| # | Title | Artist | Rating | Length |
|---|
| 1 | Fade to Grey- engineer:
- John Hudson
- producer:
- Midge Ure and Visage
- performer:
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure
- arranger:
- Visage
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and Universal Records (in 1980)
- recorded at:
- Genetic Studios in West Berkshire, England, United Kingdom
- mixed at:
- Mayfair Sound in London , England, United Kingdom
- recording of:
- Fade to Grey
- writer:
- Billy Currie, Chris Payne and Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd
| Visage | 4.1 | 3:52 |
| 2 | Speak Like a Child | The Style Council | 2 | 3:19 |
| 3 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- saxophone:
- David Tofani
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:39 |
| 4 | You Keep Me Hangin’ On- recorded in:
- England, United Kingdom
- engineer:
- Peter Wade Schwier
- producer:
- Ricky Wilde
- guitar:
- Steve Byrd
- keyboard:
- Ricky Wilde
- lead vocals:
- Kim Wilde
- phonographic copyright (℗) by:
- MCA Records Ltd. (in 1986), MCA Records, Inc. (in 1986) and EMI Records Ltd. (in 2001)
- produced for:
- Big M Productions
- recorded at and mixed at:
- Larrabee Sound Studios in West Hollywood, California, United States, Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom and Westlake Audio in Los Angeles, California, United States
- part of:
- Cachitos Nochevieja 2022 (number: 108)
- cover recording of:
- You Keep Me Hangin’ On
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- Copyright Control , MCA Music , Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
- sub-publisher:
- EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Kim Wilde | 3.45 | 4:16 |
| 5 | Happy Talk | Captain Sensible | 3 | 3:30 |
| 6 | Harvest for the World | The Christians | | 3:57 |
| 7 | Sweet Little Mystery | Wet Wet Wet | | 3:41 |
| 8 | Iko Iko- engineer and producer:
- Brian Tench
- alto saxophone:
- Miranda Joyce
- bass guitar:
- Lesley Shone
- drums (drum set):
- Judy Parsons
- guitar:
- Sarah‐Jane Owen
- lead vocals:
- Jennie Matthias
- phonographic copyright (℗) by:
- Stiff Records Ltd. (in 1982) and Stiff Records (in 1983)
- cover recording of:
- Iko Iko
- lyricist:
- James Crawford, Jr. , Barbara Anne Hawkins, Rosa Lee Hawkins and Joan Marie Johnson
- composer:
- James Crawford, Jr. , Barbara Anne Hawkins and Rosa Lee Hawkins
- publisher:
- Arc Music Corp. , EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. and フジパシフィックミュージック BMG事業部
- revision of:
- Jockomo
| The Belle Stars | 3 | 2:59 |
| 9 | Nobody’s Diary | Yazoo | 4.5 | 4:31 |
| 10 | The Safety Dance | Men Without Hats | 3.8 | 2:45 |
| 11 | Come On Eileen | Dexys Midnight Runners | 4.75 | 4:07 |
| 12 | A Little Respect | Erasure | 4 | 3:31 |
| 13 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1983, in 1984) and MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4 | 4:28 |
| 14 | Misfit | Curiosity Killed the Cat | 3.25 | 4:01 |
| 15 | There’s a Guy Works Down the Chipshop Swears He’s Elvis | Kirsty MacColl | 4 | 3:08 |
| 16 | New Beginning (Mamba Seyra) | Bucks Fizz | | 4:09 |
| 17 | Escape (The Pina Colada Song) | Rupert Holmes | 2 | 3:52 |
| 18 | Under the Boardwalk | Bruce Willis | 2.35 | 3:03 |