| # | Title | Artist | Rating | Length |
|---|
| 1 | Tripping | Robbie Williams | 2.5 | 4:05 |
| 2 | Bad Day | Daniel Powter | 3.15 | 3:54 |
| 3 | Put Your Records On | Corinne Bailey Rae | 3.7 | 3:35 |
| 4 | Smile | Lily Allen | 3.7 | 3:15 |
| 5 | Don't Cha Wanna Ride- programming and mixer:
- Steve Greenwell and Mike Mangini
- engineer:
- Steve Greenwell
- producer:
- Steve Greenberg , Mike Mangini and Betty Wright
- baritone saxophone, tenor saxophone, trombone and trumpet:
- Tom “Bones” Malone
- bass guitar [bass] and keyboard [keyboards]:
- Mike Mangini
- drums (drum set) [drums]:
- Jonathan Joseph
- guitar:
- AJ Nilo
- Hammond organ [B3] and piano:
- Raymond Angry
- background vocals:
- Joss Stone and Betty Wright
- recorded at:
- Mojo Studios in New York, New York, United States
- mixed at:
- Chung King in New York, New York, United States
- samples:
- Soulful Strut by Young–Holt Unlimited
- recording of:
- Don’t Cha Wanna Ride
- writer and composer:
- Desmond Child, Steven Greenberg, Mike Mangini , Eugene Record, Joss Stone, William "Sonny" Sanders and Betty Wright
| Joss Stone | 3 | 3:33 |
| 6 | Black Horse and the Cherry Tree | KT Tunstall | 4.3 | 2:52 |
| 7 | Road to Nowhere | Talking Heads | 4 | 4:02 |
| 8 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:26 |
| 9 | Let's Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control , EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 3.35 | 2:58 |
| 10 | Helen Wheels- assistant recording engineer:
- Monday (from 1973-09-01 until 1973-10)
- recording engineer:
- Geoff Emerick (from 1973-09-01 until 1973-10)
- producer:
- Paul McCartney (from 1973-09-01 until 1973-10)
- assistant mixer:
- Pete Swettenham (on 1973-10-02)
- mixer:
- Geoff Emerick (on 1973-10-02)
- bass guitar, drums (drum set) and lead vocals:
- Paul McCartney (from 1973-09-01 until 1973-10)
- electric guitar:
- Denny Laine (from 1973-09-01 until 1973-10) and Paul McCartney (from 1973-09-01 until 1973-10)
- Moog:
- Linda McCartney (from 1973-09-01 until 1973-10)
- background vocals:
- Denny Laine (from 1973-09-01 until 1973-10), Linda McCartney (from 1973-09-01 until 1973-10) and Paul McCartney (from 1973-09-01 until 1973-10)
- additionally recorded at:
- Air Studios in London , England, United Kingdom (in 1973-10)
- recorded at:
- EMI Studios Apapa, Lagos in Lagos, Lagos , Nigeria (from 1973-09-01 until 1973-09-23)
- mixed at:
- Air Studios in London , England, United Kingdom (on 1973-10-02)
- recording of:
- Helen Wheels (from 1973-09-01 until 1973-10)
- writer:
- Linda McCartney and Paul McCartney
- publisher:
- ATV Music Corp. and McCartney Music, Inc.
| Wings | 2.75 | 3:45 |
| 11 | Driving in My Car | Madness | 2.5 | 3:19 |
| 12 | Mustang Sally- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-10-13)
- engineer:
- Tom Dowd and Rick Hall
- producer:
- Rick Hall and Jerry Wexler
- drums (drum set):
- Roger Hawkins (from 1966-10-13 until 1966-10-14)
- electric bass guitar [electric bass]:
- Tommy Cogbill (from 1966-10-13 until 1966-10-14)
- guitar:
- Jimmy Johnson (from 1966-10-13 until 1966-10-14)
- guitar [lead guitar]:
- Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
- keyboard [piano, organ]:
- Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
- tenor saxophone:
- Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
- trumpet:
- Gene “Bowlegs” Miller (from 1966-10-13 until 1966-10-14)
- vocals:
- Wilson Pickett (from 1966-10-13 until 1966-10-14)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 434)
- cover recording of:
- Mustang Sally (from 1966-10-13 until 1966-10-14)
- lyricist and composer:
- Sir Mack Rice
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
| Wilson Pickett | 4 | 3:06 |
| 13 | No Particular Place to Go | Chuck Berry | 4.5 | 2:42 |
| 14 | Expressway to Your Heart | The Soul Survivors | | 2:20 |
| 15 | Driver's Seat | Sniff ’n’ the Tears | 4 | 3:59 |
| 16 | Missing You- assistant engineer:
- Ken Stiger
- engineer:
- Gary Hellman
- producer:
- Gary Gersh, David Thoener and John Waite
- mixer and editor:
- John Luongo
- phonographic copyright (℗) by:
- Capitol Records (in 1984), Capitol Records, LLC (in 1984), EMI America Records (in 1984) and EMI–Manhattan Records (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 5 | 4:01 |
| 17 | Fly Like an Eagle | Steve Miller Band | 4.5 | 3:01 |
| 18 | Baker Street- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4.15 | 4:07 |
| 19 | Ballad of Lucy Jordan | Marianne Faithfull | 3.65 | 4:07 |
| 20 | In the Air Tonight- assistant engineer:
- Nick Launay and Karen Segal
- engineer:
- Hugh Padgham
- assistant producer:
- Hugh Padgham
- producer:
- Phil Collins and Hugh Padgham
- bass guitar:
- John Giblin (in 1980)
- guitar:
- Daryl Stuermer (in 1980)
- Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder and lead vocals:
- Phil Collins (in 1980)
- violin:
- Sharokav (in 1980)
- arranger:
- Phil Collins
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981) and WEA International Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 291)
- recording of:
- In the Air Tonight (in 1980)
- lyricist and composer:
- Phil Collins
- publisher:
- EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
- part of:
- Risky Business
| Phil Collins | 4.3 | 5:30 |
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