Top 40 Hitdossier 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Sexual Healing
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
Marvin Gaye
guitar:
Gordon Banks
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
background vocals:
Gordon Banks, Harvey Fuqua and Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals, background vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.653:58
2Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:21
3My Favourite Waste of Time
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
music videos:
My Favourite Waste of Time by Owen Paul
cover recording of:
My Favourite Waste of Time
lyricist and composer:
Marshall Crenshaw
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) and Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
recording of:
My Favourite Waste of Time
lyricist and composer:
Marshall Crenshaw
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) and Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Owen Paul3.353:26
4Automatic
edit of:
Automatic by Pointer Sisters
recording of:
Automatic
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:02
5You’re a Friend of Mine
producer and instruments technician:
Narada Michael Walden
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 100)
recording of:
You’re a Friend of Mine
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
arranger:
Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Clarence Clemons and Jackson Browne4:19
6Let’s GrooveEarth, Wind & Fire54:06
7Don’t Answer Me
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar:
Ian Bairnson and David Paton (of Pilot)
bass guitar:
David Paton (of Pilot)
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
guitar:
Ian Bairnson
keyboard and background vocals:
Chris Rainbow and Eric Woolfson
saxophone:
Mel Collins
synthesizer [Fairlight]:
Alan Parsons (of The Alan Parsons Project)
lead vocals:
Eric Woolfson
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
recording of:
Don’t Answer Me
writer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Careers Music, Inc. and Woolfsongs Ltd.
The Alan Parsons Project3.84:11
8ReleasePatti LaBelle3:58
9Play It Cool
recording of:
Play It Cool
writer:
Richard Palmer‐James (guitarist and lyricist), Aron Strobel and Stefan Zauner (pop vocalist and keyboardist)
publisher:
Mambo Musikverlag
Freiheit3:37
10Stand & Deliver
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar:
Adam Ant (English new wave singer and actor) and Gary Tibbs
drums (drum set):
Merrick (ex Adam & The Ants) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
harmonica and lead vocals:
Adam Ant (English new wave singer and actor)
music videos:
Stand and Deliver by Adam and the Ants (English new wave band)
part of:
TV Cream: Real 100 Best Singles Ever (number: 10)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants53:33
11Say I’m Your Number One
recording of:
Say I’m Your Number One
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music
Princess33:39
12Alice, I Want You Just for Me
recording of:
Alice, I Want You Just for Me
writer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam) and Howie Tee
Full Force3:46
13What’s a Matter Baby
Ellen Foley3:35
14Bamboléo
recording engineer:
Daniel Michel (recording engineer)
producer:
Claude Martinez
mixer:
Claude Wagner (engineer)
bass guitar [guitare basse]:
Gerard Prevost
drums (drum set) [batterie]:
Claude Salmieri (French drummer)
guitar [guitares accompagnement]:
Andre Reyes, Maurice "Diego" Baliardo, Tonino Baliardo, Jahloul "Chico" Bouchikhi, Jacques "Max" Baliardo, Nicolas Reyes and Paul "Pablo" Reyes
handclaps [claps]:
Jahloul "Chico" Bouchikhi and Maurice"Diego" Baliardo
percussion [percussions]:
Marc Chantereau
solo guitar [guitare solo]:
Tonino Baliardo
synthesizer [synthetiseurs]:
Gerard Prevost and Dominique Perrier
background vocals [chorus]:
André Reyes and Nicolas Reyes
lead vocals [chant]:
Nicolas Reyes
arranger:
Dominique Perrier
phonographic copyright (℗) by:
PEM (French label run by Claude Martinez.) (in 1987)
recorded at:
Studio Pathe Marconi EMI Boulogne
music videos:
Bamboleo by Gipsy Kings
recording of:
Bamboleo
lyricist:
Jahloul "Chico" Bouchikhi, Simón Díaz (Venezuelan music legend) and Nicolas Reyes
composer:
Tonino Baliardo, Jahloul "Chico" Bouchikhi and Simón Díaz (Venezuelan music legend)
publisher:
Editions P.E.M, Sony Music Publishing (worldwide except Japan, ended 1995) and Vanessa (Sometimes noted as Vanessa Productions)
version of:
Caballo viejo
Gipsy Kings4.53:24
15All the Love in the World
engineer:
Karl Richardson
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
bass guitar:
George “Chocolate” Perry (bassist aka "Chocolate")
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Tim Renwick
background vocals:
Barry Gibb
lead vocals:
Dionne Warwick
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
produced for:
Karlbhy Productions
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
All the Love in the World
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd., Crompton Songs, Gibb Brothers Music (, in 1982), Unichappell Music, Inc. and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick3:27
16Suzanne
recording of:
Suzanne (original Dutch version)
writer:
Bogman and F. Lancee (Dutch singer & songwriter)
V.O.F. de Kunst4:46
17Little Jackie Wants to Be a Star
recording of:
Little Jackie Wants to Be a Star
writer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
Lisa Lisa & Cult Jam4:13
18Give It Up
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and Harrick Music, Inc. (BMI)
KC & the Sunshine Band4.254:10
19Islands in the Stream
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
vocals:
Dolly Parton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Rogers & Dolly Parton44:10
20Lovely Day (Sunshine mix)
producer:
Clarence McDonald
remixer:
Ben Liebrand
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
remix of:
Lovely Day by Bill Withers
recording of:
Lovely Day
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers3.54:06