El mejor álbum de música de anuncios TV, Volumen 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Lazy on a Sunday Afternoon
recording of:
Lazing on a Sunday Afternoon
lyricist and composer:
Freddie Mercury
publisher:
EMI Music (do not use as release label! this is a music publisher) and Queen Music Ltd.
Queen1:08
2Get Up (I Feel Like Being a) Sex Machine
producer:
James Brown (The Godfather of Soul)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
piano:
James Brown (The Godfather of Soul)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:17
3It's Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:59
4Drinking in L.A.
samples:
Smoke Beat by Carlos Bess and The Track by ASAP Productions
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 49) and Indie 88: Top 500 Indie Rock Songs (number: 370)
recording of:
Drinking in L.A.
writer:
Bran Van 3000, James Di Salvio, Duane Larson and Haig Vartzbedian
quotes lyrics from:
Gin & Juice
Bran Van 30004.353:57
5Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:25
6Use Me
engineer:
Bob Hughes (engineer) and Phil Sheer
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
acoustic guitar:
Benorce Blackmon (guitarist, producer, writer)
clavinet and Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.33:43
7Surfin' Bird
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 7)
recording of:
Surfin’ Bird
writer:
Al Frazier, Sonny Harris (US baritone singer and songwriter John Harris), Carl White (60s soul vocalist, member of the Rivingtons) and Turner Wilson (1960s doo wop)
publisher:
Beechwood Music Corp.
medley of:
Papa‐Oom‐Mow‐Mow
medley of:
The Bird’s the Word
The Trashmen4.32:21
8Someone Like You (radio edit)
Sexy Sadie3:06
9Call Me
New Classic Singers2:24
10What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3.63:05
11Are You Still Having Fun?
co-producer:
Eagle‐Eye Cherry
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
mixer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Jim Scott (US recording engineer and producer)
phonographic copyright (℗) by:
Diesel Music AB (in 2000) and Superstudio Blå (in 2000)
recording of:
Are You Still Having Fun?
lyricist and composer:
Eagle‐Eye Cherry
Eagle‐Eye Cherry13:08
12Connection
engineer and producer:
Marc Waterman
mixer:
Alan Moulder (producer and engineer)
recording of:
Connection
lyricist and composer:
Justine Frischmann
Elastica4.22:21
13Rubber Biscuit
recorded at:
Belltone Studios in Manhattan, New York, New York, United States (on 1956-08-03)
recording of:
Rubber Biscuit (on 1956-08-03)
writer:
Nathaniel Epps, Paul Fulton, Charles Johnson (The Chips), Adam R. Levy, Shedrick Lincoln and Samuel Strain
The Chips4.652:07
14Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:35
15Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:30
16A Message to You Rudy
producer:
Elvis Costello
guest trombone:
Rico Rodriguez (Jamaican trombonist)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 132)
cover recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
The Specials42:54
17Theme de Zorba
Μίκης Θεοδωράκης3:48
2▶CD

Credits

Release

ASIN:UK: B001MG591G [info]