Archiv Produktion 1947-2013

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

55 CD set chronicling the history of Archiv Produktion.

Annotation last modified on 2014-05-02 23:43 UTC.

Tracklist

1▶CD: Bach: Organ Works
2▶CD: Bach: Kantaten: BWV 56 / BWV 82 / BWV 4
3▶CD: Bach: Kantaten: BWV 21 / BWV 19/ BWV 79
4▶CD: Gregorian Chant
5▶CD: De La Halle: Dances; Le Jeu De Robin Et De Marion
6▶CD: Bach: Brandenburg Concertos
7▶CD: Bach: Brandenburg Concertos
8▶CD: Gibbons/Morley: Anthems; Madrigals; Fantasies
9▶CD: Bach: Passio Secundum Matthaeum
10▶CD: Bach: Passio Secundum Matthaeum
11▶CD: Bach: Passio Secundum Matthaeum
12▶CD: Bach: Cantatas
13▶CD: Praetorius / Widmann / Schein: Dances
14▶CD: Mouret / Delalande: Symphonies; Fanfares
15▶CD: Höfische Konzertmusik des österreichischen Barock
16▶CD: Musique de table
17▶CD: Vier Orchester-Sinfonien, wq 183
18▶CD: Israel in Egypt
19▶CD: Israel in Egypt
20▶CD: Sonaten für Cembalo
21▶CD: Canti amorosi
22▶CD: Ockeghem: Missa Pro Defunctis / Desprez: Déploration Sur La Mort De Ockeghem
23▶CD: Violinsonaten, op. 5 nos. 1, 7, 2, 8, 3, 9
24▶CD: Music of the Gothic Era
25▶CD: Pièces de Clavecin
26▶CD: Die Orchesterwerke
27▶CD: Goldberg-Variationen
28▶CD: Le quattro stagioni
29▶CD: Wassermusik / 3 Konzerte
30▶CD: Mass in B minor
31▶CD: Mass in B minor
32▶CD: Palestrina: Missa Papae Marcelli / Allegri: Misere
33▶CD: Piano Concertos nos. 18 & 19
34▶CD: Vespro Della Beata Vergine
35▶CD: Vespro Della Beata Vergine
36▶CD: The "Sturm & Drang" Symphonies - Volume 3 "Maria Theresia"
37▶CD: Symphonies nos. 5 & 6 "Pastoral"
38▶CD: Rebel: Les Élémens / Gluck: Alessandro
39▶CD: La Resurrezione
40▶CD: La Resurrezione
41▶CD: Music for San Rocco
42▼CD: Messiah
#TitleArtistRatingLength
1Messiah, HWV 56: Part I. Sinfony (Grave - Allegro moderato)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:22
2Messiah, HWV 56: Part I. Recitative, accompanied (Tenor): Confort ye, comfort ye my people
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:36
3Messiah, HWV 56: Part I. Song (Tenor): Ev'ry valley shall be exalted
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:04
4Messiah, HWV 56: Part I. Chorus: And the glory of the Lord shall be revealed
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:51
5Messiah, HWV 56: Part I. Recitative, accompanied (Bass): Thus saith the Lord of hosts
producer:
Christopher Alder (editor/engineer/producer)
bass vocals:
Neal Davies (operatic bass) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:19
6Messiah, HWV 56: Part I. Song (Soprano II): But who may abide the day of his coming?
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Susan Gritton (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:51
7Messiah, HWV 56: Part I. Chorus: And He shall purify the sons of Levi
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:22
8Messiah, HWV 56: Part I. Recitative (Contralto): Behold, a virgin shall conceive
producer:
Christopher Alder (editor/engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:26
9Messiah, HWV 56: Part I. Song (Contralto) & Chorus: O thou that tellest good tidings to Zion
producer:
Christopher Alder (editor/engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 1996-12)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:47
10Messiah, HWV 56: Part I. Recitative, accompanied (Bass): For behold, darkness shall cover the earth
producer:
Christopher Alder (editor/engineer/producer)
bass vocals:
Neal Davies (operatic bass) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:14
11Messiah, HWV 56: Part I. Song (Bass): The people that walked in darkness
producer:
Christopher Alder (editor/engineer/producer)
bass vocals:
Neal Davies (operatic bass) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:58
12Messiah, HWV 56: Part I. Chorus: For unto us a Child is born
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:36
13Messiah, HWV 56: Part I. Pifa (Pastoral Symphony)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:38
14Messiah, HWV 56: Part I. Recitative (Soprano I): There were shepherds abiding in the field / Recitative (Soprano I): And lo, the angel of the Lord came upon them / Recitative (Soprano I): And the angel said unto them / Recitative (Soprano I): And suddenly there was with the angel
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Dorothea Röschmann (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:02
15Messiah, HWV 56: Part I. Chorus: Glory to God in the highest
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:41
16Messiah, HWV 56: Part I. Song (Soprano I): Rejoice greatly, O daughter of Zion
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Dorothea Röschmann (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:46
17Messiah, HWV 56: Part I. Recitative (Soprano II): Then shall the eyes of the blind be open'd
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Susan Gritton (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:20
18Messiah, HWV 56: Part I. Song (Soprano II): He shall feed his flock
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Susan Gritton (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:18
19Messiah, HWV 56: Part I. Chorus: His yoke is easy, his burden is light
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:08
20Messiah, HWV 56: Part II. Chorus: Behold the Lamb of God
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:09
21Messiah, HWV 56: Part II. Song (Contralto): He was despised
producer:
Christopher Alder (editor/engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel12:11
22Messiah, HWV 56: Part II. Chorus: Surely he hath borne our griefs
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:39
23Messiah, HWV 56: Part II. Chorus: And with his stripes we are healed
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:44
24Messiah, HWV 56: Part II. Chorus: All we, like sheep, have gone astray
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:21
25Messiah, HWV 56: Part II. Recitative (Tenor): All they that see him laugh him to scorn
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:39
26Messiah, HWV 56: Part II. Chorus: He trusted in God
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:03
27Messiah, HWV 56: Part II. Recitative (Tenor): Thy rebuke hath broken his heart
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:04
28Messiah, HWV 56: Part II. Song (Tenor): Behold, and see, if there be any sorrow
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:31
29Messiah, HWV 56: Part II. Recitative (Soprano II): He was cut off out of the land
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Susan Gritton (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:15
30Messiah, HWV 56: Part II. Song (Soprano II): But thou didst not leave his soul in hell
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Susan Gritton (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:04
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46▶CD: Motets
47▶CD: Italian Cantatas
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