Rock 2019

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-16).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇭🇷 Croatia (hr) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-03-16 06:51 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1I Wanna
assistant recording engineer:
Brad Cook (member of Megafaun, producer, songwriter), Matt Radosevich and Dann Thompson (sound engineer)
recording engineer:
Trevor Whatever (Barefoot Recording Studios)
programming:
Eric Valentine (Eric Dodd, producer and instrumentalist) and Nick Wheeler
engineer, producer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
bass guitar and lead vocals:
Tyson Ritter
drums (drum set):
Chris Gaylor
guest keyboard:
Kevin Saulnier
guitar:
Mike Kennerty and Nick Wheeler
percussion:
Lenny Castro
contains samples by:
Lenny Castro (percussion)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
recording of:
I Wanna
lyricist and composer:
Tyson Ritter and Nick Wheeler
The All‐American Rejects3.53:29
2Walkin’ on the Sun
lead vocals:
Steve Harwell
music videos:
Walkin’ on the Sun by Smash Mouth (US rock band from San Jose, CA)
recording of:
Walkin’ on the Sun
publisher:
Smash Mouth (US rock band from San Jose, CA)
writer:
Smash Mouth (US rock band from San Jose, CA)
Smash Mouth4.153:26
3Sex on the Radio
Good Charlotte23:17
4The Bad Touch
producer:
Jimmy Pop (member of Bloodhound Gang)
mixer:
Raahu
drums (drum set):
Spanky G
guitar:
Lüpüs Thünder
Moog and lead vocals and spoken vocals:
Jimmy Pop (member of Bloodhound Gang)
background vocals:
DJ Q-Ball
music videos:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang3.754:20
5When Your Heart Stops Beating
programming:
Kevin Bivona, Dan the Automator and Chris Holmes (recording engineer)
assistant engineer:
James Ingram (US engineer)
engineer:
Chris Holmes (recording engineer)
co-producer:
Jerry Finn
producer:
Travis Barker (American producer and drummer of blink-182) and Mark Hoppus
assistant mixer:
Seth Waldmann
mixer:
Jerry Finn
additional keyboard:
Kevin Bivona, Dan the Automator and Chris Holmes (recording engineer)
bass guitar and lead vocals:
Mark Hoppus
drums (drum set):
Travis Barker (American producer and drummer of blink-182)
guitar:
Craig Fairbaugh and Shane Gallagher (Indonesian-American guitarist)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2006)
recorded at:
Ameraycan Recording Studios in North Hollywood, Los Angeles, California, United States, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Opra Music in Hollywood, Los Angeles, California, United States
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
music videos:
When Your Heart Stops Beating (official music video) by +44 (pop rock/punk band)
recording of:
When Your Heart Stops Beating
writer:
Travis Barker (American producer and drummer of blink-182) and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Hi My Name Is Mark and Universal Music Corp. (USA, affiliated with ASCAP)
+443.93:13
6More Than Words
assistant engineer:
Craig Doubet (recording engineer)
engineer:
Bob St. John
producer and mixer:
Michael Wagener
bass guitar:
Pat Badger
drums (drum set) and percussion:
Paul Geary
guitar, keyboard, percussion and piano and background vocals:
Nuno Bettencourt
background vocals and lead vocals:
Gary Cherone
phonographic copyright (℗) by:
A&M Records (in 1990)
recording of:
More Than Words
writer:
Nuno Bettencourt and Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Funky Metal Publishing
Extreme3.755:34
7Lights and Sounds
recording engineer:
Neal Avron (American engineer) and Bradley Cook (engineer)
producer:
Neal Avron (American engineer)
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
bass guitar and piano:
Peter Mosely
drums (drum set):
Longineu Parsons, III
guitar:
William Ryan Key
violin:
Sean Mackin (Violinist for Yellowcard)
background vocals:
Sean Mackin (Violinist for Yellowcard) and Peter Mosely
vocals:
William Ryan Key
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2006) and Show Stopping Entertainment (in 2006)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 2005-05 until 2005-06)
mixed at:
South Beach Studios in Miami Beach, Florida, United States
music videos:
Lights and Sounds (Video) by Yellowcard (US pop punk band)
recording of:
Lights and Sounds
lyricist:
William Ryan Key
composer:
William Ryan Key, Longineu Parsons, Sean Mackin (Violinist for Yellowcard) and Peter Mosely
publisher:
Animal Print (in 2006), Shadrow (Universal Music subsidiary; not artist "Shadrow") (in 2006), The Luckiest (in 2006) and TK421 (in 2006)
Yellowcard3.653:28
8(If You’re Wondering If I Want You To) I Want You To
recording engineer:
Jake Sinclair
producer:
Butch Walker
assistant mixer:
Charlie Stavish (American producer and engineer)
mixer:
Rich Costey
lead vocals:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
performer:
Weezer (American rock band)
recording of:
(If You’re Wondering If I Want You To) I Want You To
writer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer) and Butch Walker
publisher:
E.O. Smith Music, EMI April Music Inc. and I Eat Publishing for Breakfast
Weezer3.23:29
9Hit or Miss
assistant recording engineer:
Chad Milosevich
recording engineer, producer and mixer:
Neal Avron (American engineer)
assistant mixer:
Dan Adams (engineer) and Joe Primeau
bass:
Ian Grushka
drums (drum set):
Cyrus Bolooki
guitar:
Chad Gilbert and Steve Klein (former rhythm guitarist for New Found Glory)
lead vocals:
Jordan Pundik
recorded at:
Elysian Fields in Boca Raton, Florida, United States
mixed at:
Chapel Studios (Encino, Los Angeles) in Encino, California, United States
recording of:
Hit or Miss
writer:
Cyrus Bolooki, Chad Gilbert, Ian Grushka, Steve Klein (former rhythm guitarist for New Found Glory) and Jordan Pundik
New Found Glory43:24
10Man Overboard
engineer:
Sean O’Dwyer (US producer & engineer)
mixer:
Tom Lord‐Alge
music videos:
Man Overboard (music video) by blink‐182
recording of:
Man Overboard
writer:
Tom DeLonge and Mark Hoppus
publisher:
EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1822.92:47
11This Ain’t a Scene, It’s an Arms Race
engineer:
Erich Talaba
producer:
Neal Avron (American engineer), Babyface (R&B musician Kenny Edmonds) and Fall Out Boy (pop punk band)
mixer:
Neal Avron (American engineer)
bass guitar:
Pete Wentz
drums (drum set):
Andy Hurley (rock drummer from the US)
guitar [lead guitar]:
Joe Trohman
guitar [rhythm guitar], keyboard and lead vocals:
Patrick Stump
background vocals:
Lindsey Blaufarb, Sofia Toufa, Joe Trohman, Butch Walker and Pete Wentz
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2007)
recorded at:
The Pass Studios in Los Angeles, California, United States
music videos:
This Ain’t a Scene, It’s an Arms Race (video) by Fall Out Boy (pop punk band)
recording of:
This Ain’t a Scene, It’s an Arms Race
writer:
Patrick Stump and Pete Wentz
Fall Out Boy4.053:32
12Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor‐Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor‐Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.053:32
13Punk Rock Princess
Something Corporate3:53
14Celebrity Skin
additional producer:
Eric Erlandson
producer:
Michael Beinhorn
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 16)
recording of:
Celebrity Skin
writer:
Billy Corgan, Eric Erlandson and Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Songs of Kobalt Music Publishing, Strictly Confidential and Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:43
15The Middle
synthesizer programming:
Mark Trombino
engineer and mixer:
Mark Trombino
producer:
Jimmy Eat World and Mark Trombino
bass guitar:
Rick Burch
drums (drum set):
Zach Lind
guitar and percussion:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
vocals:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 26), Indie 88: Top 500 Indie Rock Songs (number: 76), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 76) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 313)
recording of:
The Middle
writer:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World), Rick Burch, Zach Lind and Tom Linton
Jimmy Eat World4.12:46
16Pretty Fly (for a White Guy)
miscellaneous support:
Janie Rangel (task: studios assistants) and Elan Trujillo (task: studios assistants)
assistant engineer:
Annette Cisneros
engineer:
Bryan Carlstrom (engineer, producer)
producer and mixer:
Dave Jerden
bass guitar:
Greg K
drums (drum set):
Ron Welty
guitar:
Noodles (Kevin Wasserman)
additional vocals:
Nika Futterman Frost, Chris Higgins (X-13, The Offspring) and Heidi Villagran
background vocals:
Jack Grisham, Davey Havok and Jim Lindberg
lead vocals:
Dexter Holland
phonographic copyright (℗) by:
Epitaph (in 1994)
recorded at and mixed at:
Eldorado Recording Studios in Burbank, California, United States
samples:
Rock of Ages by Def Leppard (spoken vocals)
music videos:
Pretty Fly (For a White Guy) by The Offspring (American punk)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1998)
recording of:
Pretty Fly (for a White Guy)
lyricist and composer:
Dexter Holland
publisher:
Round Hill Works, Underachiever Music and Wixen Music Publishing, Inc.
The Offspring3.853:09
17My Immortal
additional programming:
Zac Baird, David Hodges (American record producer & songwriter) and Chris Johnson (programming/production for Ivy Lane Music)
programming and producer:
Ben Moody (American guitarist and producer)
additional engineer:
Ben Moody (American guitarist and producer)
assistant engineer:
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson and Sam Storey
engineer:
Jeremy Parker (engineer)
mixer:
Dave Fortman
bass guitar:
Francesco DiCosmo
drums (drum set):
Josh Freese (American drummer)
guitar and percussion:
Ben Moody (American guitarist and producer)
keyboard and piano:
David Hodges (American record producer & songwriter)
lead vocals:
Amy Lee (singer and keyboardist of Evanescence)
strings arranger:
Graeme Revell (New Zealand score composer)
music videos:
My Immortal by Evanescence
recording of:
My Immortal
writer:
Amy Lee (singer and keyboardist of Evanescence) and Ben Moody (American guitarist and producer)
publisher:
Forthefallen Publishing, Reservoir One America and Zombies Ate My Publishing
Evanescence4.14:23
18Demons
recording engineer:
Josh Mosser
producer:
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer)
mixer:
Manny Marroquin
additional bass and additional guitar:
J. Browz (for Veers Music)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 23), Billboard Year-End Hot 100 singles of 2013 (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 243)
recording of:
Demons
writer:
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer), Ben McKee (American bassist, Imagine Dragons), Josh Mosser, Dan Reynolds (American singer/songwriter, producer) and Wayne Sermon
Imagine Dragons3.82:55
19I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:29
20Black Hole Sun
assistant engineer and assistant mixer:
Adam Kasper
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Michael Beinhorn and Soundgarden
mixer:
Brendan O’Brien (engineer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1994)
mixed at and engineered at:
Bad Animals Studio in Seattle, Washington, United States
music videos:
Black Hole Sun by Soundgarden
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 77), Indie 88: Top 500 Indie Rock Songs (number: 231) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 368)
recording of:
Black Hole Sun (from 1993-07 until 1993-09)
lyricist and composer:
Christopher J Cornell (Soundgarden lead singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH and You Make Me Sick I Make Music (in 1994)
Soundgarden4.055:19
21Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.45:12
22Born to Be Wild (single version)
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:33
23Don’t Dream It’s Over
recording engineer:
Tchad Blake and Dennis Kirk
assistant engineer:
Glen Holguin (engineer)
producer:
Mitchell Froom
mixer:
Michael Frondelli
bass:
Nick Seymour (Nicholas More Seymour)
congas, mbira [kalimba] and shakers:
Jorge Bermudez
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric guitar [Gibson Les Paul Goldtop] and lead vocals:
Neil Finn
electric guitar [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
keyboard and organ:
Mitchell Froom
background vocals:
Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 5)
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Crowded House3.93:58
24Cocaine
producer:
Glyn Johns
bass guitar:
Carl Radle (on 1977-05-06)
drums (drum set):
Jamie Oldaker (on 1977-05-06)
electronic organ:
Dick Sims (on 1977-05-06)
guitar:
Eric Clapton (on 1977-05-06) and George Terry (guitar player with Clapton in 70's) (on 1977-05-06)
background vocals:
Yvonne Elliman (on 1977-05-06) and Marcy Levy (on 1977-05-06)
lead vocals:
Eric Clapton (on 1977-05-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1977-05-06)
cover recording of:
Cocaine (on 1977-05-06)
lyricist and composer:
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton43:34
25The Kill (Bury Me)
recording engineer and mixer:
Ryan Williams (US recording engineer/producer)
additional engineer:
Brian Virtue
producer:
Josh Abraham, THIRTYSECONDSTOMARS and Brian Virtue
assistant mixer:
Brandon Belsky
piano:
Matt Serletic
performer:
Jared Leto, Matt Wachter, Shannon Leto and Tomo Milicevic
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2005) and Virgin Records (holding company for Virgin) (in 2016)
mixed at:
Pulse Recording in Los Angeles, California, United States
music videos:
The Kill (music video) by Thirty Seconds to Mars
recording of:
The Kill
lyricist and composer:
Jared Leto
publisher:
Apocraphex Music
Thirty Seconds to Mars4.353:52
26Fake It
recording engineer:
Mike Plotnikoff
additional engineer:
Hatsuhazu Inagahi
producer:
Howard Benson
mixer:
Chris Lord‐Alge
drums (drum set):
John Humphrey (drummer)
electric bass guitar and background vocals:
Dale Stewart
guitar and lead vocals:
Shaun Morgan
phonographic copyright (℗) by:
Wind‐Up Records LLC (this is only for copyrights use; please use "Wind‐Up" for release labels) (in 2007)
mixed at:
Resonate Studios in Burbank, California, United States
recording of:
Fake It
lyricist:
Shaun Morgan Welgemoed
composer:
Dale William Stewart, John Stephen Humphrey (drummer) and Shaun Morgan Welgemoed
publisher:
Kickdatkat Music, Reservoir One America and Seether Publishing
revision of:
Quirk
Seether3.353:14
27Give a Little Bit
recording engineer:
Pete (J.B.) Henderson (English sound engineer)
assistant engineer:
Steve Smith (70s producer & engineer, mainly Island Records), Tom (G.B.) Likes and Tom (T.A.) Anderson (engineer)
producer:
Supertramp
mixer:
Geoff Emerick (British recording engineer)
12 string guitar, electric guitar and lead vocals:
Roger Hodgson (from 1976-11 until 1977-01)
bass:
Dougie Thomson (from 1976-11 until 1977-01)
clavinet, organ and piano:
Rick Davies (UK keyboardist, member of Supertramp) (from 1976-11 until 1977-01)
drums (drum set) and percussion:
Bob C. Benberg (from 1976-11 until 1977-01)
instruments:
John Helliwell (from 1976-11 until 1977-01)
remixer:
Tom (T.A.) Anderson (engineer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1977)
recorded at:
The Caribou Ranch in Nederland, Colorado, United States (from 1976-11 until 1977-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1976-11 until 1977-01)
recording of:
Give a Little Bit (from 1976-11 until 1977-01)
composer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Rondor Music, Rondor Music (London) Ltd., Almo Music Corp. (USA, affiliated with ASCAP) (in 1977) and Delicate Music (in 1977)
Supertramp3.954:08
28Crazy
programming:
John Webster (Canadian keyboardist)
assistant engineer:
Mike Plotnikoff
engineer:
Ken Lomas
producer:
Bruce Fairbairn
mixer:
Brendan O’Brien (engineer)
additional percussion, harmonica, mandolin and lead vocals:
Steven Tyler
Appalachian dulcimer [dulcimer]:
Joe Perry (guitarist for Aerosmith)
baritone saxophone:
Ian Putz
drums (drum set) and percussion:
Joey Kramer (drummer for Aerosmith)
electric bass guitar [electric bass]:
Tom Hamilton (bassist for Aerosmith)
guitar:
Joe Perry (guitarist for Aerosmith) and Brad Whitford (Aerosmith)
instruments:
The Margarita Horns
keyboard [keyboards]:
Desmond Child, Steven Tyler and John Webster (Canadian keyboardist)
saxophone:
Tom Keenlyside
trombone:
Bob Rogers (Trombonist)
trumpet:
Paul Baron (trumpet player) and Bruce Fairbairn
vocals:
Joe Perry (guitarist for Aerosmith)
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Geffen Records (in 1993) and Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1993)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
part of:
The Downloader’s Music Source Book (number: 221)
recording of:
Crazy
writer:
Desmond Child, Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
JuJu Rhythms, Primary Wave Steven Tyler, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Desmobile Inc. (in 1992), EMI April Music Inc. (in 1992) and Swag Song Music, Inc. (in 1992)
Aerosmith3.95:17
29Break Stuff
recording engineer:
Terry Date (American record producer and engineer)
additional engineer:
John Ewing, Jr. (engineer)
assistant engineer:
Markus Ulibarri and Cameron Webb (engineer)
producer:
Terry Date (American record producer and engineer) and Limp Bizkit
assistant mixer:
Karl Egsieker and Ryan Williams (US recording engineer/producer)
mixer:
Brendan O’Brien (engineer)
music videos:
Break Stuff by Limp Bizkit
recording of:
Break Stuff
lyricist:
Leor Dimant and William Frederick Durst
composer:
John Everett Otto (Limp Bizkit drummer), Brendan O’Brien (engineer), Samuel Robert Rivers (Limp Bizkit bassist) and Wesley Louden Borland
publisher:
Big Bizkit Music Enterprises, Charlie Noble Music, Lethal Dose Music, Universal Music–Z Tunes LLC and Zomba Enterprises, Inc.
Limp Bizkit4.552:47
30The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977) and Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (in 1990)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
publisher:
Ricky Gardiner Songs and Virgin Music (Publishers) Ltd.
Iggy Pop4.64:41
31Alone
assistant engineer:
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) and Toby Wright (producer & engineer)
engineer and producer:
Ron Nevison
bass guitar:
Mark Andes
drums (drum set):
Denny Carmassi
guitar:
Howard Leese
background vocals:
Howard Leese and Nancy Wilson (guitarist/singer of “Heart”)
lead vocals:
Ann Wilson (lead singer of Heart)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
music videos:
Alone by Heart (rock band, Ann and Nancy Wilson)
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (from 1983 to present) and Denise Barry Music (from 1983 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.653:39
32Every Rose Has Its Thorn
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 34)
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
composer:
Siddhartha Khosla (American singer and score composer)
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Songs Inc.
Poison44:20
33Chelsea Dagger
engineer:
Todd Burke and Tony Hoffer
producer and mixer:
Tony Hoffer
recording of:
Chelsea Dagger
lyricist and composer:
Jon Fratelli
The Fratellis4.153:35
34Sweet Dreams (Are Made of This)
engineer and mixer:
Sean Beavan
producer:
Marilyn Manson (the person) and Trent Reznor
vocals:
Marilyn Manson (the person)
cover recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Marilyn Manson4.254:53
35Joker and the Thief
engineer:
Ryan Castle
producer and mixer:
David Sardy (American score composer)
editor:
Andy Brohard
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 43)
recording of:
Joker & the Thief (from 2005-06 until 2005-09)
writer:
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) and Andrew Stockdale
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother3.554:40
36I Won’t Back Down
engineer:
Bill Bottrell, Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Don Smith (producer, engineer and mixer)
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne and Tom Petty
12 string guitar, electric guitar, tambourine and lead vocals:
Tom Petty (from 1988 until 1989)
acoustic guitar:
George Harrison (The Beatles) (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
bass, mandolin and slide guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (from 1988 until 1989)
bass, guitar and keyboard:
Jeff Lynne (from 1988 until 1989)
drums (drum set) and percussion:
Phil Jones (Percussionist) (from 1988 until 1989)
guitar and keyboard:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
background vocals:
Howie Epstein (from 1988 until 1989), George Harrison (The Beatles) (from 1988 until 1989), Jeff Lynne (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recorded at:
M.C. Studios in Los Angeles, California, United States (from 1988 until 1989)
recording of:
I Won’t Back Down (from 1988 until 1989)
writer:
Jeff Lynne and Tom Petty
publisher:
EMI April Music Inc., Gone Gator Music (ASCAP affiliated), SBK April Music Inc., 日音 Synch事業部 (NICHION, INC. Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Tom Petty4.12:58
37Blurry
recording engineer:
Scott Francisco and Steve Mixdorf
engineer and producer:
John Kurzweg
bass guitar:
Douglas Ardito (Puddle of Mudd bassist)
drums (drum set):
Josh Freese (American drummer)
guitar:
Paul Phillips (US guitarist for Puddle of Mudd)
lead vocals:
Wes Scantlin
recording of:
Blurry
writer:
Doug Ardito (Puddle of Mudd bassist), Paul Phillips (US guitarist for Puddle of Mudd) and Wes Scantlin
Puddle of Mudd4.45:04
38Shiny Happy People
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass and organ:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
electric guitar:
Peter Buck (R.E.M. guitarist)
guest acoustic guitar:
Peter Holsapple
guest vocals:
Kate Pierson
vocals:
Mike Mills (R.E.M. bass player) and Michael Stipe
strings arranger:
Mark Bingham
phonographic copyright (℗) by:
R.E.M./Athens Ltd. (in 1991) and R.E.M./Athens L.L.C. (in 2016)
music videos:
Shiny Happy People (music video) by R.E.M. (American rock band)
recording of:
Shiny Happy People
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
R.E.M.3.93:46
39Reelin’ In the Years
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08) and Denny Dias (in 1972-08)
piano and lead vocals:
Donald Fagen (in 1972-08)
solo electric guitar:
Elliott Randall (in 1972-08)
background vocals:
Donald Fagen (in 1972-08) and David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (in 1972), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Reelin’ In the Years (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
Ampar Music Corp., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
Steely Dan4.554:35
40All Right Now
engineer:
Roy Thomas Baker (producer)
additional producer:
John Kelly (producer)
producer:
Free (60s/70s UK blues rock group)
bass:
Andy Fraser (English bassist, member of Free) (in 1970)
drums (drum set):
Simon Kirke (in 1970)
electric bass guitar and piano:
Andy Fraser (English bassist, member of Free)
guitar:
Paul Kossoff (in 1970)
lead vocals:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970)
music videos:
All Right Now by Free (60s/70s UK blues rock group)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 27)
recording of:
All Right Now (in 1970)
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:33
41I Stand Alone
co-producer:
Sully Erna
producer and mixer:
David Bottrill (producer / mixer)
bass guitar:
Robbie Merrill
drums (drum set) and percussion:
Shannon Larkin
guitar:
Tony Rombola
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2002)
recording of:
I Stand Alone
lyricist and composer:
Sully Erna
Godsmack3.44:07
42Dragula
additional programming:
Paul DeCarli
programming, engineer and mixer:
Scott Humphrey
additional engineer:
Frank Gryner
producer:
Scott Humphrey and Rob Zombie
additional mixer:
Chris Lord‐Alge
lead vocals:
Rob Zombie
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998)
music videos:
Dragula (music video) by Rob Zombie
recording of:
Dragula
lyricist:
Rob Zombie
composer:
Scott Humphrey and Rob Zombie
publisher:
Demonoid Deluxe Music, Gimme Back My Publishing and WB Music Corp. (1929–2019)
Rob Zombie4.553:43
43Symphony of Destruction
additional engineer:
Micajah Ryan
assistant engineer and assistant mixer:
Fred Kelly Jr.
engineer and mixer:
Max Norman
producer:
Dave Mustaine and Max Norman
bass guitar:
David Ellefson
drums (drum set):
Nick Menza
guitar:
Marty Friedman (former Megadeth guitarist, living in Tokyo) and Dave Mustaine
background vocals:
David Ellefson, Marty Friedman (former Megadeth guitarist, living in Tokyo) and Nick Menza
lead vocals:
Dave Mustaine
remixer:
Dave Mustaine (in 2004) and Ralph Patlan (in 2004)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1992, in 2005), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2004), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States (from 1992-01-06 until 1992-04-28)
recording of:
Symphony of Destruction (in 2004)
lyricist and composer:
Dave Mustaine
publisher:
EMI Blackwood Music Inc., Mustaine Music (in 1992), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1992) and Theory Music (in 1992)
Megadeth3.94:07
44My Sacrifice
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
music videos:
My Sacrifice by Creed (US rock band from Tallahassee, FL)
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 20)
recording of:
My Sacrifice
lyricist:
Scott Stapp
composer:
Scott Stapp and Mark Tremonti
Creed3.94:56
45Be Yourself
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
mixer:
Brendan O’Brien (engineer)
arranger:
Audioslave
recording of:
Be Yourself
lyricist:
Chris Cornell (Soundgarden lead singer)
composer:
Tim Commerford, Chris Cornell (Soundgarden lead singer), Tom Morello and Brad Wilk
publisher:
Disappearing One, LBV Songs, Me Three Publishing and Melee Savvy Music
Audioslave3.454:39

Credits

Release

stream for free:https://open.spotify.com/album/0jpoYCEF9y14GDcinqiaQF [info]
https://www.deezer.com/album/122061442 [info]
streaming page:Amazon Music US [info]
https://tidal.com/album/124836245 [info]
https://us.napster.com/artist/various-artists/album/rock-2019 [info] (until 2022-06-08)