| # | Title | Artist | Rating | Length |
|---|
| 1 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 3:01 |
| 2 | Gimme! Gimme! Gimme! (A Man After Midnight) | ABBA | 4 | 4:46 |
| 3 | 25 Years | The Catch | | 3:56 |
| 4 | Road to Nowhere- recording engineer and mixer:
- Eric “E.T.” Thorngren
- assistant engineer:
- Melanie West (task: second engineer)
- producer:
- Talking Heads
- bass synthesizer [synth bass]:
- Tina Weymouth
- drums (drum set):
- Chris Frantz
- guest accordion:
- Jimmy MacDonell
- guest bongos, guest congas and guest tambourine:
- Steve Scales
- guest saxophone:
- Lenny Pickett
- guest washboard:
- Andrew Cader
- guitar:
- David Byrne and Jerry Harrison
- guitar and keyboard and keyboard:
- Jerry Harrison
- background vocals:
- Jerry Harrison and Tina Weymouth
- guest background vocals:
- Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
- lead vocals:
- David Byrne
- vocals:
- David Byrne
- arranger:
- David Byrne , Chris Frantz, Jerry Harrison and Tina Weymouth
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1985), Sire Records Company (in 1985) and Talking Heads Tours Inc. (in 1985)
- recorded at and mixed at:
- Sigma Sound in New York, New York, United States
- music videos:
- Road to Nowhere by Talking Heads
- recording of:
- Road to Nowhere
- lyricist and composer:
- David Byrne
- publisher:
- Bleu Disque Music Co. , Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
| Talking Heads | 4.2 | 4:21 |
| 5 | Such a Shame | Talk Talk | | 5:19 |
| 6 | Hymn | Ultravox | 5 | 4:26 |
| 7 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981), EMI–Manhattan Records (in 1981) and Capitol Records, LLC (in 1997)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:42 |
| 8 | Welcome to Heartlight | Kenny Loggins | | 3:54 |
| 9 | Marliese | Fischer‐Z | | 3:48 |
| 10 | Love Blonde- engineer:
- Keith Fernley, Will Gosling, Simon Schofield and Pete Schwier
- producer:
- Ricky Wilde
- bass guitar:
- Mark Heyward-Chaplin and Ricky Wilde
- drums (drum set):
- Trevor Murrell
- electric guitar [lead guitar]:
- Steve Byrd
- guitar, keyboard and synclavier:
- Ricky Wilde
- saxophone:
- Gary Barnacle
- background vocals:
- Steve Byrd, Mark Heyward-Chaplin and Ricky Wilde
- lead vocals:
- Kim Wilde
- phonographic copyright (℗) by:
- EMI France (in 1993), EMI Records Ltd. (in 2001) and EMI Records Limited (in 2006)
- recorded at:
- Nivram Studios, RAK Studios in London , England, United Kingdom and Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- mixed at:
- RAK Studios in London , England, United Kingdom and Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- edit of:
- Love Blonde by Kim Wilde
- recording of:
- Love Blonde
- writer:
- Marty Wilde and Ricky Wilde
| Kim Wilde | 3 | 3:31 |
| 11 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:25 |
| 12 | Rockin’ All Over the World- assistant engineer:
- Kevin Whyte
- engineer:
- John Eden , Barry Hammond and Simon Sullivan
- producer:
- Status Quo and Pip Williams
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1977), Mercury Records Ltd. (London) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (in 1977), Phonogram Ltd. (London) (in 1977, in 1988) and Polydor Ltd. (UK) (in 1992)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality , Västra Götaland , Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
- mixed at:
- Mayfair Studios in London , England, United Kingdom
- music videos:
- Rockin All Over the World by Status Quo
- cover recording of:
- Rockin’ All Over the World (on 1992-08-30)
- lyricist and composer:
- John Fogerty
- publisher:
- Copyright Control , Greasy King Music, Hornall Brothers Music , Intersong , Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB , Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. , Wenaha Music, Wenaha Music Company and Intersong Ltd. (in 1977)
| Status Quo | 4 | 3:31 |
| 13 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
| 14 | Oops Up Side Your Head (I Don’t Believe You Want to Get Up) | The Gap Band | | 4:56 |
| 15 | Just an Illusion | Imagination | 4.35 | 3:52 |
| 16 | The Look of Love- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- keyboard:
- Mark White
- lead vocals:
- Martin Fry
- strings arranger:
- Anne Dudley
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1982)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (number: 43)
- partial recording of:
- The Look of Love
- writer:
- Martin Fry, David Palmer , Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc.
- part of:
- Mantrap
| ABC | 3.9 | 3:30 |
| 17 | Last Night a DJ Saved My Life | Indeep | 4 | 4:43 |
| 18 | Why Did You Do It | Stretch | | 3:30 |
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