Blues Brother Soul Sister, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas3.552:39
2I’m in the Mood
Techniker(in):
Sam Lehmer (in 1988-04)
leitende(r) Produzent(in):
Mike Kappus
Produzent(in):
Roy Rogers (US blues guitarist & producer)
Gitarre:
John Lee Hooker (US blues singer, songwriter & guitarist) (bis 1988-04) und Roy Rogers (US blues guitarist & producer) (in 1988-04)
Schlagzeug:
Scott Mathews (US producer, composer & drummer) (in 1988-04)
Slide-Gitarre:
Bonnie Raitt (in 1988-04)
Sologesang:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1988-04)
vocals:
Bonnie Raitt (in 1988-04)
aufgenommen bei:
Russian Hill Recording in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1988-04)
recording of:
I’m in the Mood (in 1988-04)
Verfasser(in):
Bernard Besman (producer, label owner and songwriter) und John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
John Lee Hooker & Bonnie Raitt34:30
3It’s a Man’s Man’s Man’s World
recorded in:
New York, New York, Vereinigte Staaten (am 1966-02-16)
Techniker(in):
Ron Lenhoff
Produzent(in):
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1966-02-16)
Gitarre:
Billy Butler (jazz guitarist) (am 1966-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1966-02-16)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1966-02-16), Waymon Reed (am 1966-02-16) und Lammar Wright (am 1966-02-16)
Sologesang:
James Brown (The Godfather of Soul) (am 1966-02-16)
aufgenommen bei:
Talent Masters Studios in New York, New York, Vereinigte Staaten (am 1966-02-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 123)
recording of:
It’s a Man’s Man’s Man’s World (am 1966-02-16)
Verfasser(in):
James Brown (The Godfather of Soul) und Betty Jean Newsome
James Brown4.42:50
4Soulville
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-08)
Produzent(in):
Robert Mersey
Klavier und Hintergrundgesang und Sologesang:
Aretha Franklin (am 1964-02-08)
Orgel:
Paul Griffin (American pianist, session musician) (am 1964-02-08)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Soulville (am 1964-02-08)
Verfasser(in):
Henry Glover, Morris Levy, Titus Turner und Dinah Washington
publisher:
DeLarue Music Corp und EMI Longitude Music
Aretha Franklin2:22
5Born Under a Bad Sign
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
Gitarre:
Steve Cropper (in 1967) und Albert King (well‐known US blues guitarist & singer) (in 1967)
Horn:
Joe Arnold (in 1967), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1967) und Andrew Love (in 1967)
Klavier:
Isaac Hayes (in 1967) und Booker T. Jones (in 1967)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1967)
Sologesang:
Albert King (well‐known US blues guitarist & singer) (in 1967)
Interpret(in):
Booker T. & the MG’s (in 1967) und The Memphis Horns (in 1967)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1988)
recording of:
Born Under a Bad Sign (in 1967)
Texter:
William Bell
Komponist(in):
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music, Inc.
Albert King32:47
6Tired of Being Alone
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 293)
recording of:
Tired of Being Alone
Texter und Komponist(in):
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. und Universal Music Publishing Group
Al Green4.452:52
7The Night Time Is the Right Time
cover recording of:
Night Time Is the Right Time
Komponist(in):
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. und Tro-Essex Music
Ike & Tina Turner3:30
8(I’m a) Road Runner
Mix:
Suha Gur
Bass:
James Jamerson
Gitarre:
Willie Woods (US guitarist & songwriter)
Keyboard:
Vic Thomas (keyboard)
membranophone:
James Graves
Saxophon:
Junior Walker
recording of:
(I’m a) Road Runner
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Jr. Walker & the All Stars22:48
9I Just Want to Make Love to You
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Etta James33:07
10Tell It Like It Is
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 381)
recording of:
Tell It Like It Is
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Aaron Neville3:09
11Hi Heeled Sneakers
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1963)
Produzent(in):
Herb Abramson
Bassgitarre [bass]:
Brenda Lee Jones (in 1963)
Gitarre:
Dean "Cousin Sugar" Young (in 1963)
Klavier und Orgel:
Tommy Tucker (blues) (in 1963)
vocals:
Tommy Tucker (blues) (in 1963)
recording of:
Hi‐Heel Sneakers (in 1963)
Texter und Komponist(in):
Robert Higginbotham (blues)
publisher:
Lily Pond Music und Robert Higginbotham Publisher
Tommy Tucker42:50
12Today I Sing the Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1960-08-01)
Produzent(in):
John Hammond (producer)
Bass:
Bill Lee (bassist, composer, father of Spike Lee) (am 1960-08-01)
Gitarre:
Lord Westbrook (am 1960-08-01)
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1960-08-01)
Posaune:
Tyree Glenn (am 1960-08-01)
Schlagzeug:
Osie Johnson (am 1960-08-01)
arranger:
Curtis Lewis (US songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
cover recording of:
Today I Sing the Blues (am 1960-08-01)
Verfasser(in):
Curley Hamner
Komponist(in):
Curtis Lewis (US songwriter)
publisher:
Bess Music und BMG Music Publishing Ltd.
Aretha Franklin2:46
13Dimples
Bass:
George Washington (1950s bassist) (in 1956)
Gitarre:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956) und Eddie Taylor (electric blues guitarist and singer) (in 1956)
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956)
recording of:
Dimples (in 1956)
Texter:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956)
Komponist(in):
James Bracken
publisher:
Conrad Music (publisher; do NOT use as release label), Costoma Publishing Company und Tristan Music Ltd.
John Lee Hooker32:13
14I’ll Take You There
Produzent(in):
Al Bell
Mix:
Terry Manning (US recording engineer)
arranger:
Al Bell
Remaster:
I’ll Take You There von The Staple Singers
recording of:
I’ll Take You There
Texter und Komponist(in):
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers54:46
15The Thrill Is Gone
cover recording of:
The Thrill Is Gone (1951 blues song)
Verfasser(in):
Roy Hawkins (in 1951) und Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. und Universal Music Careers
B.B. King4:58
16Private Number
Produzent(in):
Booker T. Jones
Interpret(in):
Judy Clay (American soul and gospel singer)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (in 1968)
recording of:
Private Number (in 1968)
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Irving Music, Inc. und Music for Africa (South Africa)
Judy Clay & William Bell22:42
17The Red Rooster
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1961-06)
E-Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961-06)
Gitarre:
Howlin’ Wolf (in 1961-06) und Hubert Sumlin (Chicago blues guitarist and singer) (in 1961-06)
Klavier:
Little Johnny Jones (Chicago blues pianist) (in 1961-06)
Kontrabass:
Willie Dixon (in 1961-06)
Schlagzeug:
Sam Lay (in 1961-06)
Sologesang:
Howlin’ Wolf (in 1961-06)
spätere Veröffentlichungen:
Little Red Rooster (The Red Rooster) von Howlin’ Wolf
recording of:
The Red Rooster (in 1961-06)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
cover recording of:
The Red Rooster
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Howlin’ Wolf32:27
18Oh No Not My Baby
Produzent(in):
Luther Dixon und Stan Green
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recording of:
Oh No Not My Baby
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Maxine Brown2:36
19I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
Nina Simone4.252:36
20When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:55

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