De Pre Historie 1988, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Should Be So Lucky
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
Musikvideos:
I Should Be So Lucky von Kylie Minogue
recording of:
I Should Be So Lucky
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue4.353:24
2Everywhere
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:41
3Yéké Yéké
recording of:
Yé Ké Yé Ké
Texter und Komponist(in):
Mory Kanté
publisher:
EMI Music Publishing Germany (GmbH & Co. KG) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mory Kanté4.53:58
4Angel Eyes
recording of:
Angel Eyes (Home & Away)
Verfasser(in):
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell und Marti Pellow
Wet Wet Wet34:31
5Push It
Teil von:
Grammy Award: Best Rap Performance nominees (Nummer: 1989), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 54), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 374) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 440)
recording of:
Push It
Verfasser(in):
Hurby Azor und Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. und Turn Out Brothers Publishing
Salt‐N‐Pepa3.753:29
6Play It Cool
recording of:
Play It Cool
Verfasser(in):
Richard Palmer‐James (guitarist and lyricist), Aron Strobel und Stefan Zauner (pop vocalist and keyboardist)
publisher:
Mambo Musikverlag
Freiheit3:37
7Tell It to My Heart
Produzent(in):
Ric Wake
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
Verfasser(in):
Ernie Gold und Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint und Intersong Music
Taylor Dayne3.753:38
8Once Upon a Long Ago
Paul McCartney4:09
9Etienne
Techniker(in):
Vincent Bruley
Produzent(in):
Jam'Ba (guitarist) und Rémi Walter
assistierende(r) Mix:
Martin Stansfield
Mix:
Jeremy Green
aufgenommen bei:
Studio Piccolo in Paris, Île-de-France, Frankreich
mixed at:
The Lodge (Suffolk, UK) in Clare, Suffolk, England, Vereinigtes Königreich
recording of:
Étienne
Texter:
Guesch Patti
Komponist(in):
Vincent Bruley
Guesch Patti4:07
10Rise to the Occasion
Techniker(in):
John Gallen (UK music producer, recording & mix engineer.) und David Jacob
Produzent(in):
Climie Fisher und Stephen Hague
zusätzlich Perkussion:
Frank Ricotti (percussionist)
Hintergrundgesang:
View From the Hill
recording of:
Rise to the Occasion
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
Climie Fisher24:45
11The Only Way Is Up
cover recording of:
The Only Way Is Up
Verfasser(in):
Johnny Henderson (southern soul songwriter) und George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) und Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population4:18
12Tomorrow People
recording of:
Tomorrow People
Texter und Komponist(in):
Ziggy Marley
Ziggy Marley3:34
13Stop Loving You
recording engineer:
Bill Payne, George Massenburg und Toto (US rock group)
Programmierung:
Steve Porcaro
assistierende(r) Techniker(in):
Duane Seykora (Aufgabe: assistant engineer), Greg Dennen (Aufgabe: assistant engineer), Ken Fowler (Aufgabe: assistant engineer), Mark McKenna (engineer) (Aufgabe: assistant engineer), Paul Dieter (American sound engineer and producer.) (Aufgabe: assistant engineer) und Scott Symington (Aufgabe: assistant engineer)
zusätzliche(r) Techniker(in):
John Jessel (Aufgabe: additional engineering by), Sharon Rice (Los Angeles sound engineer) (Aufgabe: additional engineering by) und Steve Porcaro (Aufgabe: additional engineering by)
Produzent(in):
Ivy Skoff, George Massenburg, Bill Payne und Toto (US rock group)
Mix:
George Massenburg
Bass:
Mike Porcaro
Bassgitarre:
Mike Porcaro
Blechblasinstrumente [horns]:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass), Gary Herbig, Jerry Hey und James Pankow
Gitarre [lead and rhythm guitars]:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Horn:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass), Gary Herbig, James Pankow, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Keyboard:
Bill Payne, David Paich und Steve Porcaro
Perkussion:
Michael G. Fisher (percussionist) und Jeff Porcaro
Saxophon [brass]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug:
Jeff Porcaro
Synthesizer:
David Paich, Bill Payne und Steve Porcaro
Hintergrundgesang:
Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich und Joseph Williams (vocalist for Toto, son of composer John Williams)
Sologesang:
Jean-Michel Byron und Joseph Williams (vocalist for Toto, son of composer John Williams)
vocals:
Jon Anderson (Yes/Jon & Vangelis), David Paich, Joseph Williams (vocalist for Toto, son of composer John Williams), Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
zusätzlich Hintergrundgesang:
Jon Anderson (Yes/Jon & Vangelis)
Blechblasinstrumente [horns] arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) und Toto (US rock group)
recording of:
Stop Loving You
Verfasser(in):
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und David Paich
publisher:
BMG Songs, Hudmar Publishing Co. Inc., Inactive und Rehtakul Veets Music
Toto3.454:26
14Wee Rule
recording of:
Wee Rule
Verfasser(in):
Charles Cochrane, Hamish McDonald (British producer), Samantha Lawrence und Sandra Lawrence
Wee Papa Girl Rappers3:31
15When Will I Be Famous
recording engineer:
John Brand (engineer), Simon Humphrey und Robin Sellers
assistierende(r) Techniker(in):
Richard Edwards (sound engineer) und Alex Osman
Techniker(in):
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in) und Mix:
Nicky Graham
aufgenommen bei:
Hot Nights Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
When Will I Be Famous?
Verfasser(in):
Nicky Graham und Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Bros5:02
16A Little Piece of Heaven
recording of:
A Little Piece of Heaven
Verfasser(in):
Lol Creme und Kevin Godley
Godley & Creme3:44
17Together Forever
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1987)
assistierende(r) Techniker(in):
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman) und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
Gitarre [guitars]:
Matt Aitken (in 1987)
Keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) und Matt Aitken (in 1987)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1987)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) und Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
Pete Waterman Ltd. (copyrights holder) (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1987) und PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 und PWL Studio 2
recording of:
Together Forever (in 1987)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (vom 1987 bis heute)
Rick Astley4.653:25
18Riding on a Train
recording of:
Riding on a Train
Verfasser(in):
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner und Hammish Seelochan
publisher:
CBS Music Publishing und CBS Songs
The Pasadenas4:17
19Somewhere Down the Crazy River
Techniker(in):
Jim Scott (US recording engineer and producer)
Partner-Produzent(in):
Jim Scott (US recording engineer and producer)
Produzent(in):
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) und Robbie Robertson
Mix:
Bob Clearmountain
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
Bill Dillon und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Omnichord:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Schlagzeug [drums]:
Manu Katché
Hintergrundgesang:
Robbie Robertson und Sammy BoDean
Sologesang [vocal]:
Robbie Robertson
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
recording of:
Somewhere Down the Crazy River
Texter und Komponist(in):
Robbie Robertson
publisher:
Medicine Hat Music und SBK Songs (publisher)
Robbie Robertson4.54:55

Nennungen

Veröffentlichung

Zusammensteller:Guy De Pré (Belgian radio DJ)
Discogs:https://www.discogs.com/release/702568 [Info]

Veröffentlichungsgruppe

Teil von:De Pre Historie (series of releases based on the Belgian radio show “De Pre Historie”) (Nummer: 1988.2) (Reihenfolge: 86)