| # | Title | Artist | Rating | Length |
|---|
| 1 | Suspicious Minds | Elvis Presley | | 4:33 |
| 2 | Waltz for Hulot | Mamerico | | 3:48 |
| 3 | Favela | Pete Jolly | | 3:09 |
| 4 | These Foolish Things Remind Me of You | Buddy Tate | | 5:10 |
| 5 | Ring of Fire | Johnny Cash | | 2:37 |
| 6 | Bossa Per Due | Nicola Conte | 3.7 | 5:52 |
| 7 | Georgia on My Mind | Ray Charles | 4 | 3:36 |
| 8 | Keep It | Southwick | | 4:42 |
| 9 | Nice'n'Easy | Térez Montcalm | | 4:46 |
| 10 | Inner City Life | [re:jazz] | | 6:40 |
| 11 | Butterflies | Nikki‐O | | 4:47 |
| 12 | Fedime's Flight | Jazzanova | | 7:04 |
| 13 | Vibrolux | Jeff Golub | | 5:18 |
| 14 | Annie's Song | John Denver | 3.65 | 3:01 |
| 15 | My Baby Just Cares for Me- double bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1958)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- edit of:
- My Baby Just Cares for Me (special extended version) by Nina Simone
- cover recording of:
- My Baby Just Cares for Me (in 1957-12)
- lyricist and composer:
- Walter Donaldson and Gus Kahn
- publisher:
- Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. , Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
| Nina Simone | 3.9 | 3:37 |
| 16 | T'Attends Quoi | Zaz | 4.6 | 3:20 |
| 17 | Chances Are | Johnny Mathis | | 3:03 |
| 18 | Black Magic Woman | Santana | | 3:15 |
| 19 | I Left My Heart in San Francisco | Tony Bennett | 3 | 2:52 |
| 20 | Moon River | 101 Strings | | 3:52 |
| 21 | Island in the Sun- producer:
- Joe Carlton
- bongos:
- Noah Rodriguez (on 1957-01-27)
- congas:
- Daniel Barrajanos (on 1957-01-27)
- double bass:
- Norman Keenan (on 1957-01-27)
- flute:
- James N. DeMeo (on 1957-01-27) and Harold M. Jones (on 1957-01-27)
- guitar:
- Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
- marimba:
- Joe Venuto (on 1957-01-27)
- trumpet:
- Joseph B. Wilder (on 1957-01-27)
- choir vocals:
- Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (on 1957-01-27), Marvin Hayes (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (on 1957-01-27)
- lead vocals:
- Harry Belafonte (on 1957-01-27)
- vocals:
- Harry Belafonte
- conductor:
- Robert DeCormier (on 1957-01-27)
- recorded at:
- Webster Hall in East Village, New York, New York, United States (on 1957-01-27)
- recording of:
- Island in the Sun (on 1957-01-27)
- writer:
- Harry Belafonte and Lord Burgess
- publisher:
- Caribe Music Corp., Cherry Lane Music Publishing and Clara Music Publ. Corp.
| Harry Belafonte | 2 | 3:25 |
| 22 | True | Rio Lounge Music | | 3:44 |
| 23 | Ainda Sonhar | S‐Tone Inc. | | 4:03 |
| 24 | Hit That Jive Jack | Diana Krall | 3 | 4:17 |
| 25 | Nobody Knows the Trouble I've Seen | Mahalia Jackson | | 3:47 |
| 26 | Free as the Morning Sun | Mr Hermano feat. Ive Mendes | | 4:22 |
| 27 | To Love Somebody- recording engineer:
- Ray Hall and Mike Moran
- producer:
- Danny Davis
- drums (drum set):
- Don Alias (in 1967)
- piano and lead vocals:
- Nina Simone (in 1967)
- conductor:
- Jimmy Wisner
- arranger:
- Jimmy Wisner
- phonographic copyright (℗) by:
- BMG Music (in 1969)
- produced for:
- Stroud Productions & Enterprises Inc.
- recorded at:
- RCA Studio B in New York, New York, United States (on 1967-12-20)
- cover recording of:
- To Love Somebody (on 1967-12-20)
- written in:
- New York, New York, United States (in 1967)
- writer:
- Barry Gibb (in 1967) and Robin Gibb (in 1967)
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing , BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
- part of:
- 50/50
| Nina Simone | 3.85 | 2:40 |
| 28 | Everybody Needs Somebody to Love | Solomon Burke | 5 | 2:44 |
| 29 | Be My Baby- miscellaneous support:
- Phil Spector (task: under license of)
- engineer:
- Larry Levine
- producer:
- Phil Spector
- vocals:
- Ronnie Spector (in 1963-07)
- performer:
- The Ronettes
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Phil Spector Records (in 1963)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 19), Rolling Stone: 500 Greatest Songs of All Time (number: 22) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 22)
- recording of:
- Be My Baby (in 1963-07)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
- sub-publisher:
- ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan , Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Ronettes | 4.15 | 2:42 |
| 30 | April in Paris | Bennie Wallace | | 6:08 |
| 31 | Young Rabbits | The Crusaders | | 3:39 |
| 32 | You've Really Got a Hold on Me | The Miracles | 4.5 | 2:59 |
| 33 | Take Five- recorded in:
- New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- recording engineer:
- Fred Plaut
- producer:
- Teo Macero
- alto saxophone:
- Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- double bass:
- Eugene Wright (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- drums (drum set):
- Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- piano:
- Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- phonographic copyright (℗) by:
- Compulsion , Milestones Records, Unknown Pleasures Sound, Columbia Records (in 1959), BNF Collection 2013 (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
- recorded at:
- CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- recording of:
- Take Five (on 1959-07-01)
- composer:
- Paul Desmond
- publisher:
- Derry Music Company, Desmond Music Company , Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
- part of:
- The Real Book
| The Dave Brubeck Quartet | 4.35 | 5:26 |
| 34 | When You're Smiling | Frank Sinatra | | 2:30 |
| 35 | Whatever Will Be Will Be | Doris Day | | 2:05 |
| 36 | Take on Me | Rio Lounge Music | | 4:09 |
| 37 | The Thrill Is Gone | Jacintha | | 5:19 |
| 38 | Skylark- recorded in:
- New York, New York, United States (on 1963-06-12)
- producer:
- Robert Mersey
- conductor:
- Robert Mersey
- arranger:
- Robert Mersey
- phonographic copyright (℗) by:
- CBS, Inc. (in 1963) and Sony Music Entertainment Inc. (in 1992)
- cover recording of:
- Skylark (on 1963-06-12)
- lyricist:
- Johnny Mercer
- composer:
- Hoagy Carmichael (in 1941)
- publisher:
- Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. , The Johnny Mercer Foundation, Warner Bros. Music , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- 日音 Synch事業部
| Aretha Franklin | | 2:52 |
| 39 | Falsa Bahiana | Stan Getz & João Gilberto | | 5:05 |
| 40 | Tequila | CHAMPS | | 2:14 |
| 41 | Put Your Head on My Shoulder | Paul Anka | | 2:35 |
| 42 | Everything's Changed | The Matthew Herbert Big Band | | 4:44 |
| 43 | Magic Moments | Perry Como, Mitchell Ayres and His Orchestra & The Ray Charles Singers | 3.15 | 2:40 |
| 44 | Still Tossin and Turnin- membranophone programming:
- Ken Wedlow
- assistant engineer:
- Adlai Alexander, Nancy Scharlau and Mark Slagle
- engineer:
- Tuck Andress and Howard Johnston
- producer:
- Patti Cathcart
- mixer and editor:
- Howard Johnston
- electric guitar:
- Tuck Andress
- keyboard:
- Khaliq
- tenor saxophone:
- Harvey Wainapel
- vocals:
- Patti Cathcart
- arranger:
- Patti Cathcart
- recorded at:
- Binky Studios in Menlo Park, California, United States and Different Fur Studios in San Francisco, California, United States
- mixed at and edited at:
- Different Fur Studios in San Francisco, California, United States
- remix of:
- Tossin’ and Turnin’ by Tuck & Patti
- recording of:
- Tossin’ and Turnin’
- writer:
- Thurston R. Bilal, Patti Cathcart, Lester Gene Finley, Craig Steven Kenoly and Dean Kenneth Wedlow Jr.
| Tuck & Patti | | 5:33 |
| 45 | All Would Envy | Chris Botti feat. Shawn Colvin | | 5:04 |
| 46 | Sara Smile | Daryl Hall & John Oates | 4.25 | 3:08 |
| 47 | Ben | Michael Jackson | 3.85 | 2:46 |
| 48 | Milord | Édith Piaf | 4 | 4:31 |
| 49 | Hava Nagila - Scimitar | Martin Denny | | 4:26 |
| 50 | Tiki - Quiet Village | Martin Denny | | 6:00 |
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