Nina Revisited… A Tribute to Nina Simone

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1My Mama Could Sing (intro)
additional recording engineer:
Andy Taub (recording engineer, owner of Brooklyn Recording)
recording engineer:
Joe Hendler
producer:
Robert Glasper (piano)
assistant mixer:
Caleb Laven (audio engineer)
mixer:
Chris Tabron (American producer & engineer)
bass:
Burniss Earl Travis (American bassist)
guitar:
Chris Sholar (American guitarist)
keyboard [keyboards]:
James Francies (US jazz pianist/keyboardist)
membranophone:
Justin Tyson
Lisa Simone1:15
2Feeling Good
recording engineer:
Tony Black (producer, engineer), Dan Stringer, James "Biscuit" Rousel, Phil Nicolo, Omari "King Salim" Stines and Dan Tatarowicz
membranophone [drum] programming:
DiViNCi (US hip-hop producer/engineer Glen Valencia, Jr.)
engineer:
Michel Ferre
producer:
Ms. Lauryn Hill
assistant mixer and additional editor:
Dave Rowland (engineer) and Jason Staniulis
mixer:
Dan Stringer, Graham Marsh (engineer, producer) and Phil Nicolo
acoustic bass guitar [acoustic bass]:
Leo Brooks
additional keyboard [keyboards]:
Max Drummey
guitar:
Eric Gales and Jordan Peters
membranophone [live drums]:
George “Spanky” McCurdy
organ, synthesizer [synth] and Wurlitzer electric piano [Wurlitzer]:
Jon Batiste and Michel Ferre
piano:
Michel Ferre
vocals:
Ms. Lauryn Hill
cover recording of:
Feeling Good
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Ms. Lauryn Hill4:03
3I’ve Got Life (version)
recording engineer:
Dan Stringer, Phil Nicolo, Omari "King Salim" Stines and Dan Tatarowicz
membranophone [drum] programming:
beef wellington, DiViNCi (US hip-hop producer/engineer Glen Valencia, Jr.), Don Newkirk and James "Biscuit" Rousel
engineer:
Don Newkirk
producer:
Ms. Lauryn Hill
assistant mixer and additional editor:
Dave Rowland (engineer) and Jason Staniulis
mixer:
Dan Stringer, Graham Marsh (engineer, producer) and Phil Nicolo
editor:
beef wellington
bass:
Darryl Jenifer
guitar:
Eric Gales, Darryl Jenifer and Sylvain Luc (French jazz guitarist)
membranophone [live drums]:
James "Biscuit" Rousel
piano:
Joe Harley and Michel Ferre
synthesizer [synth]:
Max Drummey and Michel Ferre
vocals:
Ms. Lauryn Hill
Ms. Lauryn Hill7:28
4Ne me quitte pas
recording engineer:
Justin Anstotz, Tony Black (producer, engineer), Dan Stringer, Phil Nicolo, Omari "King Salim" Stines and Dan Tatarowicz
membranophone [drum] programming:
DiViNCi (US hip-hop producer/engineer Glen Valencia, Jr.) and Ms. Lauryn Hill
engineer:
Clark Germain, James "Biscuit" Rousel and Michel Ferre
producer:
Ms. Lauryn Hill
additional mixer:
Max Drummey
assistant mixer and additional editor:
Dave Rowland (engineer) and Jason Staniulis
mixer:
Dan Stringer and Phil Nicolo
acoustic bass guitar [acoustic bass]:
Al Carty and Leo Brooks
additional keyboard [keyboards] and organ:
Jon Batiste
additional synthesizer [synth] and effects [EFX]:
DiViNCi (US hip-hop producer/engineer Glen Valencia, Jr.)
cello:
Jacob Braun (American cellist) and Maria Jeffers
cello [prinicpal]:
Rudolph Stein
double bass [acoustic bass]:
Michael Valerio (double bassist)
flute:
David Watson (multi-instrumentalist) and Stephen Kujala
guitar:
Eric Gales and Jordan Peters
harp:
Stephanie Bennett (Harpist) and Riza Printup
membranophone [live drums]:
George “Spanky” McCurdy
piano:
Michel Ferre
synthesizer [synth]:
Max Drummey and Michel Ferre
viola:
Charisa Dowe Rouse and Matt Funes
viola [prinicipal]:
Luke Maurer
violin:
Charisa Dowe Rouse, Natalie Leggett, Sara Parkins (US violinist), Songa Lee and Sarah Thornblade
vocals:
Ms. Lauryn Hill
conductor:
Max Drummey
concertmaster:
Sara Parkins (US violinist)
cover recording of:
Ne me quitte pas (original French version)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
Ms. Lauryn Hill3:45
5Baltimore
additional recording engineer:
Andy Taub (recording engineer, owner of Brooklyn Recording)
assistant recording engineer and assistant mixer:
Caleb Laven (audio engineer)
recording engineer:
Aaron Nevezie and Chris Tabron (American producer & engineer)
producer:
Robert Glasper (piano)
mixer:
Chris Tabron (American producer & engineer)
bass guitar:
Al Caty
horn:
John Ellis (tenor saxophone player), Keyon Harrold and Corey King (trombone)
keyboard [keyboards]:
James Francies (US jazz pianist/keyboardist)
membranophone:
Marshall York (drummer)
viola:
Margaux Whitney
violin:
Jasmin Charles
cover recording of:
Baltimore
lyricist, writer and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Hightree Music (in 1977)
Jazmine Sullivan15:03
6Love Me or Leave Me
additional recording engineer:
Andy Taub (recording engineer, owner of Brooklyn Recording)
recording engineer:
Joe Hendler
engineer:
Joel Peters (mixing, mastering, engineer)
producer:
Robert Glasper (piano) and PRGRSHN (British producer)
assistant mixer:
Caleb Laven (audio engineer)
mixer:
Chris Tabron (American producer & engineer)
bass:
Burniss Earl Travis (American bassist)
flute:
Elena Pinderhughes
guitar:
Chris Sholar (American guitarist)
keyboard [keyboards]:
James Francies (US jazz pianist/keyboardist)
membranophone:
Justin Tyson
background vocals:
GRACE (Grace Sewell, Australian singer and songwriter, formerly Grace) and Ras Cassa Alexander (British producer)
lead vocals:
GRACE (Grace Sewell, Australian singer and songwriter, formerly Grace)
arranger:
Robert Glasper (piano)
vocals arranger:
PRGRSHN (British producer)
cover recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Grace4:31
7My Baby Just Cares for Me
recording engineer:
Zack Dawson (engineer), Ryan Evans (recording/mixing engineer Ryan "Myagi" Evans) and Mark “Exit” Goodchild
producer:
SALAAMREMI.COM
assistant mixer:
Caleb Laven (audio engineer)
mixer:
Chris Tabron (American producer & engineer)
guitar:
Vincent Henry
keyboard [keyboards]:
James Poyser (soul, r&b, hip-hop producer and songwriter) and Salaam Remi
membranophone:
Salaam Remi
vocals:
Usher (American R&B singer‐songwriter)
arranger:
SALAAMREMI.COM
cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Usher3:59
8Don’t Let Me Be Misunderstood
additional recording engineer:
Andy Taub (recording engineer, owner of Brooklyn Recording)
recording engineer:
Tony Black (producer, engineer), Joe Hendler, Aaron Nevezie and Chris Tabron (American producer & engineer)
producer:
Robert Glasper (piano)
assistant mixer:
Caleb Laven (audio engineer)
mixer:
Chris Tabron (American producer & engineer)
bass:
Vicente Archer
guitar:
Chris Sholar (American guitarist)
horn:
John Ellis (tenor saxophone player), Keyon Harrold and Corey King (trombone)
keyboard [keyboards]:
Robert Glasper (piano)
membranophone:
Justin Tyson
arranger:
Robert Glasper (piano)
cover recording of:
Don’t Let Me Be Misunderstood
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
Mary J. Blige4:17
9Sinnerman
additional recording engineer:
Andy Taub (recording engineer, owner of Brooklyn Recording)
recording engineer:
Joe Hendler, Aaron Nevezie and Chris Tabron (American producer & engineer)
producer:
Robert Glasper (piano)
assistant mixer:
Caleb Laven (audio engineer)
mixer:
Chris Tabron (American producer & engineer)
bass:
Burniss Earl Travis (American bassist)
guitar:
Chris Sholar (American guitarist)
horn:
John Ellis (tenor saxophone player), Keyon Harrold and Corey King (trombone)
keyboard [keyboards]:
James Francies (US jazz pianist/keyboardist)
membranophone:
Justin Tyson
arranger:
Corey King (trombone)
recording of:
Sinnerman
lyricist and composer:
[traditional] (special purpose artist)
is based on:
Oh Sinner Man (Bob Gibson's version)
Gregory Porter6:03
10We Are Young Gifted & Black
additional recording engineer:
Andy Taub (recording engineer, owner of Brooklyn Recording)
recording engineer:
Kory Aaron, Joe Hendler, Chris Tabron (American producer & engineer) and Sam Thomas (producer / engineer)
producer:
Robert Glasper (piano)
assistant mixer:
Caleb Laven (audio engineer)
mixer:
Chris Tabron (American producer & engineer)
bass:
Burniss Earl Travis (American bassist)
guitar:
Chris Sholar (American guitarist)
keyboard [keyboards]:
Robert Glasper (piano)
membranophone:
Justin Tyson
additional background vocals:
Mamuna
cover recording of:
To Be Young, Gifted and Black
lyricist:
Weldon Irvine
composer:
Nina Simone
Common & Lalah Hathaway3:24
11I Put a Spell on You
additional recording engineer:
Andy Taub (recording engineer, owner of Brooklyn Recording)
recording engineer:
Joe Hendler
producer:
Robert Glasper (piano)
assistant mixer:
Caleb Laven (audio engineer)
mixer:
Chris Tabron (American producer & engineer)
guitar:
Chris Sholar (American guitarist)
keyboard [keyboards]:
Robert Glasper (piano)
membranophone:
Justin Tyson
arranger:
Robert Glasper (piano) and Chris Sholar (American guitarist)
cover recording of:
I Put a Spell on You
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Alice Smith6:40
12I Want a Little Sugar in My Bowl
additional recording engineer:
Andy Taub (recording engineer, owner of Brooklyn Recording)
recording engineer:
Joe Hendler
producer:
Robert Glasper (piano)
assistant mixer:
Caleb Laven (audio engineer)
mixer:
Chris Tabron (American producer & engineer)
bass:
Burniss Earl Travis (American bassist)
guitar:
Chris Sholar (American guitarist)
keyboard [keyboards]:
James Francies (US jazz pianist/keyboardist)
membranophone:
Justin Tyson
arranger:
James Francies (US jazz pianist/keyboardist)
cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Lisa Simone2:56
13Black Is the Color of My True Love’s Hair
recording engineer:
Justin Anstotz, Tony Black (producer, engineer), Dan Stringer, Steve McKie, Phil Nicolo, Omari "King Salim" Stines and Dan Tatarowicz
membranophone [drum] programming:
DiViNCi (US hip-hop producer/engineer Glen Valencia, Jr.), George “Spanky” McCurdy and Ms. Lauryn Hill
engineer:
DiViNCi (US hip-hop producer/engineer Glen Valencia, Jr.) and Michel Ferre
producer:
Ms. Lauryn Hill
additional mixer:
Dan Stringer and Max Drummey
assistant mixer and additional editor:
Dave Rowland (engineer) and Jason Staniulis
mixer:
DiViNCi (US hip-hop producer/engineer Glen Valencia, Jr.), Michel Ferre and Phil Nicolo
acoustic bass guitar [acoustic bass]:
Leo Brooks
additional keyboard [keyboards]:
Jon Batiste
additional synthesizer [synth] and effects:
DiViNCi (US hip-hop producer/engineer Glen Valencia, Jr.)
guitar:
Eric Gales and Jordan Peters
keyboard bass [key bass] and synthesizer [synth]:
Ray Angry
membranophone [live drums]:
George “Spanky” McCurdy
organ:
Ray Angry, Jon Batiste and Michel Ferre
piano and synthesizer [synths]:
Michel Ferre
background vocals:
Ms. Lauryn Hill
vocals:
Ms. Lauryn Hill
recording of:
Black Is the Colour (of My True Love’s Hair)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3103)
Ms. Lauryn Hill7:15
14Wild Is the Wind
recording engineer:
Justin Anstotz, Dan Stringer, Phil Nicolo, Omari "King Salim" Stines and Dan Tatarowicz
engineer:
Michel Ferre
producer:
Ms. Lauryn Hill
additional mixer:
Max Drummey and Phil Nicolo
assistant mixer and additional editor:
Dave Rowland (engineer) and Jason Staniulis
mixer:
Dan Stringer
acoustic bass guitar [acoustic bass]:
Leo Brooks
piano:
Michel Ferre
vocals:
Ms. Lauryn Hill
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
Ms. Lauryn Hill6:45
15African Mailman (instrumental)
recording engineer:
Phil Nicolo, Omari "King Salim" Stines and Dan Tatarowicz
membranophone [drum] programming:
DiViNCi (US hip-hop producer/engineer Glen Valencia, Jr.)
programming and engineer:
Michel Ferre
producer:
Ms. Lauryn Hill
additional mixer:
Dan Stringer, Max Drummey and Phil Nicolo
assistant mixer:
Dave Rowland (engineer) and Jason Staniulis
mixer:
Graham Marsh (engineer, producer) and Michel Ferre
acoustic bass guitar [acoustic bass]:
Leo Brooks
guitar:
Eric Gales and Jordan Peters
membranophone [live drums]:
George “Spanky” McCurdy
organ, piano and synthesizer [synth]:
Michel Ferre
cover recording of:
African Mailman
composer:
Nina Simone
publisher:
Sam Fox Publishing Co. Ltd.
Ms. Lauryn Hill5:14
16I Wish I Knew How It Would Feel to Be Free
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
mixer:
Mark Hartry
vocals:
Nina Simone
conductor:
Sammy Lowe (trumpeter, arranger and conductor)
arranger:
Sammy Lowe (trumpeter, arranger and conductor)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-06-15)
part of:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free (on 1967-06-15)
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Nina Simone43:09