| # | Title | Artist | Rating | Length |
|---|
| 1 | Le Freak (edit) | Chic | 4.4 | 3:32 |
| 2 | December, 1963 (Oh What a Night!)- recording engineer:
- Steve Maslow
- producer:
- Bob Gaudio
- mixer:
- Val Garay
- bass:
- Don Ciccone
- drums (drum set):
- Gerry Polci
- guitar:
- John Paiva
- keyboard:
- Bob Gaudio and Lee Shapiro
- piano:
- Bob Gaudio
- vocals:
- Bob Gaudio, Don Ciccone, Frankie Valli , Gerry Polci and John Paiva
- brass [horns] arranger and strings arranger:
- Lee Shapiro
- phonographic copyright (℗) by:
- WEA International Inc.
- recorded at:
- Sound Factory in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 64)
- recording of:
- December, 1963 (Oh, What a Night)
- lyricist:
- Bob Gaudio and Judy Parker
- composer:
- Bob Gaudio
- publisher:
- EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. and Seasons Music Co.
| Frankie Valli & The Four Seasons | 3.85 | 3:32 |
| 3 | You Sexy Thing | Hot Chocolate | 3.85 | 4:02 |
| 4 | We Are Family | Sister Sledge | 4 | 3:36 |
| 5 | Hooked on a Feeling | Blue Swede | 4.05 | 2:53 |
| 6 | Long Train Runnin’- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- Long Train Runnin’
- lyricist and composer:
- Tom Johnston
- publisher:
- Warner–Tamerlane Publishing Corp. , Warner Bros. Music (in 1982) and Warner Chappell Music (in 1991)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4.1 | 3:27 |
| 7 | I’m Every Woman (single version) | Chaka Khan | 3.3 | 4:03 |
| 8 | Young Hearts Run Free | Candi Staton | 4.2 | 4:09 |
| 9 | The Rubberband Man (single version) | The Spinners | 4.65 | 3:33 |
| 10 | Disco Inferno | The Trammps | 5 | 3:33 |
| 11 | She’s Gone (remastered) | Daryl Hall & John Oates | 3.65 | 5:15 |
| 12 | If You Leave Me Now- recording engineer:
- Armin Steiner (from 1976-03 until 1976-04: strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Rhino Entertainment Company (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (in 1976)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control , Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 4.2 | 3:54 |
| 13 | Into the Mystic (1999 remaster) | Van Morrison | 3.35 | 3:29 |
| 14 | Listen to the Music (single version; 2006 remaster) | The Doobie Brothers | 4.35 | 3:26 |
| 15 | Ooh La La | Faces | 3.75 | 3:34 |
| 16 | Go Your Own Way | Fleetwood Mac | 4.3 | 3:38 |
| 17 | Long Cool Woman (in a Black Dress) | The Hollies | 4.15 | 3:17 |
| 18 | Baker Street (edit)- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4.15 | 4:07 |
| 19 | Cold as Ice- associate engineer:
- Jimmy Douglass , Michael Getlin, Kevin Herron and Randy Mason
- engineer:
- Gary Lyons
- co-producer:
- Mick Jones and Ian McDonald
- producer:
- Gary Lyons and John Sinclair
- mixer:
- Jimmy Douglass , Mick Jones and Ian McDonald
- bass guitar:
- Ed Gagliardi
- drums (drum set):
- Dennis Elliott
- guitar:
- Mick Jones and Ian McDonald
- horn:
- Ian McDonald
- keyboard:
- Al Greenwood and Ian McDonald
- synthesizer:
- Al Greenwood
- background vocals:
- Ed Gagliardi , Mick Jones , Ian Lloyd and Ian McDonald
- lead vocals:
- Lou Gramm
- vocals:
- Ed Gagliardi , Mick Jones and Ian McDonald
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1977), WEA International Inc. (in 1977) and Rhino Entertainment Company (in 2009)
- recording of:
- Cold as Ice
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. , Warner/Chappell Music Ltd. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division , Fuji Pacific Music inc. (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Foreigner | 4 | 3:20 |
| 20 | Tush | ZZ Top | 4.5 | 2:17 |
| 21 | School’s Out- engineer:
- Roy Cicala and Shelly Yakus
- producer:
- Bob Ezrin
- drums (drum set):
- Neil Smith
- electric bass guitar:
- Dennis Dunaway
- electric guitar:
- Michael Bruce and Glen Buxton
- guitar and background vocals:
- Reggie Vincent
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1972, in 1974) and WEA International Inc. (in 1972)
- produced for:
- Alive Enterprises Incorporated and Nimbus 9 Productions
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (number: 319)
- recording of:
- School’s Out
- writer:
- Michael Bruce , Glen Buxton , Alice Cooper , Dennis Dunaway and Neal Smith
- publisher:
- Bizarre Music Co. , BMG Platinum Songs US, Carlin Music Corporation, Copyright Control , Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.25 | 3:29 |
| 22 | Blitzkrieg Bop | Ramones | 4.55 | 2:12 |
| 23 | Just What I Needed | The Cars | 4.3 | 3:45 |
| 24 | Tiger Feet | Mud | 5 | 3:50 |
| 25 | Devil Woman | Cliff Richard | 5 | 3:34 |
| 26 | Life’s Been Good | Joe Walsh | 4 | 4:39 |
| 27 | Feel Like Makin’ Love- recording engineer:
- Ron Nevison (in 1974-09)
- producer:
- Bad Company
- mixer:
- Ron Nevison
- drums (drum set):
- Simon Kirke (in 1974-09)
- electric bass guitar:
- Boz Burrell (in 1974-09)
- guitar:
- Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
- keyboard:
- Mick Ralphs (in 1974-09)
- piano and lead vocals:
- Paul Rodgers (in 1974-09)
- phonographic copyright (℗) by:
- Swan Song Inc. (in 1975)
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
- mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 78)
- recording of:
- Feel Like Makin’ Love (in 1974-09)
- writer:
- Mick Ralphs and Paul Rodgers
- publisher:
- MCA Music , MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
| Bad Company | 4.25 | 5:14 |
| 28 | Breezin’ | George Benson | | 5:20 |
| 29 | Supernatural Thing, Pt. 1 | Ben E. King | 4 | 4:07 |
| 30 | Wishing on a Star | Rose Royce | 4 | 4:51 |
| 31 | Until You Come Back to Me (That’s What I’m Gonna Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax , Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music , Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:26 |
| 32 | It Looks Like Love | Goody Goody | | 6:23 |
| 33 | Dancing in the City | Marshall Hain | | 3:46 |
| 34 | Then Came You (2006 remaster) | The Spinners & Dionne Warwick | 4.5 | 3:59 |
| 35 | Make It With You | Bread | 5 | 3:13 |
| 36 | A Horse With No Name (2012 remaster) | America | 4.25 | 4:10 |
| 37 | Fire and Rain | James Taylor | 4.3 | 3:20 |
| 38 | Brass in Pocket- additional recording engineer:
- Steve Nye
- engineer:
- Bill Price
- producer:
- Chris Thomas
- mixer:
- Michael Paul Stavrou
- phonographic copyright (℗) by:
- Warner Music UK Ltd. (in 1979, in 1987, in 2000)
- additionally recorded at:
- Air Studios in London , England, United Kingdom
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- mixed at:
- Air Studios in London , England, United Kingdom
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
- recording of:
- Brass in Pocket
- writer:
- James Honeyman‐Scott and Chrissie Hynde
- publisher:
- ATV Music Ltd., Banks Clive Music, EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , Hynde House of Hits Music and Modern Music Publishing Co., Inc.
| Pretenders | 4.4 | 3:04 |
| 39 | Moondance (1999 remaster)- executive producer:
- Lewis Merenstein
- producer:
- Van Morrison
- mixer:
- Elliot Scheiner (in 1969-12)
- lead vocals:
- Van Morrison (in 1969)
- phonographic copyright (℗) by:
- Exile Productions Ltd. (in 1970) and Warner Bros. Records, Ltd. (in 1970)
- produced for:
- Inherit Productions
- recorded at:
- A&R Recording Studio in New York, New York, United States (in 1969)
- mixed at:
- A & R Recording in Manhattan, New York, New York, United States (in 1969-12)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 226)
- recording of:
- Moondance (in 1969)
- lyricist and composer:
- Van Morrison
- publisher:
- Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music , Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. , Warner/Chappell North America, Caledonia Soul Music (from 1970 until 1971), WB Music Corp. (from 1970 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Van Morrison | 3.8 | 4:37 |
| 40 | Wuthering Heights- engineer:
- Jon Kelly
- producer:
- Andrew Powell
- drums (drum set):
- Stuart Elliott (from 1977-07 until 1977-08)
- piano, background vocals and lead vocals:
- Kate Bush (from 1977-07 until 1977-08)
- arranger:
- Andrew Powell
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977, in 1978), EMI Records USA (in 1977, in 1978), EMI‐USA Records (in 1977, in 1978), EMI America Records, Inc. (in 1982) and EMI France (in 1995)
- recorded at:
- AIR London Studios in London , England, United Kingdom (from 1977-07 until 1977-08)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 18)
- recording of:
- Wuthering Heights (from 1977-07 until 1977-08)
- publisher:
- Kate Bush (from 1978 to present)
- lyricist and composer:
- Kate Bush (on 1977-03-05)
- publisher:
- Beechwood Music Corp., Castle , Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (from 1978 to present)
| Kate Bush | 3.8 | 4:27 |
| 41 | Werewolves of London | Warren Zevon | 4.9 | 3:25 |
| 42 | The Air That I Breathe- engineer:
- Mike Jarratt and Alan Parsons
- producer:
- The Hollies and Ron Richards
- vocals:
- Allan Clarke (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
- phonographic copyright (℗) by:
- EMI Records Ltd. , Sony BMG Music Entertainment (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (in 1974)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1973-11-15 until 1973-11-22)
- cover recording of:
- The Air That I Breathe (from 1973-11-15 until 1973-11-22)
- writer:
- Albert Hammond and Mike Hazlewood
- publisher:
- April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd.
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Hollies | 3.8 | 4:04 |
| 43 | Magic | Pilot | 4.75 | 3:06 |
| 44 | Stay With Me | Faces | 4.5 | 4:38 |
| 45 | 25 or 6 to 4 | Chicago | | 4:49 |
| 46 | Hot Blooded | Foreigner | 3.65 | 3:04 |
| 47 | My Best Friend’s Girl (2016 remaster) | The Cars | 4.35 | 3:44 |
| 48 | Marquee Moon (edit) | Television | 5 | 4:30 |
| 49 | Guitar Man | Bread | 4 | 3:46 |
| 50 | I Hear You Knocking | Dave Edmunds | 4 | 2:47 |
| 51 | Dance With Me | Orleans | 5 | 3:00 |
| 52 | I’d Really Love to See You Tonight | England Dan & John Ford Coley | 5 | 2:38 |
| 53 | Better Days | Graham Nash | | 3:50 |
| 54 | Willing | Little Feat | | 2:23 |
| 55 | Chuck E’s in Love- additional engineer:
- Tom Knox and Roger Nichols
- engineer:
- Loyd Clifft and Lee Herschberg
- producer:
- Russ Titelman and Lenny Waronker
- mixer:
- Lee Herschberg
- vocals:
- Rickie Lee Jones
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979) and WEA International Inc. (in 1979)
- recorded at:
- The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Chuck E.’s in Love
- lyricist and composer:
- Rickie Lee Jones
- publisher:
- Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックEH(CM) and ヤマハミュージックエンタテインメントホールディングス
| Rickie Lee Jones | 4.25 | 3:29 |
| 56 | No More Heroes | The Stranglers | 4.65 | 3:28 |
| 57 | Wear It Out (edit) | Stargard | 5 | 3:40 |
| 58 | Fool (If You Think It’s Over) | Chris Rea | | 4:44 |
| 59 | Midnight at the Oasis | Maria Muldaur | 4 | 3:49 |
| 60 | Psycho Killer (live)- recording engineer:
- Allen Chinowsky (in 1983-12)
- mastering:
- Ted Jensen and Jack Skinner
- assistant engineer:
- Nick Delre, Robin Laine, Linda Randazzo and Glenn Rosenstein
- engineer:
- Joel Moss and Mark Wolfson
- producer:
- Talking Heads
- additional mixer:
- Chris Frantz and Jerry Harrison
- mixer:
- Eric Thorngren
- vocals:
- David Byrne (in 1983-12)
- recorded at:
- Hollywood Pantages Theatre in Hollywood, Los Angeles, California, United States (in 1983-12)
- live recording of:
- Psycho Killer (in 1983-12)
- lyricist:
- David Byrne , Chris Frantz and Tina Weymouth
- writer:
- David Byrne , Christopher Frantz and Martina Weymouth
- composer:
- David Byrne
- publisher:
- Bleu Disque Music Co., Inc. , Index Music, Inc., Warner Bros. Music Ltd. and Warner Chappell Music
| Talking Heads | 4.5 | 4:27 |
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