VH-1: The Big 80's Big Hair

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Cum on Feel the Noize
engineer:
Duane Baron
producer:
Spencer Proffer
drums (drum set):
Frankie Banali (US drummer)
electric bass guitar:
Rudy Sarzo
electric guitar:
Carlos Cavazo
keyboard:
Pat Regan (American recording engineer)
lead vocals:
Kevin DuBrow
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
recorded at and mixed at:
Pasha Music House in Hollywood, Los Angeles, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 41)
cover recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4.24:52
2Talk Dirty to MePoison4.253:47
3Round and RoundRatt4.54:28
4Here I Go Again
producer:
Kevin Elson, Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
drums (drum set) and percussion:
Aynsley Dunbar
electric bass guitar:
Neil Murray (British bass guitar player)
electric guitar and background vocals:
John Sykes
guest keyboard and keyboard:
Don Airey and Bill Cuomo
solo electric guitar:
Adrian Vandenberg
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
music videos:
Here I Go Again ’87 by Whitesnake
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 17)
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake4.054:36
5Once Bitten Twice Shy
cover recording of:
Once Bitten Twice Shy
lyricist and composer:
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. and Ian Hunter Music Inc.
Great White5:26
6Up All Night
engineer:
Andy Chappel
producer:
Mark Slaughter and Dana Strum
arranger:
Mark Slaughter and Dana Strum
recording of:
Up All Night
lyricist and composer:
Mark Slaughter and Dana Strum
Slaughter44:23
7Rock You Like a Hurricane
engineer:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) and Gerd Rautenbach
producer:
Dieter Dierks
mixer:
Mike Beiriger, Dieter Dierks and Scorpions (German rock band)
acoustic guitar and electric guitar:
Rudolf Schenker (in 1984)
bass guitar:
Francis Buchholz (in 1984)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1984)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1984) and Rudolf Schenker (in 1984)
slide guitar:
Matthias Jabs (in 1984)
background vocals:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) and Rudolf Schenker (in 1984)
lead vocals:
Klaus Meine (in 1984)
arranger:
Dieter Dierks
phonographic copyright (℗) by:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2015, in 2018), Breeze Music (in 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1983 until 1984)
part of:
Alan Cross: Hurricane Songs (number: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 18) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
recording of:
Rock You Like a Hurricane (in 1984)
lyricist:
Klaus Meine and Herman Rarebell (drummer, Germany)
composer:
Rudolf Schenker
publisher:
Arabella Music Edition München, Arabella Musikverlag GmbH and Universal Music Publishing (use ONLY if no country‐specific information is available)
Scorpions44:18
8Cherry Pie
producer and mixer:
Beau Hill
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1990), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1990) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 56)
recording of:
Cherry Pie
lyricist:
Jani Lane
composer:
Joey Allen (glam metal guitarist), Jerry Dixon (rock/metal bass guitarist), Jani Lane, Steven Sweet (drummer, member of Warrant) and Erik Turner (guitarist for Warrant)
publisher:
Crab Salad Music, Dick Dragon Music, Dixonyou Music, EMI Virgin Music Australia Pty Ltd, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music, Likite Split Music, Rich McBitch Music, Round Hill Works and Virgin Songs, Inc.
Warrant4.63:25
9Headed for a Heartbreak
assistant engineer:
Noah Baron and Jimmy Hoyson
engineer and producer:
Beau Hill
audio engineer:
Bob Caputo (engineer) and Bob Schwall (technician)
editor:
Stephen Benben
bass guitar and lead vocals:
Kip Winger
cello:
Maria Kitsopoulos
drums (drum set) and percussion:
Rod Morgenstein
guitar:
Reb Beach and Paul Taylor (Winger rhythm guitarist and keyboardist)
keyboard:
Paul Taylor (Winger rhythm guitarist and keyboardist) and Kip Winger
viola:
Rebecca Young (violist)
violin:
Hae-Young Ham (violinist) and Sandra Park (violinist)
additional vocals:
Beau Hill and Ira McLaughlin (engineer)
background vocals:
Reb Beach, Rod Morgenstein and Paul Taylor (Winger rhythm guitarist and keyboardist)
strings arranger:
Kip Winger
arranger:
Beau Hill and Winger
recorded at and mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Headed for a Heartbreak
lyricist and composer:
Kip Winger
publisher:
EMI-Virgin Songs, Small Hope Music and Varseau Music
Winger45:14
10Burning Like a Flame
engineer and producer:
Neil Kernon
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
bass guitar:
Jeff Pilson
drums (drum set):
Mick Brown (US drummer, formerly of Dokken)
guitar:
Don Dokken and George Lynch
background vocals:
Mick Brown (US drummer, formerly of Dokken) and Jeff Pilson
lead vocals:
Don Dokken
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1987)
recording of:
Burning Like a Flame
writer:
Mick Brown (US drummer, formerly of Dokken), Don Dokken, George Lynch and Jeff Pilson
publisher:
E/A Music Inc., Megadude Music, WB Music Corp. (1929–2019) and エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Dokken34:46
11The Last Mile
assistant recording engineer:
Thom Cadley and Ryan Dorn
engineer:
Andy Johns
producer:
Eric Brittingham, Andy Johns and Tom Keifer
assistant mixer:
George Cowan (US engineer)
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
acoustic guitar, harmonica, steel guitar [national steel guitar] and lead vocals:
Tom Keifer
additional drums (drum set):
Denny Carmassi and Cozy Powell
additional guest Hammond organ [B3], additional guest piano and additional guest synthesizer:
Rick Criniti
additional keyboard:
Kurt Shore and John Webster (Canadian keyboardist)
additional pedal steel guitar:
Jay Levine
additional percussion:
Paulinho da Costa (Brazilian percussionist)
bass guitar [12 string bass], electric bass guitar and background vocals:
Eric Brittingham
drums (drum set):
Fred Coury
electric guitar:
Tom Keifer and Jeff LaBar
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recorded at:
Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, United States and Bearsville Studios in Bearsville, New York, United States (from 1987 until 1988)
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
The Last Mile
lyricist and composer:
Tom Keifer
Cinderella3.653:48
12Cryin'
additional engineer:
Peter Doell
assistant engineer:
Annette Cisneros, Judy Clapp, Jimmy Preziosi and Mark Stebbeds
engineer and mixer:
David Cole (American recording engineer and producer)
producer:
David Cole (American recording engineer and producer) and Rick Neigher
bass guitar:
Share Pedersen
drums (drum set):
Roxy Petrucci
guitar [lead guitar]:
Jan Kuehnemund
guitar [rhythm guitar] and lead vocals:
Janet Gardner
keyboard:
Derek “Keys” Nakamoto
background vocals:
Jan Kuehnemund, Share Pedersen and Roxy Petrucci
arranger:
David Cole (American recording engineer and producer) and Rick Neigher
phonographic copyright (℗) by:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988)
music videos:
Cryin’ by Vixen (all‐female rock/glam band)
recording of:
Cryin’
writer:
Jeff Paris and Gregg Tripp
publisher:
Could Be Music, Leibraphone Music, Trippland Music and Universal–Songs of PolyGram International, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Vixen3.53:34
13Feel It Again
producer:
Bruce Fairbairn
mixer:
Stephen W. Tayler (UK engineer)
recording of:
Feel It Again
lyricist and composer:
Ray Coburn
Honeymoon Suite44:36
14Mutha (Don't Wanna Go to School Today)
Extreme3:26
15Summertime GirlsY & T3:29
16We're Not Gonna Take It
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer), Greg Laney and Geoff Workman
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
recording of:
We’re Not Gonna Take It
lyricist and composer:
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Tunes
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 7)
Twisted Sister4.353:38