Classic Driving Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Sanctify Yourself
Produzent(in):
Bob Clearmountain und Jimmy Iovine
recording of:
Sanctify Yourself
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing und EMI Publishing Ltd.
Simple Minds43:57
2More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston (US rock band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3.954:43
3Modern Girl
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1984)
recording of:
Modern Girl
Verfasser(in):
Sarah Durkee und Paul Jacobs (American composer)
publisher:
Morrison Leahy Music Ltd.
Meat Loaf44:22
4Black Magic Woman
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1970-06)
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Santana (US Latin, blues, & rock band)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (von 1970-06-04 bis 1970-06-05)
Conga:
José “Chepito” Áreas (in 1970-06) und Michael Carabello (percussionist) (in 1970-06)
Conga und Perkussion:
Michael Carabello (percussionist) (von 1970-06-04 bis 1970-06-05)
Conga, Perkussion und Timbales und Timbales:
José “Chepito” Áreas (von 1970-06-04 bis 1970-06-05)
Gitarre:
Carlos Santana (von 1970-06-04 bis 1970-06-05)
Keyboard und Sologesang:
Gregg Rolie (keyboardist and vocalist) (von 1970-06-04 bis 1970-06-05)
Perkussion:
Rico Reyes (von 1970-06-04 bis 1970-06-05)
Schlagzeug:
Michael Shrieve (drummer) (von 1970-06-04 bis 1970-06-05)
tabla:
Steven Saphore (von 1970-06-04 bis 1970-06-05)
Hintergrundgesang:
Rico Reyes (von 1970-06-04 bis 1970-06-05) und Carlos Santana (von 1970-06-04 bis 1970-06-05)
vocals:
Gregg Rolie (keyboardist and vocalist) (in 1970-06)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1970-06-04 bis 1970-06-05)
cover recording of:
Black Magic Woman (in 1970-06)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
cover recording of:
Gypsy Queen (in 1970-06)
Komponist(in):
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. und Wixen Music Publishing, Inc.
Santana3.75:19
5Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.43:59
6Jessie’s Girl
Produzent(in):
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) und Rick Springfield
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) und Wizard Records (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 20) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 55)
recording of:
Jessie’s Girl
Texter und Komponist(in):
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Wizard Music
Rick Springfield4.43:13
7Hold the Line
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Jeffrey Porcaro und Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Jean-Michel Byron und Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:57
8Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:10
9Dreaming
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Hintergrundgesang:
Ellie Greenwich (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 4) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 414)
recording of:
Dreaming (von 1979-05 bis 1979-06)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) und EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie3.753:05
10Eight Miles High
Produzent(in):
Allen Stanton
zwölfsaitige Gitarre:
Roger McGuinn (am 1966-01-25)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 150) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 181)
recording of:
Eight Miles High (am 1966-01-25)
Verfasser(in):
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby und Roger McGuinn
publisher:
Gene Clark Music, Reservoir One America, Tickson Music Co. und TRO Essex Music Ltd.
The Byrds4.23:34
11(Don’t Fear) The Reaper
recording of:
(Don’t Fear) The Reaper
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult44:49
12I Drove All Night
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
I Drove All Night
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. und Warner Chappell Music Ltd.
Cyndi Lauper4.354:08
13Bitch
Techniker(in) und Produzent(in):
Geza X
Mix:
Jim Ebert
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks44:02
14Mony Mony
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1981-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1981)
Musikvideos:
Mony, Mony (live) von Billy Idol (English rock singer‐songwriter)
cover recording of:
Mony Mony (in 1981-07)
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Billy Idol3.24:59
15Holding Out for a Hero
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler4.154:21
16Some Like It Hot
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
zusätzliche(r) Techniker(in):
Rob Eaton, Steve Rinkoff und Tony Taverner
Produzent(in):
Bernard Edwards (American bassist and record producer)
Bassgitarre:
John Taylor (UK bassist for Duran Duran)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Sologesang:
Robert Palmer (English singer‐songwriter)
Interpret(in):
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Tony Thompson (drummer, best known for his work in CHIC)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
mixed at und engineered at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Some Like It Hot
Verfasser(in):
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) und John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music und Tritec Music Ltd. (publisher and copyrights holder)
The Power Station45:05
17The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Huey Lewis & the News43:53
18Footloose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:47
2▶CD

Nennungen