Ultimate Seventies: 1976

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Rock’n Me
assistierende(r) Techniker(in):
Win Kutz (engineer/producer)
Techniker(in):
Mike Fusaro
leitende(r) Produzent(in):
John Palladino
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Mix:
Jim Gaines
Bass:
Lonnie Turner
Gitarre und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Schlagzeug:
Gary Mallaber
phonographisches Urheberrecht (℗) von:
Sailor Records (Steve Miller label), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1976), Sailor Productions (in 2006) und Haworth Enterprises (in 2016)
aufgenommen bei:
CBS Studios (San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
mixed at:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
recording of:
Rock’n Me
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited und Sailor Music
Steve Miller Band4.73:10
2Takin’ It to the Streets
recording of:
Takin’ It to the Streets
Texter und Komponist(in):
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers4.53:48
3Fooled Around and Fell in Love
Produzent(in):
Elvin Bishop und Bill Szymczyk
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975)
recording of:
Fooled Around and Fell in Love
Texter und Komponist(in):
Elvin Bishop
Elvin Bishop4.52:59
4Sara Smile
Produzent(in):
Chris Bond (producer, active circa 1970s) und Daryl Hall & John Oates
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
Texter:
Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Unichappell Music, Inc.
Daryl Hall and John Oates4.253:12
5Say You Love Me
recording engineer:
Keith Olsen (US producer and engineer)
Techniker(in):
David DeVore
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks und Keith Olsen (US producer and engineer)
Akustikgitarre, Banjo, E-Gitarre, Gitarre und Resonatorgitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02)
Bassgitarre:
John McVie (in 1975-02)
Keyboard [keyboards] und Synthesizer:
Christine McVie (in 1975-02)
Schlagzeug [drums] und Perkussion:
Mick Fleetwood (in 1975-02)
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02), Christine McVie (in 1975-02) und Stevie Nicks (in 1975-02)
phonographisches Urheberrecht (℗) von:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1975) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
Say You Love Me (in 1975-02)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher) und Universal Music Careers
Fleetwood Mac4.24:01
6Play That Funky Music
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Bearbeitung von:
Play That Funky Music von Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:18
7You Should Be Dancing
Koproduzent(in):
Albhy Galuten und Karl Richardson
Produzent(in):
Bee Gees
Bass:
Maurice Gibb (von 1976-01 bis 1976-06)
Blechblasinstrumente [Boneroo Horns]:
Neal Bonsanti (von 1976-01 bis 1976-06), Peter Graves (trombonist) (von 1976-01 bis 1976-06), Ken Faulk (trumpet player) (von 1976-01 bis 1976-06), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (von 1976-01 bis 1976-06) und Whit Sidener (von 1976-01 bis 1976-06)
Gitarre [rhythm guitar] und Sologesang:
Barry Gibb (von 1976-01 bis 1976-06)
Keyboard und Synthesizer:
Blue Weaver (von 1976-01 bis 1976-06)
Perkussion:
Joe Lala (von 1976-01 bis 1976-06)
Schlagzeug:
Dennis Bryon (Welsh drummer, author) (von 1976-01 bis 1976-06)
Solo-E-Gitarre:
Alan Kendall (von 1976-01 bis 1976-06)
zusätzlich Gast-Perkussion:
Stephen Stills (von 1976-01 bis 1976-06)
Hintergrundgesang:
Maurice Gibb (von 1976-01 bis 1976-06) und Robin Gibb (von 1976-01 bis 1976-06)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1976), Maurice Gibb (in 1976) und Robin Gibb (in 1976)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Organisation Ltd. (vom 1976 bis heute, in 1976), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1976), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1976) und RSO Records Inc. (US company that owned the RSO label, not the label itself.) (in 1976)
recording of:
You Should Be Dancing (von 1976-01 bis 1976-06)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music, Casserole Music Corp. (vom 1976 bis heute) und Unichappell Music (vom 1976 bis heute)
The Bee Gees4.454:18
8Show Me the Way
recording of:
Show Me the Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und United Artists Music Co., Inc.
Peter Frampton3.53:37
9Don’t Go Breaking My Heart
recorded in:
Toronto, Ontario, Kanada (in 1976-05)
Produzent(in):
Gus Dudgeon
Bongos, Conga und Tamburin:
Ray Cooper (percussionist) (in 1976-05)
E-Bass:
Kenny Passarelli (Bass, piano) (in 1976-05)
E-Gitarre:
Davey Johnstone (in 1976-05)
Rhodes Piano [Fender Rhodes electric piano]:
James Newton Howard (American score composer) (in 1976-05)
Schlagzeug:
Roger Pope (in 1976-05)
Gast vocals:
Kiki Dee (in 1976-05)
Hintergrundgesang:
Curt Boettcher (in 1976-05), Cidny Bullens (American singer-songwriter) (in 1976-05) und Kiki Dee (in 1976-05)
Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1976-05)
Orchestrator(in):
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
recording of:
Don’t Go Breaking My Heart (in 1976-05)
Texter:
Carte Blanche (aka. Bernie Taupin, Onions)
Komponist(in):
Ann Orson (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Elton John and Kiki Dee3.74:26
10Tonight’s the Night (Gonna Be Alright)
Produzent(in):
Tom Dowd
Tenorsaxophon:
Jerry Jumonville
Sprecher [multilingual vocal appliances]:
B. E.
vocals:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976, in 2009) und Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1993)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 21)
recording of:
Tonight’s the Night (Gonna Be Alright)
Texter und Komponist(in):
Rod Stewart
publisher:
Intersong USA, Inc. (publisher)
Rod Stewart43:55
11Love to Love You Baby
recording of:
Love to Love You Baby (in 1975)
Verfasser(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sweet Summer Night Music, Warner Chappell und WB Music Corp. (1929–2019)
Donna Summer54:57
12Still the One
Sologesang:
Larry Hoppen
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 18)
recording of:
Still the One
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:57
13Hello Old Friend
recording of:
Hello Old Friend
Texter und Komponist(in):
Eric Clapton
Eric Clapton53:05
14Get Closer
Techniker(in):
Joe Bogan (Recording- and mixing engineer)
Produzent(in):
Louie Shelton
Hintergrundgesang:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews und Carolyn Willis
Solo Soprangesang:
Carolyn Willis
Interpret(in):
Seals & Crofts
Saiteninstrumente arranger:
David Paich
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Get Closer (in 1976)
Verfasser(in):
Dash Crofts und Jim Seals
publisher:
Dawnbreaker Music Co.
Seals and Crofts53:59
1550 Ways to Leave Your Lover
recording engineer:
Glenn Berger und Burt Szerlip
Techniker(in):
Phil Ramone
Produzent(in):
Phil Ramone und Paul Simon (of Simon & Garfunkel)
Akustikgitarre:
Paul Simon (of Simon & Garfunkel)
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman stick player)
E-Gitarre:
Hugh McCracken und John Tropea
Orgel:
Kenny Ascher
Perkussion:
Ralph MacDonald
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Patti Austin, Valerie Simpson und Phoebe Snow
vocals:
Paul Simon (of Simon & Garfunkel)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975) und Warner Music H.K. Ltd. (in 1997)
recording of:
50 Ways to Leave Your Lover
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), DeShufflin Limited (in 1975) und Paul Simon Music (in 1975)
Paul Simon3.853:40
16That’ll Be the Day
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
E-Gitarre:
Andrew Gold und Waddy Wachtel
Händeklatschen:
Linda Ronstadt
Holzblock:
Peter Asher
Schlagzeug:
Michael Botts
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) und Andrew Gold
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1976)
cover recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Linda Ronstadt52:34
17Welcome Back
recording of:
Welcome Back (70’s Song by John Sebastian)
Texter und Komponist(in):
John Sebastian
John Sebastian52:54
18Dream Weaver
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recording of:
Dream Weaver (Gary Wright)
Texter und Komponist(in):
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und WB Music Corp.
Gary Wright53:44
19All by Myself
assistierende(r) Techniker(in):
Joey Barbaria
Techniker(in):
Jack Sherdel
Produzent(in):
Jimmy Ienner (producer)
Sologesang:
Eric Carmen (von 1975-08 bis 1975-09)
arranger:
Eric Carmen
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
aufgenommen bei:
O.D.O. Sound Studios in New York, New York, Vereinigte Staaten (von 1975-08 bis 1975-09)
recording of:
All by Myself (von 1975-08 bis 1975-09)
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:55
20The Rubberband Man
The Spinners4.653:33

Nennungen

Veröffentlichungsgruppe

Teil von:Ultimate Seventies (A Compilation of the Seventies) (Nummer: 1976) (Reihenfolge: 7)