All Time Greatest Pub Anthems

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Original Sin
producer:
Nile Rodgers
recording of:
Original Sin
writer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing Group
INXS3:48
2Right by Your Side
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
remaster of:
Right by Your Side by Eurythmics
recording of:
Right by Your Side
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
Eurythmics3.43:51
3Cheap Wine
engineer:
Mark Opitz and Neil Rawle
producer:
Cold Chisel
bass:
Phil Small
drums (drum set):
Steve Prestwich
guitar:
Ian Moss
piano:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) and Ian Moss
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999) and Cold Chisel Pty Ltd (in 2011)
recording of:
Cheap Wine
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor and Rondor Music (Australia) Pty Ltd
Cold Chisel33:18
4Legs
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
lead vocals:
Billy Gibbons
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Legs
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.354:27
5Addicted to Love
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards (American bassist and record producer)
mixer:
Eric "E.T." Thorngren
bass guitar:
Bernard Edwards (American bassist and record producer)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Andy Taylor (of Duran Duran)
background vocals:
Benny Diggs and Fonzi Thornton
vocals arranger:
Chaka Khan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1985) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985)
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and WC Music Corp.
Robert Palmer44:24
6Who Can It Be Now
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:23
7April Sun in Cuba
electric bass guitar:
Todd Hunter (Todd Stuart Hunter of Dragon)
guitar:
Robert Taylor (singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
lead vocals:
Marc Hunter
vocals:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) and Robert Taylor (singer-songwriter and guitarist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1977), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1977) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1977)
recording of:
April Sun in Cuba
composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. and Essex Music of Australia Pty. Ltd.
part of:
APRA Top 100 New Zealand Songs of All Time (number: 10)
Dragon3:27
8I Don't Like Mondays
producer:
Phil Wainman
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
music videos:
I Don’t Like Mondays by The Boomtown Rats
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 66)
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. and Zomba Music Publishing Ltd.
The Boomtown Rats44:18
9Private Eyes
recording engineer and mixer:
Neil Kernon
assistant engineer:
Bruce Buckhhalter (Engineer)
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
drums (drum set) [drums]:
Mickey Curry
phonographic copyright (℗) by:
BMG Entertainment (in 1981) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
live recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Hall & Oates4.553:21
10Cum on Feel the Noise
cover recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4:41
11Well All Right
assistant engineer:
Gary Boatner (engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
cover recording of:
Well… All Right (from 1978-07 until 1978-08)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
Santana2.654:12
12Shake It Up
assistant engineer:
Thom Moore (Syncro Sound engineer, Gang Green producer) and Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
engineer:
Ian Taylor (rock producer/engineer)
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recorded at:
Syncro Sound in Boston, Massachusetts, United States
recording of:
Shake It Up
publisher:
Ric Ocasek (in 1981)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.33:34
13Jessie's Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.43:14
14Eagle Rock
bass:
Wayne Duncan (Australian musician)
drums (drum set):
Gary Young (Australian drummer)
guitar:
Ross Hannaford and Ross Wilson (Australian singer-songwriter, guitarist and producer)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1971), Sparmac (in 1971), Wizard (Australian rock) (in 1971), Wizard Records (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1998)
part of:
triple j’s Hottest 100 of Australian Songs (number: 45)
recording of:
Eagle Rock
writer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Daddy Cool4:09
15Most People Think That I'm Crazy
bass:
Paul Wheeler (bassist)
drums (drum set):
Gil Matthews (Australian drummer & producer, Co-founder of re-issue label Aztec Music and Aztec Records)
guitar:
Lobby Loyde (Australian musician and producer) and Billy Thorpe
keyboard:
Bruce Howard (songwriter and keyboard player)
vocals:
Billy Thorpe
recording of:
Most People I Know Think That I’m Crazy
lyricist and composer:
Billy Thorpe
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Billy Thorpe & the Aztecs3:57
16Never Let Me Go
assistant engineer:
Phil Butson (Australian producer/engineer) and Miranda McLaughlin (engineer)
engineer:
Martin Pullan (engineer)
producer:
Jeff Burstin, Joe Camilleri and Peter Luscombe
assistant mixer:
Nigel Derricks (engineer)
mixer:
Ian McKenzie (engineer)
bass guitar:
Joe Creighton and Richard Sega (bass)
brass:
The Brasstards (brass)
drums (drum set) and percussion:
Peter Luscombe
guitar:
Jeff Burstin and Wayne Burt
harmonica:
Anthony Harkin (harmonica)
mandolin:
Jeff Burstin
saxophone:
Joe Camilleri
violin:
Jen Anderson
background vocals:
Joe Creighton and Venetta Fields
vocals:
Joe Camilleri and Vika & Linda
recorded at:
RBX Studios in Melbourne, Victoria, Australia and Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixed at:
Metropolis Studios (London) in London (Greater London), England, United Kingdom
recording of:
Never Let Me Go (Never Let Me Go)
lyricist:
Nick Smith (Australian Guitar Player and Songwriter)
writer:
Joe Camilleri
The Black Sorrows4:01
17Love Shack
assistant engineer:
Martin Kunitz
engineer:
Dave Cook (US engineer and producer)
producer:
Don Was
mixer:
Tom Durack
guest bass guitar:
Sara Lee (UK bassist, singer & songwriter)
guest drums (drum set):
Charley Drayton
guest horn:
Uptown Horns (US horn section, formed in 1980)
guitar:
Keith Strickland
keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) and Cindy Wilson
phonographic copyright (℗) by:
Reprise Records (in 1989)
recorded at:
Dreamland Studios in Hurley, New York, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
additionally produced at:
Bearsville Studios in Bearsville, New York, United States
music videos:
Love Shack by The B‐52’s
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 243)
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.25:24
18What Can I Say
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
keyboard:
David Paich (in 1975-09)
percussion:
Joe Porcaro (in 1975-09)
solo tenor saxophone:
Plas Johnson (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
background vocals:
Jim Gilstrap (in 1975-09), Augie Johnson (in 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (in 1975-09) and Carolyn Willis (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
What Can I Say (in 1975-09)
writer:
David Paich and Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Universal Music Publishers MGB Australia Pty Ltd and Boz Scaggs Music (publisher) (in 1976)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs43:01
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