Absolute Cinema

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1My Heart Will Go On
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:40
2(I’ve Had) The Time of My Life
assistente tecnico:
Jeff DeMorris (incarico: 2nd assistant engineer) e Dan Nebenzal (incarico: 1st assistant engineer)
tecnico:
Carmine Rubino
produttore:
Michael Lloyd (US guitarist/singer producer)
voce:
Bill Medley e Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal e Carmine Rubino
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore aggiunto:
John D’Andrea e Michael Lloyd (US guitarist/singer producer)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (nel 1987) e Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (nel 1987)
è stato produttore per:
Mike Curb Productions
registrata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
(I’ve Had) The Time of My Life
paroliere:
Franke Previte
compositore:
John DeNicola e Donald Markowitz
editore:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (nel 1987), Jemava Music Corp. (nel 1987), Knockout Music Inc. (nel 1987) e R.U. Cyrius Publishing (nel 1987)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (conclusa), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
parte di:
The 60th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1987 winner)
Bill Medley & Jennifer Warnes3.754:45
3It Must Have Been Love
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:19
4The Grease Megamix
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1990, nel 2003)
DJ mix di e mash-up di:
You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ di John Travolta (American actor and singer) e Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:50
5Flashdance… What a Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:50
6When You Say Nothing at All
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
basso :
Stephen Lipson
batteria :
Andy Duncan (UK drummer and producer)
chitarra :
Dominic Miller (guitarist)
fisarmonica e fischietto :
James McNally
tastiera :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Ronan Keating
voce di accompagnamento:
Tessa Niles e Miriam Stockley
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1999) e Polygram Ireland Ltd. (nel 1999)
registrata presso:
Metropolis (London) in London (Greater London), England, Regno Unito e The Aquarium (Studio) in London (Greater London), England, Regno Unito
mixata presso:
The Aquarium (Studio) in London (Greater London), England, Regno Unito
registrazione cover di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
Ronan Keating2.754:16
7The James Bond Theme
produttore:
John Barry (English score composer)
direttore d'orchestra e esecutore:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
registrazione di:
James Bond Theme (il 1962-07-23)
compositore:
Monty Norman
editore:
EMI Music Publishing (do not use as a release label!) e EMI United Partnership
parte di:
James Bond themes
si basa su:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
The John Barry Seven and Orchestra1:59
8Ready to Take a Chance Again
voce principale:
Barry Manilow
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1978)
registrazione di:
Ready to Take a Chance Again
paroliere:
Norman Gimbel
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
Sony/ATV Melody e Universal Music Careers
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 51st Academy Award for Best Original Song (numero: 2)
parte di:
Foul Play (1978 film soundtrack)
Barry Manilow2:58
9May It Be
tecnico di registrazione e tecnico di missaggio:
John Kurlander (engineer)
tecnico e produttore:
Nicky Ryan
cori:
The London Oratory School Schola e London Voices
voce:
Enya (Irish singer-songwriter)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) e New Zealand Symphony Orchestra
direttore d'orchestra:
Howard Shore (Canadian score composer)
maestro del coro:
Terry Edwards (British choir director), Igelese Ete e Michael McCarthy (classical bass vocalist, choirmaster)
diritti fonografici (℗) detenuti da:
Reprise Records (nel 2001), Warner Music UK Limited (not for release label use!) (nel 2001) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2001)
registrata presso:
Aigle Studios in Dún Laoghaire, County Dublin, Leinster, Irlanda
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
May It Be (Enya song for Lord of the Rings soundtrack)
orchestratore:
Howard Shore (Canadian score composer)
paroliere:
Roma Ryan
compositore:
Enya (Irish singer-songwriter) e Nicky Ryan
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
parte di:
The 74th Academy Award for Best Original Song (numero: 2)
parte di:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Enya3.254:16
10Now We Are Free
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 2000), Dreamworks Productions LLC (nel 2000) e Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Now We Are Free (Gladiator)
paroliere:
Lisa Gerrard
compositore:
Klaus Badelt (German score composer), Lisa Gerrard e Hans Zimmer (German score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs e Universal‐MCA Music Publishing (US)
parte di:
Gladiator
medley che comprende una registrazione cover di:
Now We Are Free (Gladiator)
paroliere:
Niloofar Rafiei
si basa su:
Now We Are Free (Gladiator)
medley di:
Now We Are Free (Gladiator)
Hans Zimmer / Lisa Gerrard & The Lyndhurst Orchestra44:15
11You Never Can Tell
produttore:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess e Willie Dixon
basso elettrico :
Louis Satterfield (dal 1964-01-07 al 1964-01-09)
batteria :
Odie Payne (American Chicago blues drummer) (dal 1964-01-07 al 1964-01-09)
chitarra :
Chuck Berry (dal 1964-01-07 al 1964-01-09)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1964-01-07 al 1964-01-09)
sassofono tenore :
Rubin Cooper (dal 1964-01-07 al 1964-01-09) e George Patterson (dal 1964-01-07 al 1964-01-09)
voce:
Chuck Berry (dal 1964-01-07 al 1964-01-09)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1964)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (dal 1964-01-07 al 1964-01-09)
registrazione di:
You Never Can Tell (dal 1964-01-07 al 1964-01-09)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. e Isalee Music (nel 1994)
Chuck Berry4.252:43
12I Got You (I Feel Good)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.552:44
13License to Kill
produttore:
Walter Afanasieff e Narada Michael Walden
voce:
Gladys Knight (soul and r&b music singer-songwriter)
arrangiatore:
Walter Afanasieff e Narada Michael Walden
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1989)
registrazione di:
Licence to Kill
autore:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e SBK Songs Ltd. (nel 1989)
parte di:
James Bond themes
cita la musica di:
Goldfinger
Gladys Knight3.355:14
14Purple Rain
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984) e NPG Records, Inc. (nel 2017)
registrata presso:
First Avenue in Minneapolis, Minnesota, Stati Uniti (il 1983-08-03) e Sunset Sound, Studio 3 in Hollywood, Los Angeles, California, Stati Uniti (dal 1983-08 al 1983-09)
edit di:
Purple Rain (live, 1983‐08‐03: First Avenue, Minneapolis, MN, USA, with overdubs; album version) di Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
registrazione dal vivo di:
Purple Rain (il 1983-08-03)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Because Éditions, Controversy Music e Island Music Ltd.
registrazione di:
Purple Rain
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Because Éditions, Controversy Music e Island Music Ltd.
Prince & The Revolution34:04
15The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Huey Lewis and the News43:45
16Axel F
produttore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e Geffen Records (nel 1984)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 70)
registrazione di:
Axel F (Beverly Hills Cop)
compositore:
Harold Faltermeyer
Harold Faltermeyer4.153:02
17Gonna Fly Now (Theme From Rocky)
tecnico:
Ami Hadani
voce principale:
DeEtta Little e Nelson Pigford
diritti fonografici (℗) detenuti da:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases) (nel 1976)
registrazione di:
Gonna Fly Now
paroliere:
Carol Connors e Ayn Robbins
compositore:
Bill Conti
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 49th Academy Award for Best Original Song (numero: 2)
Bill Conti4.652:48
18Med Suntrip mot solen
Bengt Palmer Orkester2:18
19Always Look on the Bright Side of Life
voce principale:
Eric Idle
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1979)
registrazione di:
Always Look on the Bright Side of Life
paroliere e compositore:
Eric Idle
editore:
Oops Publishing Ltd.
sub-editore:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000)
versione di:
Look on the Bright Side of Life (All Things Dull and Ugly)
parte di:
Part Five: Miserere Loves Company
Monty Python3.53:43
20Theme from Love story
registrazione di:
Theme From Love Story (Instrumental)
compositore:
Francis Lai (French composer)
Francis Lai3:20
21Love Theme From The Godfather
orchestra:
The City of Prague Philharmonic Orchestra (, nel 2000-08)
direttore d'orchestra:
Paul Bateman (conductor)
registrata presso:
Smecky Music Studios in Praha (Prague), Cechia (nel 2000-08) e Whitfield Street Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, Regno Unito (nel 2000-09: cori)
registrazione strumentale cover di:
Speak Softly Love (The Godfather, Love Theme) (nel 2000-08)
paroliere:
Larry Kusik (Lyricist)
compositore:
Nino Rota (Italian composer)
editore:
Famous Chappell Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
versione di:
Love Theme from The Godfather
The City of Prague Philharmonic Orchestra2:43
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