The Best Pub Jukebox in the World… Ever!

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Virgin TV - Catalog #: VTDCD308

Label: Virgin TV - Catalog #: VTDCD308

Annotation last modified on 2006-11-08 08:07 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1We Will Rock You
engineer:
Mike Stone (producer and engineer, 1960s–80s)
assistant producer and co-producer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
electric guitar and guitar:
Brian May (Queen guitarist) (from 1977-08 until 1977-09)
foot stomps [footstomps] and handclaps:
John Deacon (from 1977-08 until 1977-09), Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
background vocals:
Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
lead vocals:
Freddie Mercury (from 1977-08 until 1977-09)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1977-08 until 1977-09)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 338)
recording of:
We Will Rock You (from 1977-08 until 1977-09)
lyricist and composer:
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. and Sony/ATV
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.82:02
2Gimme All Your Lovin’
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Gimme All Your Lovin’
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three and Songs of Mosaic
ZZ Top4.053:59
3The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:26
4Sweet Child o’ Mine
engineer and producer:
Mike Clink
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
drums (drum set):
Steven Adler
electric bass guitar:
Duff McKagan
electric guitar:
Slash (Guns N’ Roses guitarist) and Izzy Stradlin (US guitarist, singer & songwriter)
background vocals:
Duff McKagan and Izzy Stradlin (US guitarist, singer & songwriter)
lead vocals:
Axl Rose
phonographic copyright (℗) by:
Geffen Records (in 1987) and The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 7), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 88), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 196) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 212)
recording of:
Sweet Child o’ Mine
writer:
Steven Adler, Izzy Stradlin (US guitarist, singer & songwriter), Duff McKagan, Axl Rose and Slash (Guns N’ Roses guitarist)
publisher:
Black Frog Music and Guns N’ Roses Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Guns N’ Roses4.455:54
5Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:08
6Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:28
7Paranoid
engineer:
Tom Allom and Brian Humphries
producer:
Rodger Bain (from 1970-06 until 1970-07)
drums (drum set) and percussion:
Bill Ward (from 1970-06-16 until 1970-06-21)
electric bass guitar:
Geezer Butler (from 1970-06-16 until 1970-06-21)
electric guitar:
Tony Iommi (from 1970-06-16 until 1970-06-21)
lead vocals:
Ozzy Osbourne (in 1970)
phonographic copyright (℗) by:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (UK label, 1976–1983) (in 1976) and Icarus Music (Argentinian metal label and distributor) (in 2006)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Regent Sound Studios in London (Greater London), England, United Kingdom (from 1970-06-16 until 1970-06-21)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
recording of:
Paranoid (from 1970-06-16 until 1970-07-08)
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath4.552:47
8You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:33
9All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:28
10Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:11
11Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:54
12She's Not There
producer:
Tom Coster and Carlos Santana
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), RCA/Jive Label Group (holding company, not a release label) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Carlos Santana34:02
13My Favourite Game
assistant engineer:
Lars Göransson (1970s Swedish folk singer)
engineer and producer:
Tore Johansson
mixer:
Tore Johansson and Staffan Schöler (engineer)
bass guitar:
Magnus Sveningsson
drums (drum set):
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group) (in 1998)
mixed at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden and New York City Center in New York, New York, United States
engineered at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden and Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
produced at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden and Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
part of:
Cachitos Nochevieja 2022 (number: 57)
recording of:
My Favourite Game
lyricist:
Nina Persson
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Cardigans3.753:38
14Song 2
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
acoustic guitar:
Damon Albarn and Graham Coxon
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Graham Coxon and Dave Rowntree
electric guitar, theremin and background vocals:
Graham Coxon
Hammond organ, keyboard, piano and lead vocals:
Damon Albarn
percussion:
Dave Rowntree
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
music videos:
Song 2 (music video) by Blur (UK alternative rock band)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
recording of:
Song 2
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch) and 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:01
15Teenage Kicks
engineer:
Roger Bechirian
producer:
Roger Bechirian and The Undertones (Northern Irish punk rock band)
recorded at:
Wizard Studios in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, United Kingdom
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 59)
recording of:
Teenage Kicks
lyricist and composer:
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.72:26
16Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:55
17Peaches
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
assistant mixer:
Benny King (engineer)
mixer:
Doug Bennett (producer, engineer)
bass guitar:
Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
drums (drum set):
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (from 1976-12-20 until 1977-01-28)
guitar and lead vocals:
Hugh Cornwell (English rock musician) (from 1976-12-20 until 1977-01-28)
keyboard:
Dave Greenfield (from 1976-12-20 until 1977-01-28)
publisher:
EMI April Music Inc.
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1976-12-20 until 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1977-01 until 1977-02)
recording of:
Peaches (from 1976-12-20 until 1977-01-28)
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton GmbH and Universal Music Publishing MGB Ltd.
The Stranglers4.154:05
18Love Is the Drug
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:08
19Road to Nowhere
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guest accordion:
Jimmy MacDonell
guest bongos, guest congas and guest tambourine:
Steve Scales
guest saxophone:
Lenny Pickett (saxophone)
guest washboard:
Andrew Cader
guitar:
David Byrne (Talking Heads) and Jerry Harrison (Talking Heads & producer)
guitar and keyboard and keyboard:
Jerry Harrison (Talking Heads & producer)
background vocals:
Jerry Harrison (Talking Heads & producer) and Tina Weymouth
guest background vocals:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
lead vocals:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) and Talking Heads Tours Inc. (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
music videos:
Road to Nowhere (music video) by Talking Heads
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
Talking Heads4.24:20
20Alright
engineer:
John Cornfield
producer:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
mixer:
John Cornfield and Sam Williams (producer & musician. ex‐member of The Animalhouse)
bass guitar:
Mick Quinn (from 1994-01 until 1994-07)
drums (drum set):
Danny Goffey (from 1994-02 until 1994-08)
guitar:
Mick Quinn (from 1994-02 until 1994-08)
piano and lead vocals:
Gaz Coombes (from 1994-02 until 1994-08)
background vocals:
Danny Goffey (from 1994-02 until 1994-08) and Mick Quinn (from 1994-02 until 1994-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Sawmills Studio in Golant, Cornwall, England, United Kingdom (from 1994-02 until 1994-08)
part of:
TV Cream: Real 100 Best Singles Ever (number: 65)
recording of:
Alright (from 1994-02 until 1994-08)
writer:
Gaz Coombes, Danny Goffey and Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.72:59
21Telegram Sam
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Wizard Artists Ltd. (Marc Bolan's company, for copyrights and publisher use) (in 1972)
recording of:
Telegram Sam
lyricist and composer:
Marc Bolan
publisher:
SPIRIT CATALOGUE HD(T REX) 301 and フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex4.853:43
2▶CD