| # | Title | Artist | Rating | Length |
|---|
| 1 | Africa | Toto | 5 | 4:20 |
| 2 | Keep On Loving You- assistant engineer:
- Tom Cummings and Jeff Eccles
- engineer:
- Kevin Beamish
- co-producer:
- Alan Gratzer
- producer:
- Kevin Beamish, Kevin Cronin and Gary Richrath
- acoustic guitar:
- Kevin Cronin
- bass:
- Bruce Hall
- drums (drum set):
- Alan Gratzer
- guitar:
- Gary Richrath
- Hammond organ:
- Neal Doughty
- background vocals:
- Kevin Cronin , Tom Kelly and Richard Page
- arranger:
- Kevin Cronin
- phonographic copyright (℗) by:
- Epic Records (in 1980), Sony BMG Music Entertainment (in 1980), Sony Music Entertainment (in 1980), Sony Music Entertainment Inc. (in 1980, in 1981) and CBS Records Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 67)
- recording of:
- Keep On Loving You (on 1980-09-03)
- lyricist and composer:
- Kevin Cronin
- publisher:
- Bucks Music Group Ltd. , Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. , Mushroom Music , Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd.
- sub-publisher:
- Taiyō Music
| REO Speedwagon | 3.55 | 3:20 |
| 3 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989), The David Geffen Company (in 1989), Union Square Music Ltd. (in 2018) and Universal Music Operations Limited (in 2018)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 3:55 |
| 4 | Union City Blue- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2001), Chrysalis Records (in 1979), Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001), Blondie Music, Inc. (in 2001) and Capitol Records (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Union City Blue (from 1979-05 until 1979-06)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Blue, BMG Monarch, BMG Rights Management (UK) Ltd. , Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Records Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. and Monster Island Music Publishing Corporation
| Blondie | 3.2 | 3:22 |
| 5 | Love Is a Battlefield- producer:
- Neil Geraldo , Peter Coleman and Peter Coleman
- mixer:
- Neil Giraldo and Peter Coleman
- bass guitar:
- Roger Capps
- drums (drum set):
- Myron Grombacher
- electric guitar:
- Neil Giraldo
- keyboard:
- Charles Giordano
- lead vocals:
- Pat Benatar
- vocals:
- Pat Benatar
- phonographic copyright (℗) by:
- EMI Records , Capitol Records, LLC (in 1983), Chrysalis Records (in 1983) and Chrysalis Records, Inc. (in 1983, in 1984)
- recorded at:
- MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Love Is a Battlefield
- writer:
- Mike Chapman and Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control , EMI Music Publishing Ltd. , Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. , Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| Pat Benatar | 4.1 | 4:09 |
| 6 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981), EMI–Manhattan Records (in 1981) and Capitol Records, LLC (in 1997)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:40 |
| 7 | Maneater- recording of:
- Maneater
- lyricist:
- Sara Allen, Daryl Hall and John Oates
- composer:
- Daryl Hall and John Oates
- publisher:
- BMG Rights Management (UK) Ltd. , Copyright Control , Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music and Warner/Chappell Music Ltd.
| Daryl Hall & John Oates | | 4:26 |
| 8 | Footloose- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Kenny Loggins | 4.1 | 3:44 |
| 9 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
- part of:
- Back to the Future: the Musical
- recording of:
- The Power of Love
- writer:
- Peter Gill , Holly Johnson, Brian Nash and Mark O’Toole
- publisher:
- Perfect Songs Ltd. and Rubet Music Publishing, Inc.
| Huey Lewis and the News | 4 | 3:51 |
| 10 | (I’ve Had) The Time of My Life- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner , Michael Lloyd , Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- RCA Records , BMG Music (in 1987) and Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- sub-publisher:
- ヤマハミュージックEH(CM) (ended), Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 and フジパシフィックミュージック
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | 3.75 | 4:44 |
| 11 | Islands in the Stream- producer:
- Albhy Galuten, Barry Gibb and Karl Richardson
- vocals:
- Dolly Parton and Kenny Rogers
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1983)
- produced for:
- Karlbhy Productions
- recording of:
- Islands in the Stream
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control , Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music and Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Dolly Parton & Kenny Rogers | 4 | 4:09 |
| 12 | Graceland | Paul Simon | | 4:50 |
| 13 | We Got the Beat- additional assistant recording engineer:
- James Ball, Eric Kortee and Darroll Gustamachio
- assistant recording engineer:
- Ted Blechta and John Terelle
- recording engineer and mixer:
- Rob Freeman
- producer:
- Rob Freeman and Richard Gottehrer
- assistant mixer:
- Gray Russell
- bass guitar and guitar:
- Kathy Valentine
- drums (drum set) and percussion:
- Gina Schock
- guitar [lead guitar] and keyboard:
- Charlotte Caffey
- guitar [rhythm guitar]:
- Jane Wiedlin
- lead vocals:
- Belinda Carlisle
- vocals:
- Charlotte Caffey and Jane Wiedlin
- phonographic copyright (℗) by:
- I.R.S., Inc. (in 1981)
- additionally recorded at:
- Sound Mixers Studio in New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recorded at:
- Pennylane Studios in New York, New York, United States
- mixed at:
- Sound Mixers Studio in New York, New York, United States
- recording of:
- We Got the Beat
- lyricist and composer:
- Charlotte Caffey
- writer:
- Go‐Go’s
- publisher:
- Daddy-Oh Music and Universal Music–MGB Songs
| The Go‐Go’s | 4.4 | 2:31 |
| 14 | I Love Rock ’n’ Roll | Britney Spears | 2.45 | 3:05 |
| 15 | Stronger (What Doesn’t Kill You) | Kelly Clarkson | 3.85 | 3:39 |
| 16 | Try- programming:
- Greg Kurstin (in 2012)
- additional engineer:
- Jesse Shatkin
- engineer, producer and mixer:
- Greg Kurstin
- bass and keyboard:
- Greg Kurstin (in 2012)
- guitar:
- Kevin Dukes (in 2012) and Greg Kurstin (in 2012)
- recorded at:
- Earthstar Creation Center in Venice, Los Angeles, California, United States (in 2012) and Echo Studio in Los Feliz, Los Angeles, California, United States (in 2012)
- mixed at:
- Echo Studio in Los Feliz, Los Angeles, California, United States
- music videos:
- Try by P!nk
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 53)
- recording of:
- Try (in 2012)
- writer:
- Benjamin West and Michael Busbee
| P!nk | 4.05 | 4:03 |
| 17 | Party in the U.S.A.- programming and producer:
- Dr. Luke
- engineer:
- Emily Wright
- mixer:
- Serban Ghenea and Jeff Rothschild
- guitar, keyboard and membranophone:
- Dr. Luke
- background vocals:
- Łukasz Gottwald, Jessica Cornish , Claude Kelly and Douglas Wright
- vocals:
- Miley Cyrus
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (in 2009)
- produced for:
- Kasz Money Productions, Inc.
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Party in the U.S.A by Miley Cyrus
- part of:
- RuPaul’s Drag Race Lip Sync Performances (number: 1), Billboard Year-End Hot 100 singles of 2009 (number: 29), Billboard Year-End Hot 100 singles of 2010 (number: 67), Billboard: The 500 Best Pop Songs (number: 75) and BILLIONS CLUB
- recording of:
- Party in the U.S.A.
- writer:
- Łukasz Gottwald, Jessica Cornish and Claude Kelly
- publisher:
- Kasz Money Publishing (from 2009 to present), Sony/ATV Music Publishing (UK) Ltd. (from 2009 to present), Studio Beast Music (from 2009 to present) and Warner–Tamerlane Publishing Corp. (from 2009 to present)
| Miley Cyrus | 4.05 | 3:21 |
| 18 | All I Wanna Do- engineer:
- Blair Lamb
- producer:
- Bill Bottrell
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1993) and UMG Recordings, Inc. (in 1993)
- part of:
- Billboard: The 500 Best Pop Songs (number: 405)
- recording of:
- All I Wanna Do
- writer:
- David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow and Kevin Gilbert
- publisher:
- Almo Music Corp. , Ignorant Music , Old Crow Music , Reservoir One America, Sony/ATV Tunes LLC , Warner–Tamerlane Publishing Corp. , WB Music Corp. , WC Music Corp. and Zen of Iniquity
| Sheryl Crow | 3.9 | 4:30 |
| 19 | All I Wanna Do Is Make Love to You- recording engineer:
- Phil Kaffel (in 1989)
- producer:
- Richie Zito
- mixer:
- Phil Kaffel
- additional keyboard:
- Kim Bullard (in 1989)
- drums (drum set):
- Denny Carmassi (in 1989)
- electric bass guitar [bass]:
- Mark Andes (in 1989)
- guitar:
- Nancy Wilson (in 1989)
- background vocals and lead vocals:
- Ann Wilson (in 1989)
- phonographic copyright (℗) by:
- Capitol Records, Inc.
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States (in 1989) and One on One Studios in North Hollywood, Los Angeles, California, United States (in 1989)
- recording of:
- All I Wanna Do Is Make Love to You (in 1989)
- lyricist and composer:
- Robert John “Mutt” Lange
- publisher:
- Zomba Enterprises, Inc. (ended), Imagem London Ltd., Out-of-Pocket Productions Ltd. and Zomba Music Publishers Ltd. (from 1979 to ????)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- version of:
- All I Want to Do Is Make Love to You
| Heart | 3.8 | 5:03 |
| 20 | Hazard | Richard Marx | | 4:41 |
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