Soul Queen

~ Release by Aretha Franklin (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1I Never Loved a Man (the Way I Love You)
recording engineer:
Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-01-24)
bass:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-01-24)
electric piano:
Dewey "Spooner" Oldham (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-01-24) and King Curtis (saxophonist) (on 1967-01-24)
trumpet:
Melvin Lastie (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-01-24)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music (publisher)
2:45
2Do Right Woman, Do Right Man
recording engineer:
Arif Mardin
producer:
Jerry Wexler
bass:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24)
background vocals:
Carolyn Franklin (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-01-24)
recording of:
Do Right Woman, Do Right Man (on 1967-01-24)
writer:
Chips Moman and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
3:17
3Save Me
recording engineer:
Tom Dowd
producer:
Jerry Wexler
vocals:
Aretha Franklin (on 1967-02-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-08)
recording of:
Save Me (Aretha Franklin song) (on 1967-02-08)
writer:
Aretha Franklin, Carolyn Franklin and Curtis Ousley
publisher:
Kilynn Music and Pronto Music (publisher)
2:16
4Drown in My Own Tears
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Drown in My Own Tears (on 1967-02-14)
lyricist and composer:
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music and Trio Music Co., Inc.
4:03
5Baby, Baby, Baby
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
recording of:
Baby, Baby, Baby (on 1967-02-14)
writer:
Aretha Franklin and Carolyn Franklin
publisher:
Fourteenth Hour Music, Inc. and Pronto Music (publisher)
2:54
6Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
2:27
7Good Times
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-15)
bass:
Tommy Cogbill (on 1967-02-15)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-15)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-15)
piano:
Dewey "Spooner" Oldham (on 1967-02-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-15) and King Curtis (saxophonist) (on 1967-02-15)
trumpet:
Melvin Lastie (on 1967-02-15)
vocals:
Aretha Franklin (on 1967-02-15)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-15)
cover recording of:
Good Times (on 1967-02-15)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd. and ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
2:06
8Dr. Feelgood (Love Is a Serious Business)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-16)
bass:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Dewey "Spooner" Oldham (on 1967-02-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-16) and King Curtis (saxophonist) (on 1967-02-16)
trumpet:
Melvin Lastie (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
recording of:
Dr. Feelgood (Love Is a Serious Business) (on 1967-02-16)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music and Pronto Music (publisher)
3:19
9(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
4.22:40
10Never Let Me Go
recording engineer:
Tom Dowd (on 1967-06-21) and Arif Mardin (on 1967-06-21)
producer:
Jerry Wexler
acoustic guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-21)
bass:
Tommy Cogbill (on 1967-06-21)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-21)
organ:
Truman Thomas (on 1967-06-21)
piano and lead vocals:
Aretha Franklin (on 1967-06-21)
vibraphone:
Spooner Oldham (on 1967-06-21)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-21)
cover recording of:
Never Let Me Go (on 1967-06-21)
lyricist and composer:
Joseph Scott (Joseph Wade Scott)
publisher:
Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!) and Duchess Music Corporation (BMI-affiliated) (in 1954)
2:54
11Night Life
recording engineer:
Tom Dowd (on 1967-06-23) and Arif Mardin (on 1967-06-23)
producer:
Jerry Wexler
bass:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
organ:
Spooner Oldham (on 1967-06-23)
piano and lead vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
cover recording of:
Night Life (Willie Nelson) (on 1967-06-23)
writer:
Walt Breeland (American songwriter), Paul Buskirk and Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs (SOCAN), Sony/ATV Tree Publishing and Glad Music Publishing (in 1962)
3:15
12Baby I Love You
recording of:
Baby I Love You
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. and Pronto Music (publisher)
2:39
13Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
4.252:43
14Ain't Nobody Gonna Turn Me Around
recording engineer:
Tom Dowd (on 1967-06-23) and Arif Mardin (on 1967-06-23)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-23)
bass:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
organ:
Spooner Oldham (on 1967-06-23)
piano and lead vocals:
Aretha Franklin (on 1967-06-23)
background vocals:
The Sweet Inspirations (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
recording of:
Ain’t Nobody (Gonna Turn Me Around) (on 1967-06-23)
lyricist and composer:
Carolyn Franklin
publisher:
Fourteenth Hour Music, Inc. and Pronto Music (publisher)
2:38
15(Sweet Sweet Baby) Since You’ve Been Gone
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
choir vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17), Erma Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
horn arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4.352:26
16Good to Me as I Am to You
recorded in:
New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano and organ:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guest guitar [guitar obbligato]:
Eric Clapton (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17), Joe South (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
piano:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-16 until 1967-12-17)
choir vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17), Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
recording of:
Good to Me as I Am to You (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music
4.653:58
17You’re a Sweet Sweet Man
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
flute and tenor saxophone:
Frank Wess (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17) and Seldon Powell (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
background vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
lead vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording of:
You’re a Sweet Sweet Man (from 1967-12-16 until 1967-12-17)
lyricist and composer:
Ronnie Shannon
42:17
18Come Back Baby
recorded in:
New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
electric piano and organ:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20), Joe South (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Come Back Baby
writer:
Ray Charles (soul musician, singer and songwriter) and Walter Davis (American blues singer and pianist)
publisher:
Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
version of:
Come Back Baby
32:27
19Ain’t No Way
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Cissy Houston (from 1967-12-19 until 1967-12-20)
choir vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
horn arranger and strings arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording of:
Ain’t No Way (from 1967-12-19 until 1967-12-20)
lyricist and composer:
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
54:14
20My Song
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
My Song
writer:
John Marshall Alexander (1950s rhythm & blues) and David James Mattis
publisher:
Universal/MCA Music Ltd. (not for release label use!)
3:29
21Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
3.652:19
22You Send Me
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-16) and Floyd Newman (on 1968-04-16)
bass guitar:
Jerry Jemmott (on 1968-04-16)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-16)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-16)
organ:
Spooner Oldham (on 1968-04-16)
piano and lead vocals:
Aretha Franklin (on 1968-04-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-16) and Andrew Love (on 1968-04-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-16)
background vocals:
The Sweet Inspirations (on 1968-04-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-16)
cover recording of:
You Send Me (on 1968-04-16)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
32:27
23See Saw
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-16) and Floyd Newman (on 1968-04-16)
bass guitar:
Jerry Jemmott (on 1968-04-16)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-16)
electric piano:
Spooner Oldham (on 1968-04-16)
guitar:
Tommy Cogbill (on 1968-04-16) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-16)
piano and lead vocals:
Aretha Franklin (on 1968-04-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-16) and Andrew Love (on 1968-04-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-16)
background vocals:
The Sweet Inspirations (on 1968-04-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-16)
cover recording of:
See Saw (on 1968-04-16)
writer:
Don Covay and Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.52:44
24The House That Jack Built
cover recording of:
The House That Jack Built
writer:
Bob Lance and Fran Robins
publisher:
Cotillion and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:20
25I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.353:32
26Night Time Is the Right Time
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-17) and Floyd Newman (on 1968-04-17)
bass guitar:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-17) and Andrew Love (on 1968-04-17)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
cover recording of:
Night Time Is the Right Time (on 1968-04-17)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
44:45
27Tracks of My Tears
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-04-18) and Frank Wess (on 1968-04-18)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-04-18)
bass:
Jerry Jemmott (on 1968-04-18)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-18)
guitar [lead guitar]:
Tommy Cogbill (on 1968-04-18)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-18)
organ:
Spooner Oldham (on 1968-04-18)
piano:
Aretha Franklin (on 1968-04-18)
tenor saxophone:
King Curtis (saxophonist) (on 1968-04-18) and Seldon Powell (on 1968-04-18)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-04-18), Urbie Green (on 1968-04-18), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-04-18) and Benny Powell (jazz trombonist) (on 1968-04-18)
trumpet:
Bernie Glow (on 1968-04-18), Joe Newman (US jazz trumpeter) (on 1968-04-18), Ernie Royal (on 1968-04-18), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-04-18) and Snookie Young (on 1968-04-18)
vibraphone:
Jack Jennings (on 1968-04-18)
woodwind:
David Newman (American jazz saxophonist) (on 1968-04-18)
conductor:
Arif Mardin (on 1968-04-18)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-18)
cover recording of:
The Tracks of My Tears (on 1968-04-18)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
2:55
28I Take What I Want
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-18) and Floyd Newman (on 1968-04-18)
bass guitar:
Jerry Jemmott (on 1968-04-18)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-18)
electric piano:
Spooner Oldham (on 1968-04-18)
piano and lead vocals:
Aretha Franklin (on 1968-04-18)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-18) and Andrew Love (on 1968-04-18)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-18)
background vocals:
The Sweet Inspirations (on 1968-04-18)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-18)
cover recording of:
I Take What I Want (on 1968-04-18)
writer:
Isaac Hayes, Mabon Hodges (“Teenie”, soul guitarist) and David Porter (US soul musician, producer & songwriter)
publisher:
Shapiro Bernstein & Co. Ltd.
42:32
29I Can’t See Myself Leaving You
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-18) and Floyd Newman (on 1968-04-18)
bass guitar:
Jerry Jemmott (on 1968-04-18)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-18)
electric piano:
Spooner Oldham (on 1968-04-18)
guitar:
Tommy Cogbill (on 1968-04-18) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-18)
piano and lead vocals:
Aretha Franklin (on 1968-04-18)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-18) and Andrew Love (on 1968-04-18)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-18)
background vocals:
The Sweet Inspirations (on 1968-04-18)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-18)
recording of:
I Can’t See Myself Leaving You (on 1968-04-18)
lyricist and composer:
Ronnie Shannon
43:02
30Pitiful
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-24) and Frank Wess (on 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-24)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-24) and Seldon Powell (on 1968-09-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-24), Urbie Green (on 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-24) and Benny Powell (jazz trombonist) (on 1968-09-24)
trumpet:
Bernie Glow (on 1968-09-24), Joe Newman (US jazz trumpeter) (on 1968-09-24), Ernie Royal (on 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-24) and Snookie Young (on 1968-09-24)
vibraphone:
Jack Jennings (on 1968-09-24)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-24)
conductor:
Arif Mardin (on 1968-09-24)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-24)
recording of:
Pitiful (on 1968-09-24)
writer:
Charlie Singleton (composer/lyricist) and Rose Marie McCoy
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
52:59
31Gentle on My Mind
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-24) and Frank Wess (on 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-24)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-24) and Seldon Powell (on 1968-09-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-24), Urbie Green (on 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-24) and Benny Powell (jazz trombonist) (on 1968-09-24)
trumpet:
Bernie Glow (on 1968-09-24), Joe Newman (US jazz trumpeter) (on 1968-09-24), Ernie Royal (on 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-24) and Snookie Young (on 1968-09-24)
vibraphone:
Jack Jennings (on 1968-09-24)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-24)
conductor:
Arif Mardin (on 1968-09-24)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-24)
cover recording of:
Gentle on My Mind (on 1968-09-24)
lyricist and composer:
John Hartford
publisher:
Acuff Rose Publications Ltd. and Ensign Music Corp.
2:29
32Share Your Love With Me
recorded in:
New York, United States (on 1969-01-08)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-08)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
cover recording of:
Share Your Love With Me (on 1969-01-08)
writer:
Alfred Braggs and Deadric Malone
publisher:
Don Music Co., Leeds Music Ltd., Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
43:18
33The Weight
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-08)
electric piano:
Barry Beckett (on 1969-01-08)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
slide guitar:
Duane Allman (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
background vocals:
Cissy Houston (on 1969-01-08), Sylvia Shemwell (on 1969-01-08) and Dee Dee Warwick (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
conductor:
Arif Mardin
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-08)
cover recording of:
The Weight (on 1969-01-08)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:52
34When the Battle Is Over
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-05-27)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-27)
electric piano:
Barry Beckett (on 1969-??-27)
guitar:
Eddie Hinton (on 1969-05-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-27)
organ:
Barry Beckett (on 1969-05-27)
piano:
Aretha Franklin (on 1969-05-27)
background vocals:
Margaret Branch (on 1969-05-27), Brenda Bryant (on 1969-05-27) and Almeda Lattimore (on 1969-05-27)
vocals:
Aretha Franklin (on 1969-05-27)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-05-27)
recording of:
When the Battle Is Over (on 1969-05-27)
writer:
Jessie Hill (US R&B/Louisiana blues singer) and Mac Rebennack (New Orleans blues pianist, singer and songwriter)
32:43
35Pullin’
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
electric piano and organ:
Barry Beckett (on 1969-10-03)
guitar:
Duane Allman (on 1969-10-03), Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1969-10-03)
recording of:
Pullin’ (on 1969-10-03)
writer:
Carolyn Franklin and Jimmy Radcliffe
publisher:
Springtime Music, Inc.
43:38
36Eleanor Rigby
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
Eleanor Rigby (on 1969-10-03)
written in:
London (Greater London), England, United Kingdom (in 1965) and Weybridge, Surrey, England, United Kingdom (from 1965 until 1966)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1966)
2:33
37Call Me
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
background vocals:
Brenda Bryant (on 1969-10-03), Cissy Houston (on 1969-10-03) and Pat Lewis (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 100)
recording of:
Call Me (on 1969-10-03)
lyricist and composer:
Aretha Franklin
publisher:
R.S.O. Publishing Ltd. and Springtime Music, Inc.
4.53:57
38Dark End of the Street
engineer:
Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
The Dark End of the Street (on 1969-10-03)
writer:
Chips Moman and Dan Penn (songwriter, soul singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
4:40
39Let It Be
recording engineer:
Adrian Barber (producer/engineer) and Jerome Gasper
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
piano:
Aretha Franklin (in 1969-10)
vocals:
Aretha Franklin (in 1969-10)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1969-10)
cover recording of:
Let It Be (in 1969-10)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
3.253:30
40You and Me
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
recording of:
You and Me (on 1970-03-10)
lyricist and composer:
Aretha Franklin
43:34
41Spirit in the Dark
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
recording of:
Spirit in the Dark (on 1970-03-10)
lyricist and composer:
Aretha Franklin
publisher:
Springtime Music, Inc.
3.54:04
42Don’t Play That Song (You Lied)
recording engineer:
Ron Albert and Chuck Kirkpatrick
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
horn arranger:
Tom Dowd
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (on 1970-03-10)
writer:
Ahmet Ertegun (US songwriter/producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
43:02
43Bridge Over Troubled Water
engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
drums (drum set):
Ray Lucas (on 1970-08-13)
electric bass guitar:
Chuck Rainey (American bassist) (on 1970-08-13)
guitar:
Cornell Dupree (on 1970-08-13)
organ:
Billy Preston (on 1970-08-13)
piano:
Aretha Franklin (on 1970-08-13)
tenor saxophone:
King Curtis (saxophonist) (on 1970-08-13)
background vocals:
Cissy Houston (on 1970-08-13), The Sweet Inspirations (on 1970-08-13) and The Sweethearts of Soul (on 1970-08-13)
vocals:
Aretha Franklin (on 1970-08-13)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
Bridge Over Troubled Water (on 1970-08-13)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:31
44Border Song (Holy Moses)
recording engineer:
Gene Paul (on 1970-08-19)
engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass guitar:
Chuck Rainey (American bassist) (on 1970-08-19)
drums (drum set):
Ray Lucas (on 1970-08-19)
guitar:
Cornell Dupree (on 1970-08-19)
organ:
Billy Preston (on 1970-08-19)
piano and lead vocals:
Aretha Franklin (on 1970-08-19)
background vocals:
Ronnie Bright (on 1970-08-19), J.R. Bailey (singer and songwriter) (on 1970-08-19), The Sweet Inspirations (on 1970-08-19) and Sammy Turner (on 1970-08-19)
horn arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-08-19)
cover recording of:
Border Song (on 1970-08-19)
lyricist:
Elton John (English singer, songwriter, pianist, and composer) and Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
3:20
45A Brand New Me
recording engineer:
Gene Paul (on 1970-11-02)
engineer:
Gene Paul
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Eric Gale (on 1970-11-02)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1970-11-02)
guitar:
Hugh McCracken (on 1970-11-02)
organ:
Donny Hathaway (on 1970-11-02)
piano and lead vocals:
Aretha Franklin (on 1970-11-02)
background vocals:
The Sweet Inspirations (on 1970-11-02)
horn arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-11-02)
cover recording of:
Brand New Me (on 1970-11-02)
writer:
Theresa Bell, Jerry Butler (soul singer), Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
34:23
46Oh Me Oh My (I’m a Fool for You Baby)
recording engineer:
Gene Paul (on 1970-11-02)
engineer:
Gene Paul
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass guitar:
Eric Gale (on 1970-11-02)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1970-11-02)
guitar:
Hugh McCracken (on 1970-11-02)
organ:
Donny Hathaway (on 1970-11-02)
piano and lead vocals:
Aretha Franklin (on 1970-11-02)
background vocals:
The Sweet Inspirations (on 1970-11-02)
horn, strings and woodwind arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-11-02)
cover recording of:
Oh Me Oh My (I’m a Fool for You Baby) (on 1970-11-02)
lyricist and composer:
Jim Doris (in 1969)
publisher:
Abesongs Ltd (PRS), Noo Trac Ltd. and Origin Network Pty Ltd
3:41
47You’re All I Need to Get By
recording engineer and engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
You’re All I Need to Get By
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
3.53:34
48Spanish Harlem
recording engineer:
Ron Albert (on 1971-02-16) and Chuck Kirkpatrick (on 1971-02-16)
engineer:
Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard Purdie (on 1971-02-16)
electric piano and organ:
Donny Hathaway (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
piano:
Aretha Franklin (on 1971-02-16)
background vocals:
Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and The Sweethearts of Soul (on 1971-02-16)
vocals:
Aretha Franklin (on 1971-02-16)
flute arranger, horn arranger, strings arranger and background vocals arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
cover recording of:
Spanish Harlem (on 1971-02-16)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
23:31
49Rock Steady
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
percussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (on 1971-02-16) and Robert Popwell (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
tenor saxophone:
Andrew Love (on 1971-02-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Tom Dowd
strings and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Rock Steady (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
3.753:14
50Day Dreaming
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
acoustic guitar:
Don Arnone (on 1971-02-16)
alto flute:
Hubert Laws (on 1971-02-16)
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
electric piano:
Donny Hathaway (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Day Dreaming (Aretha Franklin song) (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation and Pundit Music, Inc
4.53:59
51All the King’s Horses
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
celesta, piano and lead vocals:
Aretha Franklin (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
vibraphone:
Neil Rosengarden
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Arif Mardin
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
All the King's Horses (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
quotes lyrics from:
Humpty Dumpty (English nursery rhyme)
3:49
52April Fools
recording engineer:
Gene Paul (from 1971-02-18 until 1971-02-19)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (from 1971-02-18 until 1971-02-19)
drums (drum set):
Bernard “Pretty” Purdie (from 1971-02-18 until 1971-02-19)
electric piano, piano and lead vocals:
Aretha Franklin (from 1971-02-18 until 1971-02-19)
flute:
Hubert Laws (from 1971-02-18 until 1971-02-19)
guitar:
Cornell Dupree (from 1971-02-18 until 1971-02-19)
background vocals:
Margaret Branch (from 1971-02-18 until 1971-02-19), Ann S. Clark (from 1971-02-18 until 1971-02-19) and Pat Smith (soul vocalist) (from 1971-02-18 until 1971-02-19)
horn arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-02-18 until 1971-02-19)
cover recording of:
The April Fools (from 1971-02-18 until 1971-02-19)
lyricist:
Hal David (in 1969)
composer:
Burt Bacharach (in 1969)
publisher:
Aspenfair Music Inc., Casa David LP and New Hidden Valley Music Co.
3:27
53Wholy Holy
recording engineer:
Ray Thompson (engineer) (on 1972-01-14)
assistant engineer:
Jimmy Douglass (engineer), Gene Paul and George Piros
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
arranger:
Aretha Franklin
recorded at:
New Temple Missionary Baptist Church in Los Angeles, California, United States (on 1972-01-14)
live cover recording of:
Wholy Holy (on 1972-01-14)
composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
5:46
54Angel
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
mixer:
Phil Schier
tenor saxophone:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones and Phil Schier
arranger:
Aretha Franklin and Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Angel (in 1972-04)
writer:
Carolyn Franklin and Sonny Sanders
publisher:
Carlin Music Corporation and Springtime Music, Inc.
44:28
55Master of Eyes (The Deepness of Your Eyes)
recording engineer:
Phil Schier (on 1972-08-25)
engineer:
Phil Schier
producer:
Aretha Franklin and Quincy Jones
mixer:
Quincy Jones and Phil Schier
piano:
Aretha Franklin (on 1972-08-25)
vocals:
Aretha Franklin (on 1972-08-25)
remixer:
Quincy Jones and Phil Schier
arranger:
Aretha Franklin and Quincy Jones
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (on 1972-08-25)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Master of Eyes (The Deepness of Your Eyes) (on 1972-08-25)
writer:
Aretha Franklin and Bernice Hart
3:25
56I’m in Love
engineer:
Phil Ramone
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Stanley Clarke (on 1973-04-10)
drums (drum set):
Rick Marotta (US drummer/percussionist) (on 1973-04-10)
guitar:
Cornell Dupree (on 1973-04-10) and David Spinozza (on 1973-04-10)
percussion:
Ralph MacDonald (on 1973-04-10)
piano:
Donny Hathaway (on 1973-04-10)
background vocals:
Judy Clay (American soul and gospel singer) (on 1973-04-10), Gwen Guthrie (US singer, songwriter & pianist) (on 1973-04-10), Cissy Houston (on 1973-04-10) and Deidre Tuck (on 1973-04-10)
lead vocals:
Aretha Franklin (on 1973-04-10)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1973-04-10)
cover recording of:
I’m in Love (on 1973-04-10)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) and Tracebob Music Co.
2:51
57Ain’t Nothing Like the Real Thing
engineer:
Phil Ramone
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Stanley Clarke (on 1973-04-10)
drums (drum set):
Rick Marotta (US drummer/percussionist) (on 1973-04-10)
guitar:
David Spinozza (on 1973-04-10)
keyboard:
Donny Hathaway (on 1973-04-10) and Bob James (US jazz keyboardist, arranger and producer) (on 1973-04-10)
percussion:
Ralph MacDonald (on 1973-04-10)
background vocals:
Judy Clay (American soul and gospel singer) (on 1973-04-10), Cissy Houston (on 1973-04-10), Sylvia Shemwell (on 1973-04-10) and Myrna Smith (on 1973-04-10)
lead vocals:
Aretha Franklin (on 1973-04-10)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1973-04-10)
cover recording of:
Ain’t Nothing Like the Real Thing (on 1973-04-10)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1967 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
3:50
58Every Natural Thing
engineer:
Gene Paul
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-08-13)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-08-13)
electric piano and organ:
Richard Tee (on 1973-08-13)
guitar:
Cornell Dupree (on 1973-08-13)
percussion:
Ralph MacDonald (on 1973-08-13) and Pancho Morales (on 1973-08-13)
piano and lead vocals:
Aretha Franklin (on 1973-08-13)
solo tenor saxophone:
Joe Farrell (on 1973-08-13)
background vocals:
Margaret Branch (on 1973-08-13), Ann S. Clark (on 1973-08-13) and Pat Smith (soul vocalist) (on 1973-08-13)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-08-13)
recording of:
Every Natural Thing (on 1973-08-13)
lyricist and composer:
Eddie Hinton
2:37
59Until You Come Back to Me (That’s What I'm Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
4.353:26
60Something He Can Feel
recording engineer and engineer:
Roger Anfinsen
producer:
Curtis Mayfield
arranger:
Curtis Mayfield and Richard Tufo
orchestrator:
Richard Tufo
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 9)
recording of:
Something He Can Feel (from 1975-04-15 until 1976-04)
lyricist and composer:
Curtis Mayfield
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
46:15

Credits

Release

phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 2007)
purchase for download:https://itunes.apple.com/us/album/id266602438 [info]
https://play.google.com/store/music/album?id=B2jzlxallmeg32mvr5trwuta5wq [info] (until 2020-10-12)
ASIN:US: B0011Z51NY [info]
stream for free:https://open.spotify.com/album/3nIxtIMxYqCiD7ZDE0payb [info]
https://www.deezer.com/album/213969 [info]
streaming page:Amazon Music US [info]
https://music.apple.com/us/album/266602438 [info]
https://tidal.com/album/1205508 [info]