| # | Title | Artist | Rating | Length |
|---|
| 1 | Without You- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- acoustic guitar:
- John Uribe (in 1971-06)
- bass guitar:
- Klaus Voormann (in 1971-06)
- drums (drum set):
- Jim Keltner (in 1971-06)
- piano:
- Gary Wright (in 1971-06)
- vocals:
- Harry Nilsson (in 1971-06)
- conductor:
- Paul Buckmaster (in 1971-06)
- brass and strings arranger:
- Paul Buckmaster
- phonographic copyright (℗) by:
- BMG Music (in 1971, in 1991), RCA Records (in 1971), Sony Music Entertainment (in 1971), RCA Corporation (in 1972) and RCA Records, Inc. (in 1989)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
- cover recording of:
- Without You (in 1971-06)
- writer:
- Tom Evans and W. Peter Ham
- publisher:
- 100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music and WB Music Corp. (until 2019-05-28)
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
| Nilsson | 4.3 | 3:19 |
| 2 | All by Myself- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1975) and Arista Records, LLC (in 1975)
- edit of:
- All by Myself by Eric Carmen
- recording of:
- All by Myself
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Eric Carmen | 4 | 4:27 |
| 3 | It Must Have Been Love | Roxette | 3.15 | 4:19 |
| 4 | Wishing on a Star | Rose Royce | 4 | 3:57 |
| 5 | Always Something There to Remind Me- vocals:
- Sandie Shaw (in 1964)
- phonographic copyright (℗) by:
- Pye International (in 1964) and Pye Records (in 1964)
- cover recording of:
- (There’s) Always Something There to Remind Me (in 1964)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) , Carlin Music Corporation, Copyright Control , Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
- recording of:
- (There’s) Always Something There to Remind Me
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) , Carlin Music Corporation, Copyright Control , Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
| Sandie Shaw | 4 | 2:44 |
| 6 | Only the Lonely | Roy Orbison | 4.7 | 2:24 |
| 7 | Don't It Make My Brown Eyes Blue | Crystal Gayle | 4.4 | 2:32 |
| 8 | Cry Me a River- engineer:
- John Kraus (in 1955-08)
- producer:
- Bobby Troup
- double bass [bass]:
- Ray Leatherwood
- guitar:
- Barney Kessel
- vocals:
- Julie London (in 1955-08)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1957)
- recorded at and mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
- recording of:
- Cry Me a River (in 1955-08)
- lyricist and composer:
- Arthur Hamilton
- publisher:
- Chappell & Co., Inc. , Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Julie London | 4.65 | 2:48 |
| 9 | How Can You Mend a Broken Heart- producer:
- Willie Mitchell
- drums (drum set):
- Howard Grimes and Al Jackson, Jr.
- electric bass guitar:
- Leroy Hodges
- guitar family:
- Mabon Hodges
- organ and piano:
- Charles Hodges
- saxophone:
- James Mitchell
- tenor saxophone:
- Ed Logan
- trombone:
- Jack Hale
- trumpet:
- Wayne Jackson
- background vocals:
- Charles Chalmers , Donna Rhodes and Sandra Rhodes
- recorded at:
- Royal Studios in Memphis, Tennessee, United States
- cover recording of:
- How Can You Mend a Broken Heart
- written in:
- Kensington, Kensington and Chelsea, London , England, United Kingdom
- writer:
- Barry Gibb and Robin Gibb
- publisher:
- Abigail Music (London) Ltd. , BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. , Universal Music Careers and Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Al Green | 3.7 | 6:21 |
| 10 | She's Gone | Hall & Oates | 3.65 | 5:14 |
| 11 | The First Cut Is the Deepest | P.P. Arnold | 4 | 3:13 |
| 12 | Everything I Own | Ken Boothe | | 3:16 |
| 13 | Have You Seen Her | The Chi‐Lites | 4.5 | 5:09 |
| 14 | That's How Heartaches Are Made | Baby Washington | | 2:42 |
| 15 | Will You Love Me Tomorrow- drums (drum set) [drums]:
- Gary Chester (in 1960)
- kettle drum:
- Carole King (in 1960)
- piano:
- Paul Griffin (in 1960)
- lead vocals:
- Shirley Owens (in 1960)
- vocals:
- Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (in 1960)
- phonographic copyright (℗) by:
- HHO Licensing Ltd.
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (number: 33), Rolling Stone: 500 Greatest Songs of All Time (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
- recording of:
- Will You Love Me Tomorrow (in 1960)
- lyricist:
- Gerry Goffin
- composer:
- Carole King
- publisher:
- Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. , Warner/Chappell Music Ltd. , イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Shirelles | 3.8 | 2:42 |
| 16 | Wichita Lineman | Glen Campbell | 3.65 | 3:04 |
| 17 | The Crying Game | Boy George | 2 | 3:22 |
| 18 | I Can't Stop Loving You | Leo Sayer | | 3:33 |
| 19 | Alone Again (Naturally) | Gilbert O’Sullivan | 5 | 3:38 |
| 20 | Handbags & Gladrags | Chris Farlowe | | 3:56 |
| 21 | Love Hurts | Nazareth | 4.4 | 3:52 |