Superhits of the 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Words
Produzent(in):
Jean-Michel Gallois-Montbrun (Rolando Tambin) und Frédéric Leibovitz
arranger:
Daniel Darras, F.R. David und Frédéric Leibovitz
phonographisches Urheberrecht (℗) von:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1982)
recording of:
Words
Texter:
Martin Kupersmith und Louis Sandy Yagura
Verfasser(in):
Martin Kupersmith, Louis Sandy Yagura und Robert Fitoussi (French artist)
Komponist(in):
Robert Fitoussi (French artist)
publisher:
Fable Music und Warner Chappell
übersetzte Version von:
Sen můj a Lízin
F.R. David4.43:24
2Body Talk
leitende(r) Produzent(in):
Eliot M. Cohen
phonographisches Urheberrecht (℗) von:
R&B Division Ltd (in 1981)
recording of:
Body Talk
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination43:36
3Move Closer
Produzent(in):
Yves Dessca und Pascal Rivaton
phonographisches Urheberrecht (℗) von:
OVC Ltd., Dessca Entertainment Company (in 1984) und Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:11
4Everybody’s Got to Learn Sometime
phonographisches Urheberrecht (℗) von:
Action Replay Records (in 1990)
recording of:
Everybody’s Got to Learn Sometime
Texter und Komponist(in):
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) und Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:11
5What’s Another Year
vocals:
Johnny Logan (in 1987)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
What's Another Year (in 1987)
Texter und Komponist(in):
Shay Healy (Irish songwriter)
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing Germany GmbH (1967–2001) und Melodie der Welt J. Michel KG (German publisher; read annotation)
Johnny Logan3:10
6The Promise You Made
Produzent(in) und Mix:
Steve Hillage
Schlagzeug und Perkussion:
Louis Molino
Sologesang:
Peter Kingsbery und Anna LaCazio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
mixed at:
Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
The Promise You Made
Texter und Komponist(in):
Peter Kingsbery
publisher:
31, Edwin Ellis Music (publisher), EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Intersong (publisher), Nurk Twins Music (publisher), Strictly Confidential France, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
Nichion Synch Division (NICHION, INC. Synch Division) und Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin4.53:55
7Through the Barricades
recording of:
Through the Barricades
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:43
8It’s My Party
Techniker(in):
Nick Bradford
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
elektronische Instrumente [claptrap], elektronisches Schlagzeug / E-Drums [SDS V], Keyboard [keyboards] und Vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Amanda Parsons
Sologesang:
Barbara Gaskin
aufgenommen bei und mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06 bis 1981-07)
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:46
9Only Crying
recording of:
Only Crying
Texter und Komponist(in):
Keith Marshall (British singer and guitarist)
Keith Marshall4:14
10(Feels Like) Heaven
Produzent(in):
Peter Wilson (UK Producer)
arranger:
Chic Medley und Kevin Patterson (songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
Texter und Komponist(in):
Eddie Jordan (songwriter) und Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:32
11Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:32
12I Want to Wake Up With You
recording of:
I Want to Wake Up With You
Texter und Komponist(in):
Ben Peters (country music songwriter)
publisher:
Ben Peters Music (BMI) und IQ Music
Boris Gardiner4:01
13Caravan of Love
recording of:
Caravan of Love
Verfasser(in):
Ernie Isley, Marvin Isley und Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Isley Jasper Isley4:22
14Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.654:07
15Licence to Kill
Partner-Produzent(in):
Walter "Babylove" Afanasieff*
Produzent(in):
Narada Michael Walden
Interpret(in):
Gladys Knight (soul and r&b music singer-songwriter)
arranger:
Narada Michael Walden
co-arranger:
Walter "Babylove" Afanasieff*
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
Bearbeitung von:
Licence to Kill (extended version) von Gladys Knight (soul and r&b music singer-songwriter)
recording of:
Licence to Kill
Verfasser(in):
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und SBK Songs Ltd. (in 1989)
Teil von:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight44:13
16Come Back and Stay
Produzent(in):
Laurie Latham
Bassgitarre:
Pino Palladino
Gitarre:
Paul Young (English pop singer and musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Come Back and Stay
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Chrysalis Songs
Paul Young4.654:21
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Veröffentlichung

Discogs:https://www.discogs.com/release/870498 [Info]