| # | Title | Artist | Rating | Length |
|---|
| 1 | Sleeping Satellite | Tasmin Archer | 4.25 | 4:40 |
| 2 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:31 |
| 3 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Bug Music , Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 3.85 | 4:13 |
| 4 | Cloudbusting- assistant engineer:
- Pearse Dunne
- engineer:
- Haydn Bendall , James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker
- producer:
- Kate Bush
- mixer:
- Brian Tench
- drums (drum set):
- Stuart Elliott and Charlie Morgan
- strings:
- The Medici Sextet
- background vocals:
- Brian Bath, John Carder Bush, Paddy Bush and Del Palmer
- vocals:
- Kate Bush
- strings arranger:
- Dave Lawson
- phonographic copyright (℗) by:
- EMI America Records (in 1985), EMI Korea (in 1985), EMI Records (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (in 1993), Universal Domestic Division (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
- recorded at:
- Wickham Farm Home Studio in Welling, Bexley , London , England, United Kingdom
- engineered at:
- Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland
- recording of:
- Cloudbusting
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Ltd. , Kate Bush Ltd. and Screen Gems–EMI Music, Inc.
| Kate Bush | 4 | 5:08 |
| 5 | The Emperor’s New Clothes | Sinéad O’Connor | 4.35 | 5:16 |
| 6 | Diamonds Are Forever | Shirley Bassey | 4.15 | 2:40 |
| 7 | Is There Something I Should Know? (Monster mix) | Duran Duran | | 6:41 |
| 8 | Too Shy | Kajagoogoo | 3.55 | 3:45 |
| 9 | Lonesome Loser | Little River Band | | 4:00 |
| 10 | Long Cool Woman | The Hollies | 4.15 | 3:17 |
| 11 | Assassing | Marillion | 4.5 | 7:02 |
| 12 | Life’s What You Make It | Talk Talk | 3.75 | 4:28 |
| 13 | Johnny B. Goode | Peter Tosh | | 4:02 |
| 14 | I Want a New Drug | Huey Lewis and the News | | 3:30 |
| 15 | Hyperactive! | Thomas Dolby | 5 | 4:09 |
| 16 | Burning Down the House | Talking Heads | | 4:06 |
| 17 | Year of the Cat- producer:
- Alan Parsons
- phonographic copyright (℗) by:
- Al Stewart (in 1976)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1981)
- mixed at:
- Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
- recording of:
- Year of the Cat
- writer:
- Al Stewart and Peter Wood
- publisher:
- Carlin Music Corporation, Dick James Music Ltd. , Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. , Universal Songs , Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd.
| Al Stewart | 4.45 | 6:34 |
Play on ListenBrainz