Only Rock ’n’ Roll 1975-1979: #1 Radio Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Feels Like the First Time
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Feels Like the First Time
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner43:30
2Pick Up the Pieces
recording of:
Pick Up the Pieces
Verfasser(in):
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. und Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band33:04
3Feel Like Makin’ Love
recording of:
Feel Like Makin’ Love
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company44:10
4Black Water
recording engineer:
Donn Landee
zusätzlich recording engineer:
Lee Herschberg
sonstige Unterstützung:
Benita Brazier (Aufgabe: production coordinator)
Produzent(in):
Ted Templeman
autoharp:
Arlo Guthrie (American folk singer-songwriter)
Bratsche / Viola:
Novi
Conga und Timbales:
Eddie Guzman
Keyboard:
Bill Payne
Marimba, Rahmentrommel [pandeiro] und tabla:
Milt Holland
Pedal-Steel-Gitarre:
Jeff “Skunk” Baxter
arranger:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love und The Memphis Horns
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1974)
recording of:
Black Water
Texter, Verfasser(in) und Komponist(in):
Patrick Simmons
publisher:
Lansdowne Music Publishers, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.24:17
5Love Is Alive
recording of:
Love Is Alive
Texter und Komponist(in):
Gary Wright (US singer/keyboardist)
publisher:
High Wave Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal-MCA Publishing (US) und WB Music Corp.
Gary Wright4.53:28
6Only Women Bleed
Produzent(in):
Bob Ezrin
Bassgitarre:
Prakash John
Clavinet:
Jozef Chirowski
Gitarre:
Steve Hunter (rock guitarist) und Dick Wagner
Keyboard:
Jozef Chirowski und Bob Ezrin
Schlagzeug:
Whitey Glan
Hintergrundgesang:
Jozef Chirowski, David Ezrin, Michael Sherman, The Summerhill Children’s Choir und Dick Wagner
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Bob Ezrin und Allan MacMillan
phonographisches Urheberrecht (℗) von:
Anchor Records Ltd. (in 1975), Atlantic (Warner Music imprint) (in 1975), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) und Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1975)
Remix von:
Only Women Bleed von Alice Cooper (the singer, active as a solo artist 1975‐present)
Bearbeitung von:
Only Women Bleed von Alice Cooper (the singer, active as a solo artist 1975‐present)
recording of:
Only Women Bleed
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975‐present) und Dick Wagner
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Early Frost Music Corp. (, vom 1975 bis ????), EMI Blackwood Music Inc., Ezra Music, Mushroom Music Pty. Ltd., Primary Wave Music Publishing, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group, Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1975 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.53:33
7Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
8(Don’t Fear) The Reaper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 397) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 449)
recording of:
(Don’t Fear) The Reaper
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:52
9Don’t Stop
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:13
10You Are the Woman
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
Texter und Komponist(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:38
11My Eyes Adored You
The Four Seasons3:33
12Nights Are Forever
phonographisches Urheberrecht (℗) von:
Big Tree Enterprises Ltd. (in 1976)
recording of:
Nights Are Forever Without You
Texter und Komponist(in):
Parker McGee
England Dan & John Ford Coley42:53
13You’re No Good
recording engineer:
Val Garay (von 1974-06 bis 1974-09) und David Hassinger (von 1974-06 bis 1974-09)
Techniker(in):
Val Garay
Produzent(in):
Peter Asher, Jay Faires und Tricia Holloway
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1974-06 bis 1974-09)
E-Gitarre:
Ed Black (von 1974-06 bis 1974-09)
Schlagzeug, Hybrid-Piano und Perkussion:
Andrew Gold (von 1974-06 bis 1974-09)
Solo-E-Gitarre:
Andrew Gold (von 1974-04 bis 1974-09)
Hintergrundgesang:
Clydie King (von 1974-06 bis 1974-09) und Shirley Matthews (Canadian pop singer) (von 1974-06 bis 1974-09)
Saiteninstrumente arranger:
Gregory Rose
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 2006) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-06 bis 1974-09)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 38)
cover recording of:
You’re No Good (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:44
14Lonely Boy
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Lonely Boy
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold4.54:01
15Let Your Love Flow
Produzent(in):
Phil Gernhard (songwriter and producer) (in 1975-10) und Tony Scotti (in 1975-10)
Bassgitarre:
Emory Gordy (in 1975-10)
Gitarre:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) und Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
Perkussion:
King Errison (conguero) (in 1975-10)
Schlagzeug:
Dennis St. John (in 1975-10)
Synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
Sologesang:
David Bellamy (Bellamy Brothers) (in 1975-10) und Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographisches Urheberrecht (℗) von:
Curb Records (in 1975) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
Texter und Komponist(in):
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:17
16They Just Can’t Stop It (The Games People Play)
The Spinners4:43
17Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)
Bearbeitung von:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (LP / 12″ version) von Chic (US disco group)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 20)
recording of:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (in 1977)
Verfasser(in):
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
Chic3.653:45
18Get Down Tonight
recording of:
Get Down Tonight
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music und Southern Music (publisher)
KC and the Sunshine Band4.23:14
19Let’s Do It Again
recording of:
Let’s Do It Again
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1975 bis heute)
The Staple Singers43:31
20Thunder Island
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 50)
recording of:
Thunder Island
Texter und Komponist(in):
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Painless Music
Jay Ferguson3:24

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Veröffentlichung

ASIN:US: B000001O03 [Info]