Anthems: Electronic 80s 3

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Two Tribes
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 27)
registrazione di:
Two Tribes
scritta a:
Liverpool, Merseyside, England, Regno Unito (dal 1982 al 1983)
paroliere e compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:23
2(Keep Feeling) Fascination
produttore:
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
video musicali:
(Keep Feeling) Fascination di The Human League
registrazione di:
(Keep Feeling) Fascination
autore:
Jo Callis e Philip Oakey
The Human League3.253:42
3Why
registrazione di:
Why?
compositore:
Steve Bronski, Jimmy Somerville e Larry Steinbachek
Bronski Beat4:03
4Say Hello, Wave Goodbye
tecnico:
Don Wershba (engineer)
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
registrata presso:
Camden Cell Studios
registrazione di:
Say Hello, Wave Goodbye
paroliere:
Marc Almond (English pop singer and songwriter)
compositore:
Dave Ball (UK electronic musician, part of Soft Cell)
editore:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e WB Music Corp. (1929–2019)
Soft Cell55:25
5Save a Prayer
registrazione di:
Save a Prayer (Duran Duran)
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Gloucester Place Music Ltd.
Duran Duran3:45
6The Look of Love, Part 1
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:29
7Chant No. 1 (I Don’t Need This Pressure On)
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrazione di:
Chant No. 1 (I Don't Need This Pressure On)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet44:08
8Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:45
9What Is Love
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
voce principale:
Howard Jones (English singer, songwriter)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 1984)
registrazione di:
What Is Love?
paroliere:
William Bryant (UK lyricist, writer and speaker) e Howard Jones (English singer, songwriter)
compositore:
Howard Jones (English singer, songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group e Warner Chappell Publishing
Howard Jones4.53:37
10Big in Japan
registrazione di:
Big in Japan
paroliere:
Marian Gold
compositore:
Marian Gold, Lloyd Bernhard e Frank Mertens (German synthpop keyboardist Frank Sorgatz)
editore:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville3:50
11Don’t Tell Me
produttore:
Peter Collins (producer)
madal e tabla ospite :
Pandit Dinesh
sitar ospite :
Deepak Khazanchi
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1984)
registrazione di:
Don’t Tell Me
autore:
Neil Arthur (singer, songwriter, producer) e Stephen Luscombe
editore:
Complete Music Ltd.
Blancmange3:29
12Party Fears Two
registrazione di:
Party Fears Two
autore:
Billy MacKenzie (Scottish tenor singer & songwriter) e Alan Rankine
The Associates4:06
13Love & Pride
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
registrazione di:
Love & Pride
autore:
Paul King (British-Irish singer/musician/VJ) e Mick Roberts
editore:
EMI Songs Ltd. e King Songs
King43:21
14Wouldn’t It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:31
15You Take Me Up
registrazione di:
You Take Me Up
autore e arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
Point Music Ltd.
Thompson Twins4:07
16Come Live With Me
registrazione di:
Come Live With Me
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
Heaven 173:33
17Who Needs Love (Like That)
registrazione di:
Who Needs Love Like That
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure3:05
18Breakout
produttore:
Paul Staveley O’Duffy
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 72)
registrazione di:
Breakout (nel 1986)
autore:
Andy Connell (nel 1986), Corinne Drewery (nel 1986) e Martin Jackson (nel 1986)
editore:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) e Virgin 10 Music Ltd.
Swing Out Sister3.83:47
19All Stood Still
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
tecnico di missaggio:
John Hudson (producer, recording and mixing engineer) (il 1981-04-29) e Ultravox (il 1981-04-29)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 2025)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1980-04)
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito (il 1981-04-29)
registrazione di:
All Stood Still (nel 1980-04)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3:41
20Mind of a Toy
produttore:
Midge Ure e Visage (new romantic band from London)
registrazione di:
Mind of a Toy
autore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
Visage3:34
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Accreditamenti

Pubblicazione

tecnico di mastering:Cass Irvine (mixing and mastering engineer, co-founder of Wired Masters)
compilatore:Alex MacNutt
Discogs:https://www.discogs.com/release/4186053 [info]
ASIN:UK: B009WD7UUO [info]

Gruppo di pubblicazioni

parte di:Ministry of Sound: Anthems (ordine: 10)
Allmusic:https://www.allmusic.com/album/mw0002443755 [info]