Now! That’s What I Call a Singer

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1Digital Media
#TitleArtistRatingLength
1Rehab
assistant recording engineer:
Jesse Gladstone and Mike Makowski
recording engineer:
Vaughan Merrick and Mark Ronson (British DJ and producer)
miscellaneous support:
Isobel Griffiths (task: contractor / orchestra)
engineer:
Dom Morley
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Matt Paul
mixer:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist) and Ian Hendrickson-Smith
bass guitar:
Nick Movshon
cello:
John Heley (cellist), Joely Koos (cellist) and Anthony Pleeth (cellist)
drums (drum set):
Homer Steinweiss
electric piano, handclaps and piano and piano:
Victor Axelrod
guitar:
Thomas Brenneck and Binky Griptite
handclaps:
Vaughan Merrick and Mark Ronson (British DJ and producer)
harp:
Helen Tunstall
percussion:
Frank Ricotti (percussionist)
tenor saxophone:
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman and Jamie Talbot (English jazz alto saxophonist)
trombone:
Richard Edwards (trombonist)
trumpet:
Dave Guy and Steve Sidwell (English composer & wind instrumentalist)
viola:
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) and Katie Wilkinson (violist)
violin:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) and Warren Zielinski (violinist)
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
wind instruments arranger:
Gabriel Roth and Mark Ronson (British DJ and producer)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
recorded at:
Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis (London) in London (Greater London), England, United Kingdom
part of:
Amazon – Best Songs of 2007: Editor Picks (number: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 73) and Indie 88: Top 500 Indie Rock Songs (number: 419)
recording of:
Rehab
lyricist and composer:
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.13:33
2I’m Not the Only One
producer:
Steve Fitzmaurice (Irish mixer, songwriter and producer) and Jimmy Napes
electric bass guitar:
Jodi Milliner
guitar:
Ben Thomas (UK guitar player)
piano:
Reuben James
conductor:
Simon Hale
strings arranger:
Simon Hale
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
I’m Not the Only One
writer:
James Napier and Sam Smith (English singer‐songwriter)
Sam Smith3.13:25
3Rocket Man
engineer:
Ken Scott (UK record producer & engineer)
producer:
Gus Dudgeon
bass guitar:
Dee Murray
drums (drum set):
Nigel Olsson
guitar:
Davey Johnstone
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
synthesizer:
David Hentschel
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1972)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 149) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 242)
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Elton John3.84:40
4Suspicious Minds
cover recording of:
Suspicious Minds
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Elvis Presley4:20
5My Cherie Amour
producer:
Henry Cosby
lead vocals:
Stevie Wonder (from 1967 until 1968)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967 until 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 399)
recording of:
My Cherie Amour (from 1967 until 1968)
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:51
6I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:12
7All of Me (radio edit)
assistant engineer:
Phil Joly, Dave Rowland (engineer) and Kenta Yonesaka
engineer:
Jason Agel and Dave Tozer
assistant producer:
Phil Joly
producer:
Phil Joly, John Legend and Dave Tozer
mixer:
Dave Tozer
keyboard:
Dave Tozer and Mark Williams (Producer and songwriter, member of Ojivolta)
piano:
John Legend
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2013) and Getting Out Our Dreams (not for release label use! please use “G.O.O.D. Music”) (in 2013)
music videos:
All of Me by John Legend
recording of:
All of Me
writer:
Toby Gad (German songwriter, producer, pianist) and John Legend
dedicated to:
Chrissy Teigen
John Legend32:58
8Without You
programming:
Walter Afanasieff, Gary Cirimelli and Ren Klyce
additional engineer:
Manny LaCarrubba
engineer:
Jim Caruana, Dana Jon Chappelle and Kent Matcke
producer:
Walter Afanasieff and Mariah Carey
mixer:
Mick Guzauski
acoustic guitar, bass synthesizer, keyboard and synthesizer:
Walter Afanasieff
background vocals:
Mariah Carey, Melonie Daniels, Kelly Price and Shanrae Price
arranger:
Walter Afanasieff and Mariah Carey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
recorded at:
Right Track Recording in Manhattan, New York, New York, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
cover recording of:
Without You
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Mariah Carey4.33:34
9Next to Me (radio mix)
programming and producer:
Craze & Hoax, James Murray (British electronic music composer & producer) and Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
assistant mixer:
Ben Baptie
mixer:
Tom Elmhirst (mixing engineer)
electric bass guitar:
Anup Paul (British singer-songwriter, musician, producer and engineer)
instruments:
Craze & Hoax, James Murray (British electronic music composer & producer) and Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
piano:
Neil Cowley
background vocals:
Abeeku "Beyku" Ribeiro (MC Abeeku Ribeiro)
choir vocals:
Lorraine Barnes, Awsa Bergstrom, Crystal Jones, John Gibbons (UK backing singer), Charlene Jones, Jenny La Touche, Patsy McKay, Rebecca Jones (US singer), Roxy Harris (Roxy Harris) and Jack Vasiliou
lead vocals:
Emeli Sandé
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 88)
recording of:
Next to Me
additional writer:
Kendrick Lamar
writer:
A. K. Paul (British singer-songwriter, musician, producer and engineer), Hugo Chegwin, Harry Craze and Emeli Sandé
publisher:
Stellar Songs Limited (BMI-affiliated)
Emeli Sandé2.853:14
10Love Me Like You Do
recording of:
Love Me Like You Do
writer:
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami and Tove Lo
publisher:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB and Wolf Cousins
Ellie Goulding43:57
11The A Team
recording engineer, programming, producer and mixer:
Jake Gosling (UK producer/songwriter)
co-producer:
Ed Sheeran (UK singer‐songwriter)
acoustic guitar and electric guitar:
Ed Sheeran (UK singer‐songwriter)
piano and strings:
Jake Gosling (UK producer/songwriter)
vocals and performer:
Ed Sheeran (UK singer‐songwriter)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2024)
recorded at and mixed at:
Sticky Studios in Windlesham, Surrey, England, United Kingdom
produced at:
Sticky Studios in Windlesham, Surrey, England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 75)
recording of:
The A Team
lyricist and composer:
Ed Sheeran (UK singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ed Sheeran Limited, Sheeran Lock Ltd, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV and Sony/ATV Music Publishing LLC (1995–2020)
Ed Sheeran3.454:19
12Blame It on Me
programming and producer:
Cam Blackwood
engineer:
Cam Blackwood and Liam Thorne
assistant producer:
Liam Thorne
assistant mixer:
Sean Julliard
mixer:
Cenzo Townshend (engineer)
additional percussion and drums (drum set):
Matthew Racher (drummer)
bass synthesizer [bass synth] and keyboard [keyboard]:
Cam Blackwood
cello:
D/C
guitar:
Cam Blackwood and George Ezra
keyboard [keyboards]:
George Ezra
vocals:
George Ezra
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
produced for:
Big Life Management
recorded at:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Decoy Studios in Studio City, Los Angeles, California, United States
recording of:
Blame It on Me
writer:
George Ezra Barnett and Joel Pott
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation) and Chrysalis Music Ltd. (music publisher, affiliated with PRS)
George Ezra3.53:15
13She’s the One
cover recording of:
She’s the One
lyricist and composer:
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
Robbie Williams4:17
14Here With Me
recording engineer and mixer:
Ash Howes (British mixer, writer and musician)
additional programming:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
programming:
James Sanger
producer:
Dido (English singer‐songwriter) and Rick Nowels
acoustic guitar and keyboard:
Rick Nowels
additional keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
electric guitar and percussion:
John Themis
keyboard:
Paul Statham
lead vocals:
Dido (English singer‐songwriter)
strings arranger:
Wil Malone
orchestrator:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1999) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1999)
recording of:
Here With Me
writer:
Dido Armstrong (English singer‐songwriter), Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Paul Statham
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dido3.84:16
15No More I Love You’sAnnie Lennox4.54:50
16Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:26
17Maggie May
edit of:
Maggie May (without “Henry” prelude) by Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart33:40
18It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:59
19The Shoop Shoop Song (It’s in His Kiss)
producer:
Peter Asher
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1990)
music videos:
The Shoop Shoop Song (It’s in His Kiss) by Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Cher3.22:48
20I Wanna Dance With Somebody
recording engineer and mixer:
David Frazer (engineer)
percussion programming:
Preston Glass
additional assistant engineer:
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) and Ross Williams (engineer)
additional engineer:
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon and Jay Rifkin
assistant engineer:
Dana Jon Chappelle
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Narada Michael Walden
alto saxophone:
Marc Russo
bass synthesizer [bass synth]:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set):
Narada Michael Walden
electronic drum set [Simmons]:
Greg “Gigi” Gonaway
guitar synthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
synthesizer [synth horns]:
Sterling Smith
synthesizer [synths]:
Walter Afanasieff
background vocals:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) and Myrna Matthews
background vocals and lead vocals:
Whitney Houston
arranger:
Narada Michael Walden
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
produced for:
Perfection Light Productions
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Tarpan Studios in San Rafael, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 1) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 231)
recording of:
I Wanna Dance With Somebody (Who Loves Me)
writer:
George Merrill and Shannon Rubicam
publisher:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. and Rondor Music (London) Ltd.
Whitney Houston4.254:51
21Happy (From “Despicable Me 2”)
assistant recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
producer:
Pharrell Williams
mixer:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
background vocals:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray and Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
recorded at:
Circle House Studios in North Miami, Florida, United States
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, United States
music videos:
Happy by Pharrell Williams and Happy (from Despicable Me 2) (ballroom version) by Pharrell Williams
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 1), Billboard Decade End Chart: Streaming Songs (2010s) (number: 20) and Billboard: Greatest of All Time Hot 100 Songs (number: 88)
recording of:
Happy
lyricist and composer:
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. and Universal Pictures Music
part of:
The 86th Academy Award for Best Original Song (number: 2)
Pharrell Williams4.33:54
2Digital Media
#TitleArtistRatingLength
1Home
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dean Parks (American session guitarist)
percussion:
Rafael Padilla
piano:
David Foster (Canadian music producer, arranger and composer)
solo guitar:
Brian Green (producer)
background vocals:
Debbie Timuss
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
recording of:
Home
writer:
Michael Bublé, Alan Chang and Amy Foster‐Gillies
Michael Bublé2.53:46
2Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 20)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1981 nominee)
Lionel Richie & Diana Ross3.54:25
3Think Twice (radio edit)
recording of:
Think Twice
writer:
Andy Hill (English producer & songwriter) and Peter Sinfield
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Virgin Music Ltd. (do not use this as a release label!), Pillarview B.V. and Universal Music Publishers MGB Australia Pty Ltd
Céline Dion14:03
4A Moment Like This
recording engineer:
Robin Sellars (British recording engineer) (drums (drum set) [drums])
engineer:
Daniel Pursey (UK engineer), Geoff Foster (sound engineer) (strings), Chris Laws (engineer, keyboardist & songwriter) and Ren Swan
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
mixer:
Ren Swan
bass:
Steve Pearce (UK bassist)
drums (drum set) [drums]:
Neal Wilkinson
guitar [guitars]:
Fridrik “Frissy” Karsson
keyboard [keyboards]:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
piano:
Dave Arch (pianist, conductor, arranger and composer)
background vocals:
Carmen Reece
choir vocals:
The Tuff Session Singers
strings [string] arranger:
Dave Arch (pianist, conductor, arranger and composer)
arranger:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2006, in 2007)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (strings), Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom and Sphere Studios in London (Greater London), England, United Kingdom (choir vocals, drums (drum set) [drums])
mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
A Moment Like This (music video) by Leona Lewis
cover recording of:
A Moment Like This
writer:
Jörgen Elofsson (Swedish songwriter and producer) and John Reid (UK DJ/producer & vocalist John Robinson Reid)
publisher:
BMG Music Publishing Scandinavia AB and Sony/ATV Music Publishing (UK) Ltd.
Leona Lewis2.54:17
5Just the Way You Are
engineer:
Jim Boyer (producer/engineer) and Phil Ramone
producer:
Phil Ramone
12 string guitar and guitar [High String Guitar]:
Steve Khan
acoustic guitar:
Steve Burgh, Steve Khan and Hugh McCracken
alto saxophone:
Phil Woods (US jazz woodwind player)
bass:
Doug Stegmeyer (bass player, aka Slug Douglas)
clarinet, flute, organ, soprano saxophone and tenor saxophone:
Richie Cannata
drums (drum set):
Liberty DeVitto (US drummer)
electric guitar:
Hiram Bullock and Steve Khan
keyboard, piano, synthesizer and lead vocals:
Billy Joel (American singer‐songwriter and pianist)
percussion:
Ralph MacDonald
orchestrator:
Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
edit of:
Just the Way You Are by Billy Joel (American singer‐songwriter and pianist)
recording of:
Just the Way You Are
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Billy Joel4.353:30
6Careless Whisper
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1984)
recording of:
Careless Whisper
writer:
George Michael and Andrew Ridgeley
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Limited (2019–present) and Wham! Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael5:03
7Smooth Operator
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Smooth Operator
lyricist and composer:
Sade Adu and Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:16
8Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 468) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
Luther Vandross3.853:50
9Genie in a Bottle
recording engineer:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner and Mario Luccy
programming:
Guy Roche
engineer:
Paul Arnold (engineer) and Ryan James Freeland
producer:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner and Guy Roche
additional mixer:
Michael Huff
mixer:
Dave Way
additional drums (drum set) [drums] and additional keyboard [keyboards]:
Steve Kipner
drums (drum set) [drums] and keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
guitar:
John Goux and Bruce Watson (member of Big Country)
tambourine:
Matt Laug
background vocals:
Christina Aguilera and Shelly Peiken
arranger:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner, Pam Sheyne and Guy Roche
additional vocals arranger:
Christina Aguilera
vocals arranger:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner and Pam Sheyne
music videos:
Genie in a Bottle by Christina Aguilera
part of:
The Downloader’s Music Source Book (number: 264) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 228)
recording of:
Genie in a Bottle
writer:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner and Pam Sheyne
publisher:
AppleTreeSongs Ltd., EMI April Music Inc., EMI Music Publishing (ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Griff Griff Music, Mother’s Finest Songs (ASCAP-affiliated), Muso Music, Stephen A. Kipner Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Christina Aguilera3.953:37
10SexyBack
recording engineer:
Jimmy Douglass (engineer)
producer:
Nate (Danja) Hills (US producer Nate Hills), Timbaland and Justin Timberlake
mixer:
Jimmy Douglass (engineer) and Timbaland
bass:
Darryl “Day” Pearson
drums (drum set) and keyboard:
Danja (US producer Nate Hills) and Timbaland
guitar:
Bill Pettaway (R&B songwriter, musician, producer)
vocals:
Timbaland and Justin Timberlake
performer:
Timbaland
phonographic copyright (℗) by:
Zomba Recording LLC (in 2006)
recorded at and mixed at:
Thomas Crown Studio in Virginia Beach, Virginia, United States
recording of:
SexyBack
lyricist and composer:
Floyd Hills (US producer Nate Hills), Justin Timberlake and Timothy Mosley
publisher:
Danjahandz Music, Tennman Tunes, Virginia Beach Music, W.B.M. Music Corp., WB Music Corp. (1929–2019) and Zomba Enterprises, Inc.
Justin Timberlake feat. Timbaland3.54:01
11Price Tag (clean)
recording engineer and engineer:
Chris "TEK" O'Ryan, Sam Holland (sound engineer) and Emily Wright
programming and producer:
Dr. Luke
assistant engineer:
Tatiana Gottwald
assistant mixer:
Tim Roberts (engineer)
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
drums (drum set) and keyboard:
Dr. Luke
electric bass guitar:
Butch Coleman
vocals:
Jessie J (English singer-songwriter)
partial recording of:
Price Tag
writer:
Bobby Ray Simmons, Jr. (US rapper Bobby Ray Simmons, Jr.), Łukasz Gottwald, Jessica Cornish (English singer-songwriter) and Claude Kelly
publisher:
Ham Squad Music, Kasz Money Publishing (ASCAP affiliated), Prescription Songs, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Publishing (Germany) GmbH and Universal/MCA Music Publishing GmbH
Jessie J23:08
12Dance With Me Tonight
additional programming:
Steve Fitzmaurice (Irish mixer, songwriter and producer) and Darren Heelis (music engineer, producer, programming, additional production)
programming:
Darren Lewis and Iyiola Babalola (drum n bass producer Iyiola Babalola)
producer:
Future Cut and Steve Robson (English songwriter, record producer & multi-instrumentalist)
assistant mixer:
Darren Heelis (music engineer, producer, programming, additional production)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
guitar and keyboard:
Darren Lewis
other instruments [all other instruments]:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
percussion and synthesizer [synths]:
Iyiola Babalola (drum n bass producer Iyiola Babalola)
background vocals [backing vocals]:
Claude Kelly
mixed for:
365 Artists at the Pierce Rooms
music videos:
Dance With Me Tonight by Olly Murs
recording of:
Dance With Me Tonight
writer:
Claude Kelly, Oliver Murs and Stephen Robson (English songwriter, record producer & multi-instrumentalist)
publisher:
Concord Simp Ltd., Imagem CV, Salli Isaak Music Publishing Ltd. (publisher; do NOT use as release label), Studio Beast Music (publishing company linked to Claude Kelly) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Olly Murs2.53:23
13Roar
programming and producer:
Cirkut, Dr. Luke and Max Martin (Swedish record producer)
assistant engineer:
Rachael Findlen (engineer), Justin Fox and Elliott Lanam (engineer)
engineer:
Peter Carlsson (engineer), Clint Gibbs, John Hanes (audio engineer, mixer), Sam Holland (sound engineer) and Michael Ilbert
additional assistant producer:
Irene Richter
mixer:
Serban Ghenea
instruments:
Cirkut, Dr. Luke and Max Martin (Swedish record producer)
vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
recorded at:
Luke’s in the Boo in Malibu, California, United States, MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden, Playback Recording Studio in Santa Barbara, California, United States and Secret Garden Studios in Montecito, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 10), RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 10), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 20), Billboard Year-End Hot 100 singles of 2014 (number: 46) and BILLIONS CLUB
recording of:
Roar
writer:
Łukasz Gottwald, Henry Walter, Martin Karl Sandberg (Swedish record producer), Bonnie McKee and Katy Perry
publisher:
KMR Music Royalties II SCSp, Kobalt Music Copyrights SARL, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Bonnie McKee Music (in 2013), Kasz Money Publishing (ASCAP affiliated) (in 2013), MXM (in 2013), Oneirology Publishing (in 2013), Prescription Songs (in 2013), Songs of Pulse Recording (BMI) (in 2013), When I’m Rich You’ll Be My Bitch (in 2013), Where da Kasz At (in 2013) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Katy Perry3.553:43
14Try
programming:
Greg Kurstin (in 2012)
additional engineer:
Jesse Shatkin (US hip-hop producer Jesse Shatkin)
engineer, producer and mixer:
Greg Kurstin
bass and keyboard:
Greg Kurstin (in 2012)
guitar:
Kevin Dukes (in 2012) and Greg Kurstin (in 2012)
recorded at:
Earthstar Creation Center in Venice, Los Angeles, California, United States (in 2012) and Echo Studio in Los Feliz, Los Angeles, California, United States (in 2012)
mixed at:
Echo Studio in Los Feliz, Los Angeles, California, United States
music videos:
Try (music video) by P!nk (American singer/songwriter)
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 53)
recording of:
Try (in 2012)
writer:
Benjamin West (Detroit producer & songwriter) and Michael Busbee
P!nk4.054:06
15Left Outside Alone (radio edit)
producer:
Dallas Austin and Glen Ballard
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2004)
music videos:
Left Outside Alone by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Left Outside Alone (in 2004)
writer:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin and Glen Ballard
publisher:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc., Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP), Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
Anastacia3.63:52
16I Will Never Let You Down
phonographic copyright (℗) by:
Roc Nation, LLC (for copyrights use only; for release labels, use "Roc Nation") (from 2014 to present)
recording of:
I Will Never Let You Down
lyricist and composer:
Calvin Harris (Scottish DJ and producer)
publisher:
EMI Music Publishing (do not use as a release label!)
Rita Ora33:23
17Elastic Heart
recording of:
Elastic Heart
writer:
Sia Furler (Sia, Australian singer‐songwriter), Andrew Swanson and Thomas Wesley Pentz (aka Diplo)
Sia4:13
18No One
edit of:
No One by Alicia Keys
music videos:
No One (music video) by Alicia Keys
recording of:
No One
writer:
Kerry Brothers, George M. Harry and Alicia Keys
Alicia Keys44:05
19Only Love Can Hurt Like This
recording engineer:
Mario Luccy
additional producer:
AC Burrell and Kyle Townsend
producer:
AC Burrell
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
bass:
Bryan “B-Dub” White (bassist and producer)
lead vocals:
Paloma Faith
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
recorded at:
Realsongs in Los Angeles, California, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Only Love Can Hurt Like This
lyricist and composer:
Diane Warren (US songwriter)
Paloma Faith3.353:53
20Let It Go
assistant recording engineer:
Sean Badum and James Oleksyk
recording engineer:
Lowell Reynolds
engineer:
Mark Bengtson
producer:
Jacquire King
mixer:
Mark Bengtson and Michael Brauer (engineer)
bass:
Eli Beaird
drums (drum set) and keyboard:
Ian Fitchuk
guitar, background vocals and lead vocals:
James Bay (English singer‐songwriter)
percussion:
Eric Darken
performer:
James Bay (English singer‐songwriter)
part of:
Billboard Year-End Hot 100 singles of 2016 (number: 44)
recording of:
Let It Go
writer:
James Bay (English singer‐songwriter) and Paul Barry (songwriter/musician)
publisher:
Metrophonic Music Ltd and Songs of Kobalt Music Publishing
James Bay3.454:23
3Digital Media
#TitleArtistRatingLength
1Fly Me to the Moon
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (baritone saxophonist) (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (jazz trombonist) (on 1964-06-09), Bill Hughes (jazz trombonist) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 75)
recording of:
Fly Me to the Moon (on 1964-06-09)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
Frank Sinatra42:27
2Stand by Me (single version)
Ben E. King2:53
3(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
composer:
Steve Cropper and Otis Redding
arranger:
Oliver Lake
arrangement of:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:37
4That Ole Devil Called Love
vocals:
Alison Moyet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
music videos:
That Ole Devil Called Love by Alison Moyet
cover recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:02
5How Do I Live
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
LeAnn Rimes4.54:22
6The Power of Love
producer:
Wolfgang Detmann (aka Candy de Rouge) and Gunther Mende
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984) and Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Jennifer Rush2.54:25
7Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
performer:
Rory Dodd (in 1983)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:25
8Hello
producer:
James Anthony Carmichael and Lionel Richie
performer:
Ocobamba
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
lyricist and composer:
Lionel Richie
additional writer:
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:07
9Let It Go
recording engineer and mixer:
David Boucher
producer:
Kristen Anderson‐Lopez (American songwriter), Earl Ghaffari and Robert Lopez (songwriter of musicals)
editor:
Earl Ghaffari
vocals:
Idina Menzel
conductor:
Stephen Oremus
phonographic copyright (℗) by:
Walt Disney Records (in 2013)
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 21) and Billboard Decade End Chart: Streaming Songs (2010s) (number: 31)
recording of:
Let It Go (Frozen)
orchestrator:
David Metzger
writer:
Kristen Anderson‐Lopez (American songwriter) and Robert Lopez (songwriter of musicals)
publisher:
Wonderland Music Company, Inc. (a division of Disney Music Publishing)
part of:
The 86th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 2013 winner)
part of:
Frozen (Disney 2013 animated musical film, English soundtrack and score)
Idina Menzel3.253:41
10I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:30
11Midnight Train to Georgia
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 432) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 470)
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:37
12(You Make Me Feel Like) A Natural WomanCarole King4.353:46
13Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (session drummer) (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:10
149 to 5
producer:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
BMG Entertainment (in 1980) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 191)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Dolly Parton3.552:44
15Valerie
assistant engineer:
Nobby
producer:
Steve Winwood
recorded at:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, United Kingdom
recording of:
Valerie
writer:
Will Jennings and Steve Winwood
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell North America
Steve Winwood44:05
16You’re the First, the Last, My Everything
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) and Barry White
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
writer:
Peter Sterling Radcliffe, Tony Sepe and Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
Barry White43:22
171973
recording of:
1973
writer:
Mark Batson (American producer, songwriter, composer, arranger, and musician) and James Blunt
James Blunt4:38
18Leave Right Now
miscellaneous support:
Isobel Griffiths
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
guitar family:
John Themis and Eg White
keyboard:
Anne Dudley (English score composer) and Greg Wells
membranophone:
Steve Barney (Drummer)
background vocals:
Tracy Ackerman
recording of:
Leave Right Now
orchestrator:
Anne Dudley (English score composer)
lyricist and composer:
Eg White
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Will Young3.253:32
19Slow
recording of:
Slow
lyricist and composer:
Sarah Joyce
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3:34
20You’ve Lost That Lovin’ Feelin’
recording of:
You’ve Lost That Lovin’ Feelin’
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Righteous Brothers3:44
21That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:06
22What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and Project 3 Records Inc. (in 1988)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.952:20

Credits

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 56)