Can You Dig It? The ’70s Soul Experience

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Each disc of this set is in its own digipak.

Anmerkung zuletzt geändert am 2020-01-25 18:53 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Don’t Knock My Love, Part I
recording engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer) und Brad Shapiro (Producer, arranger, bass player and songwriter)
E-Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1971-01-27)
Gitarre:
Tippy Armstrong (am 1971-01-27) und Dennis Coffey (am 1971-01-27)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1971-01-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1971-01-27)
Tenorsaxophon:
Andrew Love (am 1971-01-27)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-01-27)
vocals:
Wilson Pickett (am 1971-01-27)
conductor:
Wade Marcus (am 1971-01-27)
arranger:
Wade Marcus
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1971-01-27)
recording of:
Don’t Knock My Love (am 1971-01-27)
Komponist(in):
Wilson Pickett und Brad Shapiro (Producer, arranger, bass player and songwriter)
publisher:
Erva Music Publishing (BMI)
Wilson Pickett2:13
2Love or Let Me Be Lonely
recording of:
Love or Let Me Be Lonely
Verfasser(in):
Jerry Peters, Anita Porée und Skip Scarborough
publisher:
Porpete Music (BMI)
The Friends of Distinction3:15
3Deeper & Deeper
Freda Payne3:04
4Pay to the Piper
recording of:
Pay to the Piper
Verfasser(in):
Angelo Bond (R&B singer, active in the 1970s, songwriter and producer), Ronald Dunbar (Songwriter, A&R director and record producer), General Johnson (US soul singer, R&B songwriter & producer) und Greg Perry
Chairmen of the Board3:08
5Mr. Big Stuff
recording of:
Mr. Big Stuff
Verfasser(in):
Joseph Broussard, Carrol Washington und Ralph Williams (US soul composer)
publisher:
Caraljo Music Inc., Malaco Music Company und Peermusic III, Ltd. (BMI)
Jean Knight2:31
6Women’s Love Rights
recording of:
Women’s Love Rights
Verfasser(in):
Angelo Bond (R&B singer, active in the 1970s, songwriter and producer) und William Weatherspoon
Laura Lee3:14
7Whatcha See Is Whatcha Get
Bearbeitung von:
Whatcha See Is Whatcha Get (album version) von The Dramatics (US soul music vocal group)
recording of:
Whatcha See Is Whatcha Get (in 1971)
Texter und Komponist(in):
Tony Hester
publisher:
Groovesville Music (publishing) (beendet), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Dramatics53:34
8Baby Let Me Kiss You
King Floyd2:52
9Right on the Tip of My Tongue
Produzent(in):
G. Woods (Producer & Owner of the record label "Dionn Records") und V. McCoy
Sprecher:
Brenda Payton
vocals:
Brenda & the Tabulations
recording of:
Right on the Tip of my Tongue
Komponist(in):
J. Cobb (Joe “Youngblood” Cobb; songwriter, producer, composer, writer) und V. McCoy
arranger:
V. McCoy
publisher:
Dandelion Records, One Eye Soul und Van McCoy Music
Brenda & the Tabulations3:22
10Thin Line Between Love & Hate
The Hollywood Persuaders3:27
11Have You Seen Her
recording of:
Have You Seen Her
Verfasser(in):
Barbara Acklin (singer and songwriter) und Eugene Record
publisher:
Intersong Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites5:12
12Theme From Shaft
Bearbeitung von:
Theme From ‘Shaft’ von Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.353:19
13Respect Yourself
Bearbeitung von:
Respect Yourself von The Staple Singers
recording of:
Respect Yourself
Texter und Komponist(in):
Luther Ingram und Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) und Klondike Enterprises (publisher) (in 1988)
The Staple Singers53:35
14Family Affair
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 138)
recording of:
Family Affair
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:07
15Let’s Stay Together
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographisches Urheberrecht (℗) von:
Cream Records (70s Los Angeles) (in 1971) und HI Records Inc. (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 84)
recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Al Green4.553:21
16Clean Up Woman
Techniker(in):
Willie Clarke
Produzent(in):
Willie Clarke und Clarence Reid
Horn arranger und Saiteninstrumente arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
Verfasser(in):
Willie Clarke und Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:50
17One Monkey Don’t Stop No Show, Part I
teilweise recording of:
One Monkey Don’t Stop No Show
Verfasser(in):
General Johnson (US soul singer, R&B songwriter & producer) und Greg Perry
Honey Cone3:45
18Drowning in the Sea of Love
Produzent(in):
Gamble-Huff
arranger:
Thom Bell (keyboards, songwriter, producer)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1971)
recording of:
Drowning in the Sea of Love (in 1971)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Assorted Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Joe Simon53:29
19Ain’t Understanding Mellow
recording of:
Ain't Understanding Mellow
Verfasser(in):
Herscholt Polk und Homer Talbert
Jerry Butler feat. Brenda Lee Eager4:22
20I’ve Been Lonely for So Long
recording of:
I've Been Lonely for So Long
Verfasser(in):
Jerry Weaver und Posie Knight
publisher:
Irving Music, Inc. (in 1972), Lowery Music (in 1972, in 1988) und Irving Music (BMI) (in 1988)
Frederick Knight33:23
21Suavecito
Malo3:28
22Hearsay
The Soul Children3:37
23She’s Not Just Another Woman
The 8th Day3:05
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