Blue Grass 1959-1969

~ Release by Bill Monroe (see all versions of this release, 1 available)

Annotation

Packaging: 4 CDs in individual jewel cases, packaged in LP sized box with booklet

Annotation last modified on 2018-07-10 03:30 UTC.

Tracklist

1▶CD: Volume 1
2▶CD: Volume 2
3▼CD: Volume 3
#TitleRatingLength
1Salt Creek
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Bill Keith (on 1963-03-20)
double bass:
Bessie Lee Mauldin (on 1963-03-20)
fiddle:
Kenny Baker (US fiddler) (on 1963-03-20)
guitar:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1963-03-20)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1963-03-20)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1963-03-20)
recording of:
Salt Creek (on 1963-03-20)
composer:
Bill Keith and Bill Monroe (“The Father of Bluegrass”)
2:27
2Devil's Dream
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Bill Keith (on 1963-03-20)
double bass:
Bessie Lee Mauldin (on 1963-03-20)
fiddle:
Kenny Baker (US fiddler) (on 1963-03-20)
guitar:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1963-03-20)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1963-03-20)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1963-03-20)
recording of:
Devil’s Dream (on 1963-03-20)
composer:
[traditional] (special purpose artist)
2:26
3Sailor's Hornpipe
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Bill Keith (on 1963-03-20)
double bass:
Bessie Lee Mauldin (on 1963-03-20)
fiddle:
Kenny Baker (US fiddler) (on 1963-03-20)
guitar:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1963-03-20)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1963-03-20)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1963-03-20)
recording of:
Sailor's Hornpipe (on 1963-03-20)
composer:
Bradford Keith and Bill Monroe (“The Father of Bluegrass”)
1:55
4Were You There?
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Bill Keith (on 1963-03-20)
double bass:
Bessie Lee Mauldin (on 1963-03-20)
fiddle:
Kenny Baker (US fiddler) (on 1963-03-20)
guitar:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1963-03-20)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1963-03-20)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1963-03-20)
recording of:
Were You There (on 1963-03-20)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:53
5Pike County Breakdown
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Bill Keith (on 1963-03-27)
double bass:
Bessie Lee Mauldin (on 1963-03-27)
fiddle:
Kenny Baker (US fiddler) (on 1963-03-27)
guitar:
Jackie Phelps (on 1963-03-27)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1963-03-27)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1963-03-27)
recording of:
Pike County Breakdown (on 1963-03-27)
composer:
Rupert Jones (“The Father of Bluegrass”)
2:03
6Shenandoah Breakdown
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Bill Keith (on 1963-03-27)
double bass:
Bessie Lee Mauldin (on 1963-03-27)
fiddle:
Kenny Baker (US fiddler) (on 1963-03-27)
guitar:
Jackie Phelps (on 1963-03-27)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1963-03-27)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1963-03-27)
recording of:
Shenandoah Breakdown (on 1963-03-27)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:19
7Santa Claus
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Bill Keith (on 1963-03-27)
double bass:
Bessie Lee Mauldin (on 1963-03-27)
fiddle:
Kenny Baker (US fiddler) (on 1963-03-27)
guitar:
Jackie Phelps (on 1963-03-27)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1963-03-27)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1963-03-27)
recording of:
Santa Claus (on 1963-03-27)
composer:
Bill Monroe (“The Father of Bluegrass”)
3:08
8I'll Meet You in Church Sunday Morning
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Drumright (on 1964-01-27)
double bass:
Bessie Lee Mauldin (on 1964-01-27)
fiddle:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-01-27)
guitar:
Joe Stuart (US bluegrass musician) (on 1964-01-27)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-01-27)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-27)
recording of:
I’ll Meet You in Church Sunday Morning (on 1964-01-27)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
3:04
9Mary at the Home Place
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Drumright (on 1964-01-27)
double bass:
Bessie Lee Mauldin (on 1964-01-27)
fiddle:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-01-27)
guitar:
Joe Stuart (US bluegrass musician) (on 1964-01-27)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-01-27)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-27)
recording of:
Mary at the Home Place (on 1964-01-27)
lyricist and composer:
Ken Clark (bluegrass artist)
2:22
10Highway of Sorrow
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Drumright (on 1964-01-27)
double bass:
Bessie Lee Mauldin (on 1964-01-27)
fiddle:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-01-27)
guitar:
Joe Stuart (US bluegrass musician) (on 1964-01-27)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-01-27)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-27)
recording of:
Highway of Sorrow (on 1964-01-27)
writer:
Bill Monroe (“The Father of Bluegrass”) and Pete Pyle
2:22
11One of God's Sheep
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Drumright (on 1964-01-28)
double bass:
Bessie Lee Mauldin (on 1964-01-28)
fiddle:
Joe Stuart (US bluegrass musician) (on 1964-01-28) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-01-28)
guitar:
Del McCoury (on 1964-01-28)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-01-28)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-28)
recording of:
One of God's Sheep (on 1964-01-28)
composer:
Wally Fowler
2:16
12Roll On, Buddy, Roll On
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Drumright (on 1964-01-28)
double bass:
Bessie Lee Mauldin (on 1964-01-28)
fiddle:
Joe Stuart (US bluegrass musician) (on 1964-01-28) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-01-28)
guitar:
Del McCoury (on 1964-01-28)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-01-28)
lead vocals:
Del McCoury (on 1964-01-28) and Bill Monroe (“The Father of Bluegrass”) (on 1964-01-28)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-28)
recording of:
Roll on Buddy Roll On (on 1964-01-28)
part of:
Roud Folk Song Index (number: 6686)
version of:
Roll On Buddy
cover recording of:
Roll on Buddy Roll On
part of:
Roud Folk Song Index (number: 6686)
version of:
Roll On Buddy
2:12
13Legend of the Blue Ridge Mountains
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Drumright (on 1964-01-28)
double bass:
Bessie Lee Mauldin (on 1964-01-28)
fiddle:
Joe Stuart (US bluegrass musician) (on 1964-01-28) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-01-28)
guitar:
Del McCoury (on 1964-01-28)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-01-28)
lead vocals:
Del McCoury (on 1964-01-28) and Bill Monroe (“The Father of Bluegrass”) (on 1964-01-28)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-28)
2:12
14Last Old Dollar
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Stuart (US bluegrass musician) (on 1964-02-03)
double bass:
Bessie Lee Mauldin (on 1964-02-03)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1964-02-03) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-02-03)
guitar:
Jimmy Maynard (on 1964-02-03)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-02-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-02-03)
2:21
15Bill's Dream
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Stuart (US bluegrass musician) (on 1964-02-03)
double bass:
Bessie Lee Mauldin (on 1964-02-03)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1964-02-03) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-02-03)
guitar:
Jimmy Maynard (on 1964-02-03)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1964-02-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-02-03)
2:34
16Louisville Breakdown
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Stuart (US bluegrass musician) (on 1964-04-09)
double bass:
Bessie Lee Mauldin (on 1964-04-09)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1964-04-09) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-04-09)
guitar:
Jackie Phelps (on 1964-04-09)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1964-04-09)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-04-09)
recording of:
Louisville Breakdown (on 1964-04-09)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:21
17Never Again
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Stuart (US bluegrass musician) (on 1964-04-09)
double bass:
Bessie Lee Mauldin (on 1964-04-09)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1964-04-09) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-04-09)
guitar:
Jackie Phelps (on 1964-04-09)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-04-09)
lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-04-09) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-04-09)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-04-09)
recording of:
Never Again ("never again, never no more...") (on 1964-04-09)
lyricist and composer:
Benny Williams (US bluegrass fiddler/multi-instrumentalist)
2:08
18Just Over in Gloryland
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Stuart (US bluegrass musician) (on 1964-04-09)
double bass:
Bessie Lee Mauldin (on 1964-04-09)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1964-04-09) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-04-09)
guitar:
Jackie Phelps (on 1964-04-09)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-04-09)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-04-09)
recording of:
Over in the Gloryland (on 1964-04-09)
lyricist and composer:
Ralph Stanley (US bluegrass singer and banjo player)
2:24
19Fire on the Mountain
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Stuart (US bluegrass musician) (on 1964-04-09)
double bass:
Bessie Lee Mauldin (on 1964-04-09)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1964-04-09) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-04-09)
guitar:
Jackie Phelps (on 1964-04-09)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-04-09)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-04-09)
recording of:
Fire on the Mountain (on 1964-04-09)
writer:
[traditional] (special purpose artist)
2:05
20The Long Black Veil
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Don Lineberger (US banjo player) (on 1965-03-16)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1965-03-16)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1965-03-16) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1965-03-16)
guitar:
Jimmy Elrod (on 1965-03-16)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1965-03-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-03-16)
recording of:
The Long Black Veil (on 1965-03-16)
lyricist and composer:
Danny Dill and Marijohn Wilkin
publisher:
Cedarwood Music, Cedarwood Pub. Co., Inc. and PolyGram Music Publishing
32:41
21I Live in the Past
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Don Lineberger (US banjo player) (on 1965-03-16)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1965-03-16)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1965-03-16) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1965-03-16)
guitar:
Jimmy Elrod (on 1965-03-16)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1965-03-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-03-16)
recording of:
I Live in the Past (on 1965-03-16)
writer:
Virginia Stauffer
3:00
22There's an Old, Old House
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Don Lineberger (US banjo player) (on 1965-03-16)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1965-03-16)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1965-03-16) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1965-03-16)
guitar:
Jimmy Elrod (on 1965-03-16)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1965-03-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-03-16)
recording of:
Old, Old House (on 1965-03-16)
writer:
Hal Bynum and George Jones (US country music vocalist)
2:49
23When My Blue Moon Turns to Gold Again
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-10-14)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-10-14)
fiddle:
Richard Greene (US fiddler) (on 1966-10-14)
guitar and baritone vocals:
Peter Rowan (US bluegrass musician & composer) (on 1966-10-14)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-10-14)
lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-10-14) and James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-10-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-10-14)
cover recording of:
When My Blue Moon Turns to Gold Again (on 1966-10-14)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
2:35
24I Wonder Where You Are Tonight?
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-10-14)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-10-14)
fiddle:
Richard Greene (US fiddler) (on 1966-10-14)
guitar and baritone vocals:
Peter Rowan (US bluegrass musician & composer) (on 1966-10-14)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-10-14)
lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-10-14) and James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-10-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-10-14)
recording of:
I Wonder Where You Are Tonight (on 1966-10-14)
lyricist and composer:
Johnny Bond (country music guitarist, singer, songwriter and historian)
publisher:
Red River Songs and Sunshine Music Co., Inc. (on 1941-12-12)
cover recording of:
I Wonder Where You Are Tonight
lyricist and composer:
Johnny Bond (country music guitarist, singer, songwriter and historian)
publisher:
Red River Songs and Sunshine Music Co., Inc. (on 1941-12-12)
2:35
25Turkey in the Straw
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-10-14)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-10-14)
fiddle:
Richard Greene (US fiddler) (on 1966-10-14)
guitar:
Peter Rowan (US bluegrass musician & composer) (on 1966-10-14)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1966-10-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-10-14)
recording of:
Turkey in the Straw (on 1966-10-14)
composer:
[traditional] (special purpose artist)
2:10
26Pretty Fair Maiden in the Garden
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-11-03)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-11-03)
fiddle:
Richard Greene (US fiddler) (on 1966-11-03) and Buddy Spicher (American country and bluegrass fiddle player) (on 1966-11-03)
guitar:
Peter Rowan (US bluegrass musician & composer) (on 1966-11-03)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-11-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-11-03)
recording of:
Pretty Fair Maiden in the Garden (on 1966-11-03)
composer:
[traditional] (special purpose artist)
is based on:
John Riley
2:45
27Log Cabin in the Lane
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-11-03)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-11-03)
fiddle:
Richard Greene (US fiddler) (on 1966-11-03)
guitar:
Peter Rowan (US bluegrass musician & composer) (on 1966-11-03)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-11-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-11-03)
recording of:
The Little Old Log Cabin in the Lane (on 1966-11-03)
writer:
William Shakespeare Hays (in 1871)
part of:
Roud Folk Song Index (number: 2473)
2:23
28Paddy on the Turnpike
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-11-03)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-11-03)
fiddle:
Richard Greene (US fiddler) (on 1966-11-03)
guitar:
Peter Rowan (US bluegrass musician & composer) (on 1966-11-03)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1966-11-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-11-03)
recording of:
Paddy on the Turnpike (on 1966-11-03)
composer:
[traditional] (special purpose artist)
3:00
29That's All Right
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-12-06)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-12-06)
fiddle:
Richard Greene (US fiddler) (on 1966-12-06)
guitar:
Peter Rowan (US bluegrass musician & composer) (on 1966-12-06)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-12-06)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-12-06)
recording of:
That's All Right (on 1966-12-06)
composer:
Autry Inman
cover recording of:
That's All Right
composer:
Autry Inman
2:38
30It Makes No Difference Now
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-12-06)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-12-06)
fiddle:
Richard Greene (US fiddler) (on 1966-12-06)
guitar:
Peter Rowan (US bluegrass musician & composer) (on 1966-12-06)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-12-06)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-12-06)
cover recording of:
It Makes No Difference Now (on 1966-12-06)
publisher:
Floyd Tillman (on 1938-05-25)
lyricist and composer:
Jimmie Davis (American politician, singer and songwriter) and Floyd Tillman
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1939-01-02)
2:08
31Dusty Miller
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-12-06)
double bass:
James Monroe (US bluegrass singer, son of Bill Monroe) (on 1966-12-06)
fiddle:
Richard Greene (US fiddler) (on 1966-12-06)
guitar:
Peter Rowan (US bluegrass musician & composer) (on 1966-12-06)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1966-12-06)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-12-06)
recording of:
Dusty Miller (catch-all for unidentified Irish traditional tunes) (on 1966-12-06)
composer:
[traditional] (special purpose artist)
2:19
4▶CD: Volume 4

Credits