Respect: The Very Best of Aretha Franklin

~ Release by Aretha Franklin (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify + Deezer)

(As of 2020-08-31).

  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)
Annotation last modified on 2021-08-19 06:42 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
2:27
2(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
4.22:45
3(Sweet Sweet Baby) Since You’ve Been Gone
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
choir vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17), Erma Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
horn arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4.352:26
4Think (single version)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
3.652:16
5I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.353:37
6Son of a Preacher Man
engineer:
Tom Dowd and Jerome Gasper
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
background vocals:
The Sweet Inspirations (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
Son of a Preacher Man (on 1969-10-03)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
4.53:19
7Come Back Baby
recorded in:
New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
electric piano and organ:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20), Joe South (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Come Back Baby
writer:
Ray Charles (soul musician, singer and songwriter) and Walter Davis (American blues singer and pianist)
publisher:
Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
version of:
Come Back Baby
32:27
8Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
4.252:43
9Baby I Love You
recording of:
Baby I Love You
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. and Pronto Music (publisher)
2:40
10Dr. Feelgood (Love Is a Serious Business)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-15)
bass guitar:
Tommy Cogbill (on 1967-02-15)
cornet:
Melvin Lastie (on 1967-02-15)
drums (drum set):
Gene Chrisman (on 1967-02-15)
organ:
Spooner Oldham (on 1967-02-15)
piano:
Aretha Franklin (on 1967-02-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-15) and King Curtis (saxophonist) (on 1967-02-15)
trumpet:
Ernie Royal (on 1967-02-15)
vocals:
Aretha Franklin (on 1967-02-15)
conductor:
Tom Dowd (on 1967-02-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-15)
recording of:
Dr. Feelgood (Love Is a Serious Business) (on 1967-02-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music and Pronto Music (publisher)
4.653:23
11I Never Loved a Man (the Way I Love You)
recording engineer:
Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-01-24)
bass:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-01-24)
electric piano:
Dewey "Spooner" Oldham (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-01-24) and King Curtis (saxophonist) (on 1967-01-24)
trumpet:
Melvin Lastie (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-01-24)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music (publisher)
2:43
12Share Your Love With Me
recorded in:
New York, United States (on 1969-01-08)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-08)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
cover recording of:
Share Your Love With Me (on 1969-01-08)
writer:
Alfred Braggs and Deadric Malone
publisher:
Don Music Co., Leeds Music Ltd., Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
43:22
13You’re a Sweet Sweet Man
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
flute and tenor saxophone:
Frank Wess (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17) and Seldon Powell (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
background vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
lead vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording of:
You’re a Sweet Sweet Man (from 1967-12-16 until 1967-12-17)
lyricist and composer:
Ronnie Shannon
42:19
14Save Me
recording engineer:
Tom Dowd
producer:
Jerry Wexler
vocals:
Aretha Franklin (on 1967-02-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-08)
recording of:
Save Me (Aretha Franklin song) (on 1967-02-08)
writer:
Aretha Franklin, Carolyn Franklin and Curtis Ousley
publisher:
Kilynn Music and Pronto Music (publisher)
2:20
15See Saw
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-16) and Floyd Newman (on 1968-04-16)
bass guitar:
Jerry Jemmott (on 1968-04-16)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-16)
electric piano:
Spooner Oldham (on 1968-04-16)
guitar:
Tommy Cogbill (on 1968-04-16) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-16)
piano and lead vocals:
Aretha Franklin (on 1968-04-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-16) and Andrew Love (on 1968-04-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-16)
background vocals:
The Sweet Inspirations (on 1968-04-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-16)
cover recording of:
See Saw (on 1968-04-16)
writer:
Don Covay and Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.52:44
16Spanish Harlem
recording engineer:
Ron Albert (on 1971-02-16) and Chuck Kirkpatrick (on 1971-02-16)
engineer:
Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard Purdie (on 1971-02-16)
electric piano and organ:
Donny Hathaway (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
piano:
Aretha Franklin (on 1971-02-16)
background vocals:
Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and The Sweethearts of Soul (on 1971-02-16)
vocals:
Aretha Franklin (on 1971-02-16)
flute arranger, horn arranger, strings arranger and background vocals arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
cover recording of:
Spanish Harlem (on 1971-02-16)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
23:31
17Call Me
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
background vocals:
Brenda Bryant (on 1969-10-03), Cissy Houston (on 1969-10-03) and Pat Lewis (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 100)
recording of:
Call Me (on 1969-10-03)
lyricist and composer:
Aretha Franklin
publisher:
R.S.O. Publishing Ltd. and Springtime Music, Inc.
4.53:57
18The Weight
engineer:
Tom Dowd, Jerome Gasper and Lew Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-08)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-01-08)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
slide guitar:
Duane Allman (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-08)
cover recording of:
The Weight (on 1969-01-08)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
43:00
19Do Right Woman, Do Right Man
recording engineer:
Arif Mardin
producer:
Jerry Wexler
bass:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24)
background vocals:
Carolyn Franklin (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-01-24)
recording of:
Do Right Woman, Do Right Man (on 1967-01-24)
writer:
Chips Moman and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
3:17
20Eleanor Rigby
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
Eleanor Rigby (on 1969-10-03)
written in:
London (Greater London), England, United Kingdom (in 1965) and Weybridge, Surrey, England, United Kingdom (from 1965 until 1966)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1966)
2:33
21Rock Steady (alternate mix)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
percussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (on 1971-02-16) and Robert Popwell (on 1971-02-16)
background vocals:
Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and The Sweethearts of Soul (on 1971-02-16)
vocals:
Aretha Franklin (on 1971-02-16)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Rock Steady (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
4:30
22The House That Jack Built
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass guitar:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
organ:
Spooner Oldham (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
The House That Jack Built (on 1968-04-17)
writer:
Bob Lance and Fran Robins
publisher:
Cotillion and Warner Chappell Music Ltd. (no slash; used 1988–1996)
52:23
23Bridge Over Troubled Water
engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
drums (drum set):
Ray Lucas (on 1970-08-13)
electric bass guitar:
Chuck Rainey (American bassist) (on 1970-08-13)
guitar:
Cornell Dupree (on 1970-08-13)
organ:
Billy Preston (on 1970-08-13)
piano:
Aretha Franklin (on 1970-08-13)
tenor saxophone:
King Curtis (saxophonist) (on 1970-08-13)
background vocals:
Cissy Houston (on 1970-08-13), The Sweet Inspirations (on 1970-08-13) and The Sweethearts of Soul (on 1970-08-13)
vocals:
Aretha Franklin (on 1970-08-13)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
Bridge Over Troubled Water (on 1970-08-13)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:31
24Oh No Not My Baby
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-05-26)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-26)
electric piano and organ:
Barry Beckett (on 1969-05-26)
guitar:
Duane Allman (on 1969-05-26), Cornell Dupree (on 1969-05-26), Eddie Hinton (on 1969-05-26) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-26)
piano:
Aretha Franklin (on 1969-05-26)
vocals:
Aretha Franklin (on 1969-05-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
cover recording of:
Oh No Not My Baby (on 1969-05-26)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
42:56
25You Send Me
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-16) and Floyd Newman (on 1968-04-16)
bass guitar:
Jerry Jemmott (on 1968-04-16)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-16)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-16)
organ:
Spooner Oldham (on 1968-04-16)
piano and lead vocals:
Aretha Franklin (on 1968-04-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-16) and Andrew Love (on 1968-04-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-16)
background vocals:
The Sweet Inspirations (on 1968-04-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-16)
cover recording of:
You Send Me (on 1968-04-16)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
32:30
26Ain’t No Way
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Cissy Houston (from 1967-12-19 until 1967-12-20)
choir vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
horn arranger and strings arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording of:
Ain’t No Way (from 1967-12-19 until 1967-12-20)
lyricist and composer:
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
54:17
27Don’t Play That Song (You Lied)
recording engineer:
Ron Albert and Chuck Kirkpatrick
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
horn arranger:
Tom Dowd
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (on 1970-03-10)
writer:
Ahmet Ertegun (US songwriter/producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
42:59
28Spirit in the Dark
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
recording of:
Spirit in the Dark (on 1970-03-10)
lyricist and composer:
Aretha Franklin
publisher:
Springtime Music, Inc.
3.54:04
29A Brand New Me
recording engineer:
Gene Paul (on 1970-11-02)
engineer:
Gene Paul
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Eric Gale (on 1970-11-02)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1970-11-02)
guitar:
Hugh McCracken (on 1970-11-02)
organ:
Donny Hathaway (on 1970-11-02)
piano and lead vocals:
Aretha Franklin (on 1970-11-02)
background vocals:
The Sweet Inspirations (on 1970-11-02)
horn arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-11-02)
cover recording of:
Brand New Me (on 1970-11-02)
writer:
Theresa Bell, Jerry Butler (soul singer), Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
34:26
30Day Dreaming
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
acoustic guitar:
Don Arnone (on 1971-02-16)
alto flute:
Hubert Laws (on 1971-02-16)
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
electric piano:
Donny Hathaway (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Day Dreaming (Aretha Franklin song) (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation and Pundit Music, Inc
4.54:00
31Border Song (Holy Moses)
recording engineer:
Gene Paul (on 1970-08-19)
engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass guitar:
Chuck Rainey (American bassist) (on 1970-08-19)
drums (drum set):
Ray Lucas (on 1970-08-19)
guitar:
Cornell Dupree (on 1970-08-19)
organ:
Billy Preston (on 1970-08-19)
piano and lead vocals:
Aretha Franklin (on 1970-08-19)
background vocals:
Ronnie Bright (on 1970-08-19), J.R. Bailey (singer and songwriter) (on 1970-08-19), The Sweet Inspirations (on 1970-08-19) and Sammy Turner (on 1970-08-19)
horn arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-08-19)
cover recording of:
Border Song (on 1970-08-19)
lyricist:
Elton John (English singer, songwriter, pianist, and composer) and Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
3:21
32Angel
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
mixer:
Phil Schier
tenor saxophone:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones and Phil Schier
arranger:
Aretha Franklin and Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Angel (in 1972-04)
writer:
Carolyn Franklin and Sonny Sanders
publisher:
Carlin Music Corporation and Springtime Music, Inc.
44:28
33Until You Come Back to Me (That’s What I Am Going to Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
4.353:26
34Something He Can Feel
recording of:
Something He Can Feel
lyricist and composer:
Curtis Mayfield
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
6:19
35I’m in Love
engineer:
Phil Ramone
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Stanley Clarke (on 1973-04-10)
drums (drum set):
Rick Marotta (US drummer/percussionist) (on 1973-04-10)
guitar:
Cornell Dupree (on 1973-04-10) and David Spinozza (on 1973-04-10)
percussion:
Ralph MacDonald (on 1973-04-10)
piano:
Donny Hathaway (on 1973-04-10)
background vocals:
Judy Clay (American soul and gospel singer) (on 1973-04-10), Gwen Guthrie (US singer, songwriter & pianist) (on 1973-04-10), Cissy Houston (on 1973-04-10) and Deidre Tuck (on 1973-04-10)
lead vocals:
Aretha Franklin (on 1973-04-10)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1973-04-10)
cover recording of:
I’m in Love (on 1973-04-10)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) and Tracebob Music Co.
2:50
36Let It Be
recording engineer:
Adrian Barber (producer/engineer) and Jerome Gasper
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
piano:
Aretha Franklin (in 1969-10)
vocals:
Aretha Franklin (in 1969-10)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1969-10)
cover recording of:
Let It Be (in 1969-10)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
3.253:30
37Drown in My Own Tears
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14), Erma Franklin (on 1967-02-14) and Cissy Houston (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
cover recording of:
Drown in My Own Tears (on 1967-02-14)
lyricist and composer:
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music and Trio Music Co., Inc.
54:08
38Night Time Is the Right Time
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-17) and Floyd Newman (on 1968-04-17)
bass guitar:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-17) and Andrew Love (on 1968-04-17)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
cover recording of:
Night Time Is the Right Time (on 1968-04-17)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
44:50
39You’re All I Need to Get By (take 2)
producer:
Arif Mardin and Jerry Wexler
bass:
Eric Gale (from 1970-10-29 until 1970-11-02)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1970-10-29 until 1970-11-02)
electric piano:
Donny Hathaway (from 1970-10-29 until 1970-11-02)
guitar:
Hugh McCracken (from 1970-10-29 until 1970-11-02)
piano:
Aretha Franklin (from 1970-10-29 until 1970-11-02)
background vocals:
Carolyn Franklin (from 1970-10-29 until 1970-11-02)
vocals:
Aretha Franklin (from 1970-10-29 until 1970-11-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1970-10-29 until 1970-11-02)
cover recording of:
You’re All I Need to Get By (from 1970-10-29 until 1970-11-02)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
3:36
40A Song for You
engineer:
Gene Paul
producer:
Tom Dowd, Aretha Franklin, Arif Mardin and Jerry Wexler
bass:
Willie Weeks (US bass player) (on 1973-03-24)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-03-24)
electric piano and lead vocals:
Aretha Franklin (on 1973-03-24)
guitar:
Cornell Dupree (on 1973-03-24)
organ:
Richard Tee (on 1973-03-24)
percussion:
Ralph MacDonald (on 1973-03-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-03-24)
cover recording of:
A Song for You (on 1973-03-24)
lyricist and composer:
Leon Russell
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:34

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Warner Music Group – X5 Music Group (in 2017)
stream for free:https://open.spotify.com/album/3IadQMKTsvI9DhuE4UexFz [info]
https://www.deezer.com/album/15738590 [info]