| # | Title | Artist | Rating | Length |
|---|
| 1 | For All We Know (We May Meet Again)- recording engineer:
- Frank Laico (from 1979-08-06 until 1979-08-09)
- producer:
- Helen Keane
- mixer:
- Frank Laico
- double bass [bass]:
- Marc Johnson (from 1979-08-06 until 1979-08-09)
- piano:
- Bill Evans (from 1979-08-06 until 1979-08-09)
- recorded at:
- Columbia Studios in New York, New York, United States (from 1979-08-06 until 1979-08-09)
- recording of:
- For All We Know (from 1979-08-06 until 1979-08-09)
- lyricist:
- Sam M. Lewis (in 1934)
- composer:
- J. Fred Coots (in 1934)
- publisher:
- Bienstock Publishing Company (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
- instrumental cover recording of:
- For All We Know
- lyricist:
- Sam M. Lewis (in 1934)
- composer:
- J. Fred Coots (in 1934)
- publisher:
- Bienstock Publishing Company (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
| Bill Evans | | 3:40 |
| 2 | Remembering the Rain | Bill Evans | | 4:31 |
| 3 | A Child Is Born | Bill Evans | | 7:34 |
| 4 | Polka Dots and Moonbeams (remastered 2025)- recording engineer:
- Bill Schwartau (on 1962-06-02)
- double bass [bass]:
- Chuck Israels (on 1962-06-02, on 1962-06-05)
- drums (drum set):
- Paul Motian (on 1962-06-02, on 1962-06-05)
- piano:
- Bill Evans (on 1962-06-02, on 1962-06-05)
- recorded at:
- Sound Makers in New York, New York, United States (on 1962-06-02)
- instrumental recording of:
- Polka Dots and Moonbeams (on 1962-06-02)
- lyricist:
- Johnny Burke
- composer:
- Jimmy Van Heusen
- publisher:
- ABC Music Co. , Bourne Co. , Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation , My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
- sub-publisher:
- 日音 Synch事業部
- instrumental recording of:
- Polka Dots and Moonbeams (on 1962-06-05)
- lyricist:
- Johnny Burke
- composer:
- Jimmy Van Heusen
- publisher:
- ABC Music Co. , Bourne Co. , Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation , My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
- sub-publisher:
- 日音 Synch事業部
| Bill Evans Trio | | 5:01 |
| 5 | Danny Boy | Bill Evans & Shelly Manne | | 3:42 |
| 6 | If You Could See Me Now (remastered 2025) | Bill Evans Trio | | 4:30 |
| 7 | A Time for Love | Bill Evans | | 5:05 |
| 8 | Here's That Rainy Day- recording engineer:
- Ray Hall (from 1968-09-23 until 1968-10-21)
- producer:
- Helen Keane
- piano:
- Bill Evans (from 1968-09-23 until 1968-10-21)
- recorded at:
- Webster Hall in East Village, New York, New York, United States (from 1968-09-23 until 1968-10-21)
- instrumental recording of:
- Here’s That Rainy Day (from 1968-09-23 until 1968-10-21)
- lyricist:
- Johnny Burke
- composer:
- Jimmy Van Heusen
- publisher:
- Bourne Co. , Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. , Music Sales Corporation and Warner Chappell Music Ltd.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- instrumental recording of:
- Here’s That Rainy Day (on 1969-12-12)
- lyricist:
- Johnny Burke
- composer:
- Jimmy Van Heusen
- publisher:
- Bourne Co. , Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. , Music Sales Corporation and Warner Chappell Music Ltd.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Evans | | 5:23 |
| 9 | Stairway to the Stars (remastered 2025) | Bill Evans Trio | | 4:52 |
| 10 | Everything Happens to Me | Bill Evans | | 5:46 |
| 11 | I'm Getting Sentimental Over You | Bill Evans | | 4:11 |
| 12 | April in Paris | Bill Evans | | 5:52 |
| 13 | Alfie | Bill Evans | | 5:06 |
| 14 | Body and Soul- recording engineer:
- Frank Laico (from 1978-10-30 until 1978-11-02)
- producer:
- Helen Keane
- mixer:
- Frank Laico
- double bass:
- Marc Johnson (from 1978-10-30 until 1978-11-02)
- drums (drum set):
- Eliot Zigmund (from 1978-10-30 until 1978-11-02)
- flute and saxophone:
- Larry Schneider (from 1978-10-30 until 1978-11-02)
- harmonica:
- Toots Thielemans (from 1978-10-30 until 1978-11-02)
- keyboard and piano:
- Bill Evans (from 1978-10-30 until 1978-11-02)
- recorded at:
- Columbia Studios in New York, New York, United States (from 1978-10-30 until 1978-11-02)
- instrumental recording of:
- Body and Soul (from 1978-10-30 until 1978-11-02)
- lyricist:
- Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
- composer:
- Edward Heyman, Robert Sour and John Green (in 1930)
- publisher:
- Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Evans | | 6:22 |
| 15 | Waltz for Debby | Bill Evans | | 1:37 |
| 16 | It Might as Well Be Spring- recording engineer:
- Bill Schwartau (on 1962-06-02)
- bass:
- Chuck Israels (on 1962-06-02)
- double bass [bass]:
- Chuck Israels (on 1962-06-02, on 1962-06-05)
- drums (drum set):
- Paul Motian (on 1962-06-02, on 1962-06-05)
- piano:
- Bill Evans (on 1962-06-02, on 1962-06-05)
- recorded at:
- Sound Makers in New York, New York, United States (on 1962-06-02)
- instrumental cover recording of:
- It Might as Well Be Spring (on 1962-06-02)
- lyricist:
- Oscar Hammerstein II (in 1945)
- composer:
- Richard Rodgers (in 1945)
- publisher:
- Chappell Music Ltd., Sony Music Publishing (Japan) Inc. , Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス
- part of:
- The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
- part of:
- State Fair
- part of:
- State Fair
- part of:
- State Fair
- instrumental recording of:
- It Might as Well Be Spring (on 1962-06-05)
- lyricist:
- Oscar Hammerstein II (in 1945)
- composer:
- Richard Rodgers (in 1945)
- publisher:
- Chappell Music Ltd., Sony Music Publishing (Japan) Inc. , Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス
- part of:
- The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
- part of:
- State Fair
- part of:
- State Fair
- part of:
- State Fair
| Bill Evans Trio | | 6:04 |
| 17 | Soiree (Complete take 1) | Bill Evans | | 3:37 |
| 18 | What Are You Doing the Rest of Your Life? (Complete take 3) | Bill Evans | | 4:36 |
| 19 | When I Fall in Love- recording engineer:
- Jack Higgins (on 1959-12-28)
- producer:
- Orrin Keepnews
- double bass [bass]:
- Scott LaFaro (on 1959-12-28)
- drums (drum set):
- Paul Motian (on 1959-12-28)
- piano:
- Bill Evans (on 1959-12-28)
- recorded at:
- Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
- instrumental cover recording of:
- When I Fall in Love (on 1959-12-28)
- lyricist:
- Edward Heyman
- composer:
- Victor Young
- publisher:
- Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. , Chappell Music Ltd., Intersong U.S.A. , Northern Music , Victor Young Publishing, Inc. and Warner/Chappell North America Limited
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Evans Trio | | 4:52 |
| 20 | Detour Ahead (take 1) (alternate take) | Bill Evans Trio | | 7:15 |