| # | Title | Artist | Rating | Length |
|---|
| 1 | Manic Monday | Bangles | 4 | 3:04 |
| 2 | The Great Commandment | Camouflage | | 3:05 |
| 3 | Let’s Dance | David Bowie | | 4:14 |
| 4 | Maria Magdalena | Sandra | 4 | 3:54 |
| 5 | Twist in My Sobriety | Tanita Tikaram | 4.7 | 4:50 |
| 6 | Brand New Toy | The Jeremy Days | | 3:57 |
| 7 | Take On Me | a‐ha | 4.4 | 3:47 |
| 8 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London , England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing , Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 4.1 | 3:25 |
| 9 | The Wild Boys- engineer, audio engineer and mixer:
- Jason Corsaro
- producer:
- Duran Duran and Nile Rodgers
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1984, in 1998)
- part of:
- Cachitos Nochevieja 2022 (number: 54)
- recording of:
- The Wild Boys
- writer:
- Andrew Taylor , Nicholas James Bates, Nigel John Taylor , Roger Andrew Taylor and Simon John Charles Le Bon
- publisher:
- EMI Music Publishing , Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. and Noticevale Ltd.
- live recording of:
- The Wild Boys
- writer:
- Andrew Taylor , Nicholas James Bates, Nigel John Taylor , Roger Andrew Taylor and Simon John Charles Le Bon
- publisher:
- EMI Music Publishing , Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. and Noticevale Ltd.
| Duran Duran | 4.1 | 4:16 |
| 10 | Let’s Dance | Chris Rea | 3 | 4:05 |
| 11 | Gimme Some Lovin’- additional engineer:
- Jay Krugman and Jim Scheffler
- assistant engineer:
- Eddie Garcia, Steve Marcantonio and Tom Miller
- engineer and producer:
- Bob Tischler
- bass guitar:
- Donald “Duck” Dunn
- drums (drum set):
- Willie "Too Big" Hall
- guitar:
- Steve Cropper and Matt Murphy
- harmonica:
- Elwood J. Blues
- keyboard:
- Murphy Dunne
- saxophone:
- Tom “Bones” Malone and Lou Marini
- trombone:
- Tom “Bones” Malone
- trumpet:
- Al Rubin
- vocals:
- Jake E. “Joliet” Blues
- horn arranger:
- Tom Scott
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Soundmixers in Midtown Manhattan, New York, New York, United States, The Record Plant in Hollywood, Los Angeles, California, United States, The Record Plant in Midtown Manhattan, New York, New York, United States and Universal Recording in Chicago, Illinois, United States
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- cover recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| Blues Brothers | 3.75 | 3:03 |
| 12 | Self Control | Laura Branigan | 4.2 | 4:06 |
| 13 | Love Will Tear Us Apart | Joy Division | | 3:10 |
| 14 | True Colors | Cyndi Lauper | 4.6 | 3:46 |
| 15 | Venus | Bananarama | 3 | 3:38 |
| 16 | Don’t Get Me Wrong | The Pretenders | 4.2 | 3:47 |
| 17 | Voyage, voyage | Desireless | 4.35 | 4:20 |
| 18 | Purple Rain | Prince & The Revolution | 3 | 4:05 |
| 19 | Against All Odds (Take a Look at Me Now)- engineer:
- Jeremy Smith and Lewis Hahn
- producer:
- Arif Mardin
- drums (drum set) and lead vocals:
- Phil Collins
- keyboard:
- Rob Mounsey
- conductor:
- Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1999)
- recording of:
- Against All Odds (Take a Look at Me Now)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
- sub-publisher:
- EMI Music Publishing Germany GmbH , Imagem Music GmbH , Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Phil Collins | 3.8 | 3:24 |
| 20 | Do You Really Want to Hurt Me | Culture Club | 3.95 | 4:22 |