The Best Sixties Album in the World …Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Do You Know the Way to San Jose
recording of:
Do You Know the Way to San Jose
Texter:
Hal David (in 1968)
Komponist(in):
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. und JAC Music Co., Inc.
Dionne Warwick2:57
2California Dreamin’
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:38
3The Sun Ain’t Gonna Shine Anymore
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1966) und PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Walker Brothers3.53:01
4Pretty Flamingo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
Pretty Flamingo
Texter und Komponist(in):
Mark Barkan
publisher:
Campbell Connelly (Australia) P/L und Campbell Connelly & Co. Ltd.
Manfred Mann52:32
5I’m Into Something Good
Techniker(in):
Val Valentin
Produzent(in):
Mickie Most (English record producer)
E-Bass:
Karl Green
Gitarre:
Keith Hopwood und Derek Leckenby
Schlagzeug:
Barry Whitwam
Sologesang:
Peter Noone (UK singer/songwriter member of Herman's Hermits)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
cover recording of:
I’m Into Something Good
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Herman’s Hermits4.352:31
6I’m a Believer
recorded in:
New York, New York, Vereinigte Staaten (von 1966-10-15 bis 1966-10-23)
Produzent(in):
Jeff Barry
Akustikgitarre:
Neil Diamond (von 1966-10-15 bis 1966-10-23)
Bass:
Dick Romoff (von 1966-10-15 bis 1966-10-23)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (von 1966-10-15 bis 1966-10-23) und Sal Ditroia (von 1966-10-15 bis 1966-10-23)
Klavier und Tamburin:
Jeff Barry (von 1966-10-15 bis 1966-10-23)
Orgel:
Artie Butler (von 1966-10-15 bis 1966-10-23)
Schlagzeug:
Buddy Salzman (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang:
Davy Jones (The Monkees member) (von 1966-10-15 bis 1966-10-23) und Peter Tork (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang und Sologesang:
Micky Dolenz (von 1966-10-15 bis 1966-10-23)
arranger:
Jeff Barry
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1966) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 341)
cover recording of:
I’m a Believer (von 1966-10-15 bis 1966-10-23)
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
The Monkees4.652:43
7Baby Come Back
recording of:
Baby, Come Back
Texter und Komponist(in):
Eddy Grant
publisher:
Kassner Music Ltd.
The Equals2:40
8You Really Got Me
Produzent(in):
Shel Talmy (in 1964-07)
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
Gitarre:
Harry Fryer (in 1964-07)
Gitarre [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
Gitarre [rhythm guitar], Keyboard, Mundharmonika und Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
zusätzlich Klavier:
Perry Ford (English pop singer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
sonstige Unterstützung:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (Aufgabe: Courtesy of / c/o Celebrity Licensing, Inc.)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1964-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 162) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 176)
recording of:
You Really Got Me (in 1964-07)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks4.252:12
9Oh, Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:58
10Build Me Up Buttercup
recording of:
Build Me Up Buttercup
Verfasser(in):
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) und Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. und Welbeck Music (publisher)
The Foundations2:52
11My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:45
12You Can’t Hurry Love
recording engineer:
Russ Terrana
Techniker(in):
Lamont Dozier
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1966-06-11)
Blechblasinstrumente [horns]:
Detroit Symphony Orchestra (am 1966-06-11)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (am 1966-06-11)
Instrumente:
The Funk Brothers (am 1966-06-11)
Klavier:
Earl Van Dyke (am 1966-06-11)
Schlagzeug:
Benny Benjamin (US drummer) (am 1966-06-11)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1966-06-11)
Hintergrundgesang:
Florence Ballard (am 1966-07-05) und Mary Wilson (am 1966-07-05)
Sologesang:
Diana Ross (am 1966-07-05)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) und Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-06-11 bis 1966-07-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 280)
recording of:
You Can’t Hurry Love (von 1966-06-11 bis 1966-07-05)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.752:44
13Everlasting Love
cover recording of:
Everlasting Love
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. und Rising Sons Music Inc. (in 1967)
Love Affair42:59
14The Legend of Xanadu
Produzent(in):
Steve Rowland (singer, producer, member of Family Dogg)
conductor:
John Gregory (soundtrack music arranger/conductor/composer)
recording of:
The Legend of Xanadu
Verfasser(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich3:33
15River Deep Mountain High
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector und Ike Turner
Sologesang:
Tina Turner
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1966-03)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 221)
recording of:
River Deep – Mountain High (in 1966-03)
Verfasser(in):
Jeff Barry (in 1966), Ellie Greenwich (in 1966) und Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3.53:38
16Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha & the Vandellas3.552:38
17It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Peter Sullivan (UK producer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 393)
recording of:
It’s Not Unusual
Verfasser(in):
Gordon Mills (60s/70s UK producer and songwriter) und Les Reed
publisher:
Leeds Music (beendet), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) und Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:01
18Rescue Me
Produzent(in):
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
Sologesang:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 31)
recording of:
Rescue Me
Verfasser(in):
Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (beendet), Chevis Music Publ. Corp. und Reservoir 416
Fontella Bass4.352:51
19I Got You (I Feel Good)
recorded in:
Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Produzent(in):
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06) und Maceo Parker (US funk/jazz saxophonist) (am 1965-05-06)
Bass:
Bernard Odum (am 1965-05-06)
Gitarre:
Alphonso "Country" Kellum (am 1965-05-06) und Jimmy Nolen (am 1965-05-06)
Orgel:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06)
Posaune:
Levi Rasbury (am 1965-05-06)
Schlagzeug:
Melvin Parker (am 1965-05-06)
Tenorsaxophon:
Al "Brisco" Clark (am 1965-05-06), St. Clair Pinckney (am 1965-05-06) und Eldee Williams (am 1965-05-06)
Trompete:
Joe Dupars (am 1965-05-06), Mike Ridley (am 1965-05-06) und Ron Tooley (American trumpeter) (am 1965-05-06)
Sologesang:
James Brown (The Godfather of Soul) (am 1965-05-06)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) und PolyGram Inc. (1978–1990) (in 1988)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (am 1965-05-06)
Texter und Komponist(in):
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. und Try Me Inc.
James Brown4.552:47
20Yeh Yeh
Georgie Fame & the Blue Flames2:45
21Never Can Tell
Produzent(in):
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess und Willie Dixon
E-Bass:
Louis Satterfield (von 1964-01-07 bis 1964-01-09)
Gitarre:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1964-01-07 bis 1964-01-09)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (von 1964-01-07 bis 1964-01-09)
Tenorsaxophon:
Rubin Cooper (von 1964-01-07 bis 1964-01-09) und George Patterson (von 1964-01-07 bis 1964-01-09)
vocals:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (von 1964-01-07 bis 1964-01-09)
recording of:
You Never Can Tell (von 1964-01-07 bis 1964-01-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. und Isalee Music (in 1994)
Chuck Berry4.252:42
22Uptight (Everything’s Alright)
Produzent(in):
Henry Cosby und William Stevenson (Motown songwriter)
Sologesang:
Stevie Wonder (in 1965)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
Texter und Komponist(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music und Stone Agate Music
Stevie Wonder4.72:52
23Gimme Some Lovin’
Produzent(in):
Chris Blackwell (Island Records) und Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 244)
recording of:
Gimme Some Lovin’
Verfasser(in):
Spencer Davis, Muff Winwood (bass player, songwriter, producer) und Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) und Island Music Ltd. (vom 1966 bis ????)
The Spencer Davis Group4.152:56
24Mony Mony
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Mony Mony
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Tommy James & the Shondells2:50
25Hi Ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:52
26Fire Brigade
The Move2:22
27Friday on My Mind
Produzent(in):
Shel Talmy
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1966, in 1967) und United Artists (in 1966)
produced for:
Albert Productions
recording of:
Friday on My Mind
Verfasser(in):
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. und Unart Music Corporation (in 1973)
The Easybeats3.52:50
28Pinball Wizard
recording of:
Pinball Wizard
Texter:
Pete Townshend (of The Who)
Komponist(in):
Pete Townshend (of The Who) (in 1969)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Towser Tunes, Inc.
The Who3:03
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ASIN:UK: B002TIWQLM [Info]