorus “Zitti, zitti, moviamo a vendetta”
choir vocals:
Sofia National Opera Chorus
recording of:
Rigoletto: Atto I, scena 2. Coro “Zitti, zitti, moviamo a vendetta” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
1:43
3Rigoletto: Atto II. Rigoletto’s Aria “Cortigiani, vil razza danata”
baritone vocals [Rigoletto]:
Lajos Miller (Hungarian baritone)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
4:37
4Rigoletto: Atto III. Duca’s Aria “La donna è mobile”
tenor vocals [Duca]:
Dénes Gulyás (tenor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:14
5La traviata: Atto I. Preludio
recording of:
La traviata: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
3:46
6La traviata: Atto I. Brindisi “Libiamo ne’ lieti calici”
soprano vocals [Violetta]:
Roumyana Bareva (soprano)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:08
7La traviata: Atto II. Chorus of the Gipsy Girls “Noi siamo zingarelle”
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
2:56
8La traviata: Atto II. Chorus of the Matadors “Di Madride noi siam mattadori”
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” (Gastone, Mattadori, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
3:19
9Nabucco: Atto III. Introduction, March and Chorus “È l’Assiria una regina”
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
Nabucco: Parte III. Coro d’introduzione “È l’Assiria una regina” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
3:40
10Nabucco: Atto III. Chorus of the Hebrew Slaves “Va pensiero”
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
5:19
11Nabucca: Atto III. Nabucco’s Aria and Chorus “Dio di Giuda”
baritone vocals [Nabucco]:
Lajos Miller (Hungarian baritone)
recording of:
Nabucco: Parte IV, scena 1. “Dio di Giuda! L’ara, il tempio a te sacro, sorgeranno” (Nabucco, Abdallo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
9:53
12Aida: Atto I. Radamès’ Romance “Celeste Aida”
tenor vocals [Radamès]:
József Simándy (Hungarian tenor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
5:15
13Aida: Atto I. Chorus of the Priests “Possenthe Fthá”
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
3:26
14Aida: Atto I. Aida’s Aria “Ritorna vincitor”
soprano vocals [Aida]:
Anna Tomowa‐Sintow (soprano)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
7:43
15Aida: Atto II. Chorus of the Slave Girls “Chi mai fra gl’inni e i plausi”
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
5:22
16Aida: Atto II. Triumphal March and Chorus “Gloria all’Egitto”
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
12:48
17Il Trovatore: Atto II. Gipsy Chorus “Vedi! Le fosche notturne”
choir vocals:
Sofia National Opera Chorus
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
3:13
18Il Trovatore: Atto III. Manrico’s Aria “Ah! Si, ben mio”
tenor vocals [Manrico]:
József Simándy (Hungarian tenor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:35
19Il Trovatore: Atto IV. Leonora’s Aria “Timor di me?”
soprano vocals [Leonora]:
Olga Romanko (soprano)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
6:11
20Macbeth: Atto I. Coro d’introduzione, Chorus of the Witches “Che faceste”
choir vocals:
Bulgarian National Chorus (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
Macbeth: Atto I. N°2a Coro d'introduzione “Che faceste? dite su!” (Streghe)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
3:32
21Macbeth: Atto I. Scene and Aria of Lady Macbeth “Nel di della vittoria”
soprano vocals [Lady Macbeth]:
Sylvia Sass (Hungarian soprano)
recording of:
Macbeth: Atto I. N°3a Scena “Nel dì della vittoria io le incontrai” … “Ambizioso spirto” (Lady)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto I
part of:
Macbeth: Atto I
5:07
22Macbeth: Atto IV. Chorus of the Scottish Refugees “Patria oppressa!”
choir vocals:
Bulgarian National Chorus (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
Macbeth: Atto IV. N°12 Coro “Patria oppressa! il dolce nome” (Profughi scozzesi) (Chorus of Scottish Exiles)
composer:
Giuseppe Verdi (Italian opera composer) (in 1847)
librettist:
Andrea Maffei (19th century poet, translator and librettist) and Francesco Maria Piave
part of:
Macbeth: Atto IV
6:26
23Macbeth: Atto IV. Aria of Macbeth “Perfidi! All’ anglo contro me”
baritone vocals [Macbeth]:
Piero Cappuccilli (baritone)
recording of:
Macbeth: Atto IV. N°15a Scena “Perfidi! All'anglo contro me v'unite!” (Macbeth)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
5:09
24Don Carlos: Atto III. Gran Finale “Spuntato ecco il dì d’esultanza”
choir vocals:
Bulgarian National Chorus (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
8:28
25Otello: Atto I. Chorus “Fuoco di gioia”
choir vocals:
Bulgarian National Chorus (National Philharmonic Choir “Svetoslav Obretenov”)
recording of:
Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
2:54
26Otello: Atto IV. Desdemona’s Prayer “Mia madre aveva una povera ancella” … “Ave Maria”
soprano vocals [Desdemona]:
Anna Tomowa‐Sintow (soprano)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
13:19
27La forza del destino: Overture
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
8:09
28La forza del destino: Atto II. Scene at the Monastery “Il santo nome di Dio”
baritone vocals [Melitone]:
Manfred Schenk (operatic bass & baritone)
soprano vocals [Leonora]:
Júlia Várady (soprano)
recording of:
La forza del destino: Atto II, scena 2. “Il santo nome di Dio Signore sia benedetto” (Guardiano, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
10:53
29La forza del destino: Atto IV. Leonora’s Aria “Pace, pace, mio Dio”
soprano vocals [Desdemona]:
Anna Tomowa‐Sintow (soprano)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
5:45
30The Sicilian Vespers: Overture
recording of:
I vespri siciliani: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I vespri siciliani
8:44

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ASIN:US: B00GX3B2TG [info]