Party Power Pack, Volume 5

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:01
2Gimme! Gimme! Gimme! (A Man After Midnight)
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1979, nel 1986)
registrazione di:
Gimme! Gimme! Gimme! (A Man After Midnight) (nel 1979)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., Union Songs Music e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
ABBA44:46
325 Years
produttore:
Andy Duncan (UK drummer and producer), Chris Porter (engineer and producer) e Don Snow
diritti fonografici (℗) detenuti da:
Trackand Ltd. (copyrights holder) (nel 1983)
registrazione di:
25 Years
paroliere e compositore:
Don Snow
editore:
Don Snow Music, SMV Schacht Musikverlage GmbH & CO KG (GEMA-affiliated) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1983)
The Catch3:56
4Road to Nowhere
tecnico di registrazione e tecnico di missaggio:
Eric “E.T.” Thorngren
assistente tecnico:
Melanie West (engineer) (incarico: second engineer)
produttore:
Talking Heads
batteria :
Chris Frantz
bonghi ospite , congas ospite e tamburello ospite :
Steve Scales
chitarra :
David Byrne (Talking Heads) e Jerry Harrison (Talking Heads & producer)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer)
fisarmonica ospite :
Jimmy MacDonell
sassofono ospite :
Lenny Pickett (saxophone)
sintetizzatore basso [synth bass] :
Tina Weymouth
washboard ospite :
Andrew Cader
voce:
David Byrne (Talking Heads)
voce di accompagnamento:
Jerry Harrison (Talking Heads & producer) e Tina Weymouth
voce di accompagnamento ospite:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves e Kurt Yahijian
voce principale:
David Byrne (Talking Heads)
arrangiatore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Sire Records Company (not for release label use!) (nel 1985) e Talking Heads Tours Inc. (nel 1985)
registrata presso e mixata presso:
Sigma Sound (New York) in New York, New York, Stati Uniti
video musicali:
Road to Nowhere (music video) di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. e Warner Bros. Music Corp.
Talking Heads4.24:21
5Such a Shame
registrazione di:
Such a Shame
paroliere e compositore:
Mark Hollis
editore:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk5:19
6Hymn
assistente tecnico:
Jon Jacobs (UK producer/engineer)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1982, nel 2025)
è stato produttore per:
AIR Studios Ltd.
registrata in aggiunta presso e mixata in aggiunta presso:
AIR Studios Montserrat in Saint Peter, Montserrat (dal 1982-06 al 1982-08)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
edit di:
Hymn di Ultravox
video musicali:
Hymn di Ultravox
registrazione di:
Hymn
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox54:26
7Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:42
8Welcome to Heartlight
Kenny Loggins3:54
9Marliese
tecnico:
Richard Manwaring (Producer) e Steve Parker (UK producer & engineer)
produttore:
Richard Manwaring (Producer) e John Watts
tecnico di missaggio:
Richard Manwaring (Producer)
basso e basso a pedali :
David Graham (bassist, Fisher-Z) (dal 1980-12-05 al 1980-12-15)
batteria :
Steve Liddle (drummer, Fisher-Z) (dal 1980-12-05 al 1980-12-15)
chitarra e tastiera e voce principale:
John Watts (dal 1980-12-05 al 1980-12-15)
voce di accompagnamento:
David Graham (bassist, Fisher-Z) (dal 1980-12-05 al 1980-12-15) e Steve Liddle (drummer, Fisher-Z) (dal 1980-12-05 al 1980-12-15)
arrangiatore:
John Watts
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (dal 1980-12-05 al 1980-12-15)
mixata presso:
Scorpio Sound in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (dal 1980-12-16 al 1980-12-24)
registrazione di:
Marliese (dal 1980-12-05 al 1980-12-15)
paroliere e compositore:
John Watts
editore:
Captains Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Wattsongs Ltd (publisher; do NOT use as a release label)
Fischer‐Z3:48
10Love Blonde
tecnico:
Keith Fernley, Will Gosling, Simon Schofield (Engineer) e Pete Schwier (producer, mixing and recording engineer)
produttore:
Ricky Wilde
batteria :
Trevor Murrell
chitarra , synclavier e tastiera :
Ricky Wilde
chitarra basso :
Mark Heyward-Chaplin e Ricky Wilde
chitarra elettrica [lead guitar] :
Steve Byrd
sassofono :
Gary Barnacle
voce di accompagnamento:
Steve Byrd, Mark Heyward-Chaplin e Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
Nivram Studios, RAK Studios in London (Greater London), England, Regno Unito e Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
RAK Studios in London (Greater London), England, Regno Unito e Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
edit di:
Love Blonde di Kim Wilde
registrazione di:
Love Blonde
autore:
Marty Wilde e Ricky Wilde
Kim Wilde33:31
11Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:25
12Rockin’ All Over the World
assistente tecnico:
Kevin Whyte
tecnico:
John Eden (producer), Barry Hammond e Simon Sullivan
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1977), Mercury Records Ltd. (London) (for copyrights use only) (nel 1977), Mercury Records Ltd. (UK) (nel 1977), Phonogram Ltd. (not for release label use!) (nel 1977), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1977, nel 1988) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1992)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (il 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Svezia (il 1992-08-30) e Sutton Park in Birmingham, West Midlands, England, Regno Unito (il 1992-08-30)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
video musicali:
Rockin All Over the World di Status Quo (UK boogie rock band)
registrazione cover di:
Rockin’ All Over the World (il 1992-08-30)
paroliere e compositore:
John Fogerty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company e Intersong Ltd. (publisher) (nel 1977)
Status Quo43:31
13I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
14Oops Up Side Your Head (I Don’t Believe You Want to Get Up)
registrazione di:
I Don’t Believe You Want to Get Up and Dance (Oops!)
autore:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) e Ronnie Wilson (Gap Band member)
editore:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (nel 1979) e Total Experience Music (publisher) (nel 1979)
The Gap Band4:56
15Just an Illusion
registrazione di:
Just an Illusion
autore:
Ashley Ingram, Leee John, Steve Jolley e Tony Swain (songwriter, producer)
editore:
Broadley Music (International) Ltd. (PRS)
Imagination4.353:52
16The Look of Love
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:30
17Last Night a DJ Saved My Life
registrazione di:
Last Night a D.J. Saved My Life
paroliere e compositore:
Mike Cleveland (80's dance)
editore:
Windswept Pacific Music Ltd.
Indeep44:43
18Why Did You Do It
registrazione di:
Why Did You Do It
paroliere e compositore:
Kirby Gregory
editore:
BMG Platinum Songs US, Kingstreet Media Publishing Limited e Palan Music Publishing Ltd.
Stretch3:30

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Gruppo di pubblicazioni

parte di:Party Power Pack (Polystar, Germany) (numero: 1996.1) (ordine: 5)