Uncanned! The Best of Canned Heat

~ Release by Canned Heat (see all versions of this release, 2 available)

Annotation

Barcode (Text): 7 2438-29165-2 9
Barcode (Scanned): 724382916529
Matrix / Runout (Disc 1): 829166 @ 2
Mastering SID Code (Disc 1): none
Mould SID Code (Disc 1): ifpi 2661
Matrix / Runout (Disc 2): 829167 2 @ 1
Mastering SID Code (Disc 2): none
Mould SID Code (Disc 2): ifpi 2661
Rights Society: BIEM/Stemra

Annotation last modified on 2025-07-05 18:29 UTC.

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Evil Woman
engineer:
Dino (US Music engineer) and Lanky (US recording engineer)
producer:
Dallas Smith (producer)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968)
recorded at:
RCA Studios (Chicago, 1935-1969) in Chicago, Illinois, United States
cover recording of:
Evil Woman
lyricist and composer:
Larry Weiss (American singer-songwriter)
publisher:
EMI Longitude Music and Saturday Music, Inc.
3:01
2Amphetamine Annie
producer:
Dallas Smith (producer)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States
recording of:
Amphetamine Annie
writer:
Fito de la Parra, Bob Hite, Larry Taylor (US bassist), Henry Vestine and Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc., Metric Music Co. (publisher), SBK United Partnership Ltd., United Artists Music Ltd. and United Partnership Ltd.
33:58
3An Owl Song
producer:
Dallas Smith (producer)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (in 1967-12)
recording of:
An Owl Song (in 1967-12)
writer:
Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc., Metric Music Co (publisher) and United Partnership Ltd.
2:45
4Terraplane Blues
producer:
Dallas Smith (producer)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (on 1968-04-15)
cover recording of:
Terraplane Blues (on 1968-04-15)
lyricist and composer:
Robert Johnson (1930s blues legend)
3:23
5Christmas Blues (alternate take)
producer:
Canned Heat and Skip Taylor
instruments:
Dr. John (New Orleans blues pianist, singer and songwriter) (on 1968-10-15)
recorded at:
I.D. Sound in Los Angeles, California, United States (on 1968-10-15)
recording of:
Christmas Blues (on 1968-10-15)
writer:
Frank Cook (US drummer), Bob Hite, Skip Taylor, Henry Vestine and Alan Wilson (Canned Heat member)
publisher:
EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc. and Metric Music Co (publisher)
27:36
6Going Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
2.52:52
7Time Was
producer:
Canned Heat and Skip Taylor
recorded at:
I.D. Sound in Los Angeles, California, United States (on 1969-01-29)
recording of:
Time Was (on 1969-01-29)
writer:
Fito de la Parra, Bob Hite, Larry Taylor (US bassist), Henry Vestine and Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. and United Artists Music Ltd.
33:38
8Low Down (and High Up)
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (on 1969-01-29)
recording of:
Low Down (Low Down (And High Up)) (on 1969-01-29)
writer:
Fito de la Parra, Bob Hite, Larry Taylor (US bassist), Henry Vestine and Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc. and Metric Music Co (publisher)
22:53
9Same All Over
engineer:
Richard Moore (engineer)
producer:
Canned Heat and Skip Taylor
bass:
Larry Taylor (US bassist)
drums (drum set):
Fito de la Parra
guitar:
Henry Vestine and Alan Wilson (Canned Heat member)
organ and piano:
Ernest Lane (Blues pianist)
other instruments [pigs]:
Fito de la Parra, Henry Vestine and Alan Wilson (Canned Heat member)
background vocals [group vocals]:
Javier Batise (vocals), Skip Diamond (vocals) and Elliot Ingber
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1969-01-24 until 1969-01-25)
recording of:
Same All Over (from 1969-01-24 until 1969-01-25)
writer:
Fito de la Parra, Bob Hite, Larry Taylor (US bassist), Henry Vestine and Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. and United Artists Music Ltd.
32:50
10Big Fat (The Fat Man)
producer:
Canned Heat and Skip Taylor
recorded at:
I.D. Sound in Los Angeles, California, United States (on 1969-03-20)
recording of:
Big Fat (on 1969-03-20)
writer:
Fats Domino and Bob Hite
revised by:
Robert Hite, Jr.
publisher:
Unart Music Corp.
1:59
11It’s All Right
producer:
Bob Hite and Skip Taylor
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (on 1970-05-27)
recording of:
It's All Right (on 1970-05-27)
writer:
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Trousdale Music Publishers, Inc.
35:37
12Poor Moon
producer:
Skip Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (on 1969-07-02)
recording of:
Poor Moon (on 1969-07-02)
lyricist and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc., SBK United Partnership Ltd. and Unart Music Corp.
23:25
13Sugar Bee
producer:
Canned Heat and Skip Taylor
recorded at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (on 1970-03-06)
cover recording of:
Sugar Bee (on 1970-03-06)
writer:
Eddie Shuler (Musician, recording engineer, record label owner and songwriter)
publisher:
Fort Knox Music Inc., Intersong Musikverlag GmbH (publisher), Kaymar Publishing, Lark Music Ltd. and Tek Publishing
2:37
14Shake It and Break It
producer:
Canned Heat and Skip Taylor
recorded at:
International Sound Studios in Los Angeles, California, United States (on 1969-12-04)
recording of:
Shake It and Break It (on 1969-12-04)
writer:
Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc. and Unart Music Corp.
2:33
15Future Blues
producer:
Canned Heat and Skip Taylor
recorded at:
International Sound Studios in Los Angeles, California, United States (on 1969-11-13)
recording of:
Future Blues (on 1969-11-13)
writer:
Canned Heat, Fito de la Parra, Harvey Mandel (American guitarist), Robert Hite, Jr., Larry Taylor (US bassist) and Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. and United Artists Musik GmbH
2:59
16Let’s Work Together (Let’s Stick Together)
engineer:
David Weichman
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
International Sound Studios in Los Angeles, California, United States (on 1969-12-03)
engineered at:
Annex Studios (aka Music Annex or Annex Digital) in San Mateo, California, United States
cover recording of:
Let’s Work Together (on 1969-12-03)
lyricist:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
2.653:12
17Wooly Bully
producer:
Skip Taylor
recorded at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (on 1970-12-07)
cover recording of:
Wooly Bully (on 1970-12-07)
lyricist and composer:
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) and Melodie der Welt (publisher)
42:31
18Human Condition
producer:
Skip Taylor
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (on 1970-07-30)
recording of:
Human Condition (on 1970-07-30)
writer:
Fito de la Parra, Bob Hite, Richard Hite, Chris Morgan (US guitarist for Canned Heat), Mark Skyer and Alan Wilson (Canned Heat member)
publisher:
Hollywood Shuffle Music
5:25
19Long Way From L.A.
producer:
Jim Taylor (Disco songwriter, producer, arranger) and Skip Taylor
recorded at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (on 1971-07-21)
recording of:
Long Way From L.A. (on 1971-07-21)
writer:
Jud Baker
publisher:
Bullfrog Music
3:06
20Hill’s Stomp
producer:
Jim Taylor (Disco songwriter, producer, arranger) and Skip Taylor
recorded at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (on 1971-07-20)
recording of:
Hill’s Stomp (on 1971-07-20)
writer:
Joel Scott Hill
publisher:
Dolly Bee Music (BMI-affiliated) and Whiskey Joe Music
3:03
21Rockin’ With the King
engineer:
Baker Bigsby
producer:
Jim Taylor (Disco songwriter, producer, arranger) and Skip Taylor
bass:
Antonio de la Barreda (from 1971-09-23 until 1971-10-28)
drums (drum set):
Adolfo de la Parra (from 1971-09-23 until 1971-10-28)
guitar [lead guitar]:
Henry "Wildman" Vestine (from 1971-09-23 until 1971-10-28)
guitar [rhythm guitar]:
Joel Scott Hill (from 1971-09-23 until 1971-10-28)
piano:
Little Richard (from 1971-09-23 until 1971-10-28)
saxophone:
Clifford Solomon (US jazz/R&B saxophonist) (from 1971-09-23 until 1971-10-28)
vocals:
The Bear and Little Richard (from 1971-09-23 until 1971-10-28)
arranger:
Little Richard
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1972) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1971-09-23 until 1971-10-28)
recording of:
Rockin' With the King (from 1971-09-23 until 1971-10-28)
writer:
Richard Wayne Penniman and Skip Taylor
publisher:
EMI Unart Catalog Inc., Payten Music, SBK United Partnership Ltd. and Unart Music Corp.
13:16
22Harley Davidson Blues
producer:
Skip Taylor
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (on 1972-10-24)
recording of:
Harley Davidson Blues (on 1972-10-24)
writer:
James Shane
publisher:
Big Oak Music and United Artists
22:35
23Rock & Roll Music
producer:
Skip Taylor
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (on 1972-11-28)
recording of:
Rock & Roll Music (on 1972-11-28)
writer:
Richard Hite
publisher:
Sony/ATV Songs LLC and United Artists
2:30
24It’s Music City…
0:22
25Huh?
0:52