Listen: Third Brief Edition

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

ISBN 1-57259-068-8

Anmerkung zuletzt geändert am 2014-05-15 12:38 UTC.

Titelliste

1▶CD: A 26260
2▼CD: A 26261
Nr.TitelKünstlerBewertungLänge
1Brandenburg Concerto No. 5: I, Part 1
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:56
2Brandenburg Concerto No. 5: I, Part 2
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:16
3Brandenburg Concerto No. 5: I, Part 3
Orchester:
Boston Baroque
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:14
4Brandenburg Concerto No. 5: I, Part 4
Orchester:
Boston Baroque
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach3:07
5Brandenburg Concerto No. 5: I, Part 5
Orchester:
Boston Baroque
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach0:27
6Orchestral Suite No. 3 in D: Air
Geige / Violine [violon concertant]:
Fabio Biondi (conductor/violinist) (in 1990-08)
Chorgesang:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble) (in 1990-08)
Orchester:
Le Concert des Nations (in 1990-08)
conductor:
Jordi Savall (viol player, conductor and composer) (in 1990-08)
aufgenommen bei:
Grande Salle (Arsenal de Metz) in Metz, Moselle, Grand Est (Großer Osten), Frankreich (in 1990-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1990-08)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:58
7Orchestral Suite No. 3 in D: Gavotte I and II
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:49
8Rodelinda: Massime cosi indegne, Tirannia
recording of:
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Tirannia Gli Diede Il Regno"
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Librettist:
Nicola Francesco Haym
Teil von:
Rodelinda, regina de' Longobardi, HWV 19: Atto II
recording of:
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Massime Così Indegne"
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Librettist:
Nicola Francesco Haym
Teil von:
Rodelinda, regina de' Longobardi, HWV 19: Atto II
Georg Friedrich Händel3:56
9Messiah: There were shepherds
recording of:
Messiah, HWV 56: Part I, no. 14a. Recitative “There were shepherds, abiding in the field” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
Georg Friedrich Händel3:06
10Messiah: Hallelujah Chorus
Techniker(in):
Martin Atkinson (engineer) und John Dunkerley (engineer)
Instrumente und Orchester:
Academy of Ancient Music (in 1979)
Chorgesang:
Christ Church Cathedral Choir, Oxford (in 1979)
Soprangesang:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1979)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:48
11Cantata No. 4: Christ lag in Todesbanden, Stanza 3
Tenor-Gesang:
Charles Daniels (tenor) (in 1993-04)
Orchester:
The Taverner Choir, Consort & Players (in 1993-04) und Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1993-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1993-04)
komponiert in:
Mühlhausen (Mühlhausen/Thüringen), Thüringen, Deutschland (von 1707 bis 1708)
überarbeitet in:
Leipzig, Sachsen, Deutschland (von 1724 bis 1725)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
Librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
Teil von:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:59
12Cantata No. 4: Christ lag in Todesbanden, Stanza 4
Chorgesang:
Taverner Choir (in 1993-04)
Orchester:
The Taverner Choir, Consort & Players (in 1993-04) und Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1993-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1993-04)
komponiert in:
Mühlhausen (Mühlhausen/Thüringen), Thüringen, Deutschland (von 1707 bis 1708)
überarbeitet in:
Leipzig, Sachsen, Deutschland (von 1724 bis 1725)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
Librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
Teil von:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:30
13Cantata No. 4: Christ lag in Todesbanden, Stanza 7
Chorgesang:
Taverner Choir (in 1993-04)
Orchester:
The Taverner Choir, Consort & Players (in 1993-04) und Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1993-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1993-04)
komponiert in:
Mühlhausen (Mühlhausen/Thüringen), Thüringen, Deutschland (von 1707 bis 1708)
überarbeitet in:
Leipzig, Sachsen, Deutschland (von 1724 bis 1725)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
Librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 41)
Teil von:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:10
14Choral Prelude: Christ lag in Todesbanden
Orgel:
Hans Helmut Tillmanns (German organist)
recording of:
Choralvorspiele für Orgel in a-Moll, BWV 625 "Christ lag in Todesbanden"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Das Orgel-Büchlein (Nummer: 27) und Bach-Werke-Verzeichnis (Nummer: BWV 625)
Johann Sebastian Bach1:30
15Symphony No. 40 in G Minor, K. 550: I, Part 1
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:53
16Symphony No. 40 in G Minor, K. 550: I, Part 2
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart3:18
17Symphony No. 40 in G Minor, K. 550: I, Part 3
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:12
18Symphony No. 40 in G Minor, K. 550: I, Part 4
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:14
19Symphony No. 40 in G Minor, K. 550: I, Part 5
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:12
20Symphony No. 40 in G Minor, K. 550: I, Part 6
Orchester:
Bamberger Symphoniker
conductor:
Eugen Jochum (conductor)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:22
21Symphony No. 88 in G: I, Part 1
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn1:18
22Symphony No. 88 in G: I, Part 2
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn0:43
23Symphony No. 88 in G: I, Part 3
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn2:05
24Symphony No. 88 in G: I, Part 4
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn1:14
25Symphony No. 88 in G: I, Part 5
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn1:13
26Symphony No. 88 in G: I, Part 6
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn0:19
27Symphony No. 88 in G: II, Part 1
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: II. Largo
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn2:25
28Symphony No. 88 in G: II, Part 2
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: II. Largo
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn1:07
29Symphony No. 88 in G: II, Part 3
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: II. Largo
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn0:53
30Symphony No. 88 in G: II, Part 4
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: II. Largo
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn1:03
31Symphony No. 88 in G: III, Part 1
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn0:44
32Symphony No. 88 in G: III, Part 2
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn1:26
33Symphony No. 88 in G: III, Part 3
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn0:29
34Symphony No. 88 in G: III, Part 4
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn1:55
35Symphony No. 88 in G: IV, Part 1
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (Symphonie Nr. 88 G-Dur, Hob. I:88: IV. Finale. Allegro con spirito)
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn0:59
36Symphony No. 88 in G: IV, Part 2
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (Symphonie Nr. 88 G-Dur, Hob. I:88: IV. Finale. Allegro con spirito)
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn0:50
37Symphony No. 88 in G: IV, Part 3
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (Symphonie Nr. 88 G-Dur, Hob. I:88: IV. Finale. Allegro con spirito)
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn1:08
38Symphony No. 88 in G: IV, Part 4
Orchester:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
teilweise recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (Symphonie Nr. 88 G-Dur, Hob. I:88: IV. Finale. Allegro con spirito)
Komponist(in):
Joseph Haydn (composer) (in 1787)
Teil von:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn1:08
39Piano Concerto: I (excerpt)
teilweise recording of:
Concerto for Piano and Orchestra, op. 42
Komponist(in):
Arnold Schönberg (composer) (von 1942-06-27 bis 1942-12-30)
Teil von:
Works of Arnold Schönberg by opus number (Nummer: op. 42)
Arnold Schönberg2:05
40Pierrot lunaire: 18. The Moonfleck, Part 1
teilweise recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“
Texter:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
Komponist(in):
Arnold Schönberg (composer) (bis 1912)
Übersetzer:
Otto Erich Hartleben
Teil von:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg0:15
41Pierrot lunaire: 18. The Moonfleck, Part 2
teilweise recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“
Texter:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
Komponist(in):
Arnold Schönberg (composer) (bis 1912)
Übersetzer:
Otto Erich Hartleben
Teil von:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg0:58
42Pierrot lunaire: 19. Serenade
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 19. „Serenade“
Texter:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
Komponist(in):
Arnold Schönberg (composer) (in 1912)
Übersetzer:
Otto Erich Hartleben
Teil von:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg2:18
43Pierrot lunaire: 20. Journey Home
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 20. „Heimfahrt (Barcarole)“
Texter:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
Komponist(in):
Arnold Schönberg (composer) (bis 1912)
Übersetzer:
Otto Erich Hartleben
Teil von:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg2:03
44Pierrot lunaire: 21. O Ancient Scent
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 21. „O alter Duft“
Texter:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
Komponist(in):
Arnold Schönberg (composer) (bis 1912)
Übersetzer:
Otto Erich Hartleben
Teil von:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg1:51
3▶CD: A 26262
4▶CD: B 26263
5▶CD: B 26264
6▶CD: B 26265

Nennungen

Veröffentlichungsgruppe

Teil von:Listen (accompanying discs for the books by Kerman and Kerman/Tomlinson) (Nummer: 3) (Reihenfolge: 2)