Studio Brussel: Klas X

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Need You Tonight
assistierende(r) Techniker(in):
Paula Jones (Australian audio engineer, producer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain und Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Need You Tonight (music video) von INXS
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 16) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 114)
recording of:
Need You Tonight
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) und Chardonnay Investments Ltd. (in 1987)
INXS4.153:04
2When You Gonna Learn
Techniker(in):
Mike Nielsen (NZ/London/Turkey engineer)
Produzent(in):
Jay Kay (English singer, Jamiroquai)
Mix:
Jay Kay (English singer, Jamiroquai)
Bassgitarre:
Andrew Levy und Stuart Zender
Didgeridoo:
Wallis Buchanan
flute und Saxophon:
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor)
Keyboard:
Toby Smith
Schlagzeug:
Nick Van Gelder
Trompete:
Gavin Edmonds
Hintergrundgesang:
Vannessa Simon
Sologesang:
Jay Kay (English singer, Jamiroquai)
Saiteninstrumente arranger:
Gavin Edmonds
phonographisches Urheberrecht (℗) von:
Acid Jazz (in 1992) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1993)
recording of:
When You Gonna Learn
Texter und Komponist(in):
Jay Kay (English singer, Jamiroquai)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai3.93:49
3Good Stuff
recording of:
Good Stuff
Komponist(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Keith Strickland
The B‐52s4:08
4Say No Go
recording of:
Say No Go
Verfasser(in):
Sara Allen, Daryl Hall, Dave Jolicoeur (Plug 2 of De La Soul), Kelvin Mercer (US rapper/producer Kelvin Mercer, aka Pos), John Oates, Paul Huston (US hip hop DJ & producer), Steve Scipio, Abrim Tilmon und Vincent Mason (US rapper Vincent Mason, member of De La Soul)
De La Soul4:22
5Get Up (I Feel Like Being a) Sex Machine
Produzent(in):
James Brown (The Godfather of Soul)
Bassgitarre:
Bootsy Collins (US funk musician & songwriter)
Gitarre:
Catfish Collins
Klavier:
James Brown (The Godfather of Soul)
Orgel:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
Schlagzeug:
John Starks
Tenorsaxophon:
Robert McCollough
Trompete:
Clayton Gunnells und Darryl Hassan Jamison
Sologesang:
James Brown (The Godfather of Soul) (am 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
Interpret(in):
The J.B.’s
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 196) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (am 1970-04-25)
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown45:18
6Sisters Are Doin' It for Themselves
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Remaster von:
Sisters Are Doin’ It for Themselves von Eurythmics and Aretha Franklin
recording of:
Sisters Are Doin’ It for Themselves
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin3.54:54
7Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:23
8Here Comes Your Man
assistierende(r) Techniker(in):
Dave Snider
Techniker(in):
Matt Lane (engineer) und Gil Norton (British record producer)
Produzent(in):
Gil Norton (British record producer)
Mix:
Steve Haigler
E-Bass:
Kim Deal
E-Gitarre:
Black Francis (US singer, songwriter & guitarist)
E-Gitarre [lead guitar] und Hintergrundgesang:
Joey Santiago
Schlagzeug:
Dave Lovering
vocals:
Black Francis (US singer, songwriter & guitarist) und Kim Deal
phonographisches Urheberrecht (℗) von:
4AD Ltd (in 1989)
aufgenommen bei:
Downtown Recorders in Boston, Massachusetts, Vereinigte Staaten
mixed at:
Carriage House Studios in Stamford, Connecticut, Vereinigte Staaten
Musikvideos:
Here Comes Your Man (official video) von Pixies
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 190)
recording of:
Here Comes Your Man (von 1988-10-31 bis 1988-11-23)
Texter und Komponist(in):
Black Francis (US singer, songwriter & guitarist) (von 1974 bis 1975)
publisher:
Rice and Beans Music (published Pixies songs)
Pixies4.053:23
9Sun Hits the Sky
recording of:
Sun Hits the Sky
Verfasser(in):
Gaz Coombes, Rob Coombes, Danny Goffey und Mick Quinn
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Supergrass23:42
10Why Should We Wait?
Bearbeitung von:
Why Should We Wait? von Soapstone (Belgian 1990s rock band)
Soapstone4:59
11Sink to the BottomFountains of Wayne3.83:15
12All Tomorrow's Parties
recording of:
All Tomorrow’s Parties
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music
The Velvet Underground5:27
13Willie Willie
recording of:
Willie Willie
Verfasser(in):
Jean-Marie Aerts (Belgian guitarist & producer) und Arno Hintjens (Belgian rock vocalist Arno Hintjens)
T.C. Matic3:20
14This Is Not a Love Song
recording of:
This Is Not a Love Song
Verfasser(in):
Martin Atkins (UK drummer), Keith Levene und John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing und Warner/Chappell Music Ltd. (1996–2019)
Version von:
Love Song
Public Image Ltd.3:33
15The Undefeated
recording of:
The Undefeated
Texter und Komponist(in):
Iggy Pop
Iggy Pop5:07
16Waterfront
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
Steve Lillywhite und Peter Walsh (UK producer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
recording of:
Waterfront
Verfasser(in):
Charlie Burchill, Derek Forbes, Mel Gaynor, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Publishing Ltd.
Simple Minds4.54:51
17Love Will Tear Us Apart
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division3:12
18Adolescent Sex
Produzent(in):
Ray Singer
recording of:
Adolescent Sex
Texter und Komponist(in):
David Sylvian
Japan4:16
19What Difference Does It Make?
Techniker(in):
Phil Bush (engineer, composer and musician) und Neil King (sound engineer)
Produzent(in):
John Porter (producer and musician US and UK)
Bassgitarre:
Andy Rourke
Gitarre und Mundharmonika:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
vocals:
Morrissey (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1984) und Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Difference Does It Make?
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths43:53
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