| # | Title | Artist | Rating | Length |
|---|
| 1 | Another One Bites the Dust- engineer:
- Mack
- co-producer:
- Mack
- producer:
- Mack , Brian May , Queen and Roger Taylor
- bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
- John Deacon (from 1980-02 until 1980-05)
- drums (drum set) and electronic instruments [electronic percussion]:
- Roger Taylor (from 1980-02 until 1980-05)
- electric guitar:
- John Deacon (from 1980-02 until 1980-05) and Brian May (from 1980-02 until 1980-05)
- background vocals and lead vocals:
- Freddie Mercury (from 1980-02 until 1980-05)
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (in 1980, in 2014), Queen Productions Ltd. (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
- recorded at:
- Musicland Studios in München , Bayern , Germany (from 1979-06 until 1980-05)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 48)
- recording of:
- Another One Bites the Dust (from 1980-02 until 1980-05)
- lyricist and composer:
- John Deacon
- publisher:
- EMI Music Ltd., EMI Music Publishing Ltd. , Queen Music Ltd. (, in 1980), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 4.15 | 3:35 |
| 2 | Should I Stay or Should I Go | The Clash | 4.4 | 3:09 |
| 3 | Mr. Brightside | The Killers | 4.15 | 3:43 |
| 4 | How to Save a Life (single mix) | The Fray | | 4:00 |
| 5 | America- additional engineer:
- Chris Thomas
- engineer:
- Sam Miller
- producer:
- Razorlight
- mixer:
- Jeremy Wheatley
- 12 string guitar, mellotron, organ and Rhodes piano:
- Björn Ågren
- bass and piano:
- Carl Dalemo
- drums (drum set) and background vocals:
- Andy Burrows
- guitar:
- Björn Ågren , Johnny Borrell and Carl Dalemo
- vocals:
- Johnny Borrell
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 2006)
- mixed at:
- Matrix Studios in Soho, Westminster, London , England, United Kingdom
- additionally engineered at:
- British Grove Studios in Chiswick, Hounslow, London , England, United Kingdom
- engineered at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom
- recording of:
- America
- writer:
- Johnny Borrell and Andy Burrows
- publisher:
- Sony/ATV Music Publishing (UK) Ltd.
| Razorlight | 3.25 | 4:11 |
| 6 | Breakfast at Tiffany’s | Deep Blue Something | 3.7 | 4:18 |
| 7 | More Than a Feeling- producer:
- John Boylan and Tom Scholz
- acoustic guitar, bass and electric guitar:
- Tom Scholz (from 1975-10 until 1976-04)
- drums (drum set):
- Sib Hashian (from 1975-10 until 1976-04)
- vocals:
- Brad Delp (from 1975-10 until 1976-04)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment Inc. (in 1976) and Sony Music Entertainment (UK) Ltd. (in 2002)
- recording of:
- More Than a Feeling (from 1975-10 until 1976-04)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , WB Music Corp. and Pure Songs (in 1976)
| Boston | 4.8 | 3:28 |
| 8 | (Don’t Fear) The Reaper (single version)- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976, in 1978)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
- recording of:
- (Don’t Fear) The Reaper
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 4.4 | 3:50 |
| 9 | Run to You- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain (from 1984-03-27 until 1984-09-21)
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1984-09-21)
- drums (drum set) [drums]:
- Mickey (from 1984-03-27 until 1984-09-21)
- electric bass guitar [bass]:
- Dave (from 1984-03-27 until 1984-09-21)
- guitar [rhythm and lead guitars]:
- Keith (from 1984-03-27 until 1984-09-21)
- guitar [rhythm guitar] and lead vocals:
- BA (from 1984-03-27 until 1984-09-21)
- keyboard [keyboards]:
- Tommy (from 1984-03-27 until 1984-09-21)
- percussion:
- Jim (from 1984-03-27 until 1984-09-21)
- phonographic copyright (℗) by:
- A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), UMG Recordings, Inc. (in 1984) and Badman Ltd. (in 1999)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-21)
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (on 1984-09-21)
- part of:
- The Downloader’s Music Source Book (number: 175)
- recording of:
- Run to You (from 1984-03-27 until 1984-09-21)
- written in:
- Vancouver, British Columbia, Canada (from 1983-01-12 until 1983-01-14)
- writer:
- Bryan Adams (from 1983-01-12 until 1983-01-14) and Jim Vallance (from 1983-01-12 until 1983-01-14)
- publisher:
- Adams Communications Inc. (, in 1984), Almo Music Corp. , Irving Music, Inc., Rondor Music (London) Ltd. (, in 1984), Rondor Music Publishing GmbH, Testatyme Music and Calypso Toonz (in 1984)
| Bryan Adams | 3.75 | 3:55 |
| 10 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:23 |
| 11 | Walk This Way- producer:
- Rick Rubin and Russell Simmons
- guest guitar:
- Joe Perry
- guest vocals:
- Steven Tyler
- phonographic copyright (℗) by:
- Profile Records, Inc. (in 1986) and RCA Records (in 1986)
- recording of:
- Walk This Way
- writer:
- Joe Perry and Steven Tyler
- publisher:
- Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
| Run‐D.M.C. feat. Aerosmith | 3.65 | 3:39 |
| 12 | Black Betty | Ram Jam | 3.65 | 3:56 |
| 13 | Smooth Criminal | Alien Ant Farm | 4.2 | 3:30 |
| 14 | Poison (single version)- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.4 | 4:30 |
| 15 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.15 | 3:34 |
| 16 | All Right Now (single version)- engineer:
- Roy Thomas Baker
- producer:
- Free and John Kelly
- bass:
- Andy Fraser
- drums (drum set):
- Simon Kirke
- guitar:
- Paul Kossoff
- lead vocals:
- Paul Rodgers
- remixer:
- Bob Clearmountain
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1970, in 1971)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Trident Studios in Soho, Westminster, London , England, United Kingdom
- music videos:
- All Right Now by Free
- recording of:
- All Right Now
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing
| Free | 4.65 | 4:18 |
| 17 | Are You Gonna Go My Way- additional engineer:
- David Domanich
- assistant engineer:
- Greg DiGesu
- engineer and mixer:
- Henry Hirsch
- producer:
- Lenny Kravitz
- acoustic guitar and electric guitar:
- Craig Ross (in 1998-12)
- bass:
- Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
- drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
- Lenny Kravitz (in 1998-12)
- synthesizer [arp string ensemble]:
- Henry Hirsch (in 1998-12)
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1993) and Virgin Records America, Inc. (in 1993)
- recording of:
- Are You Gonna Go My Way (in 1998-12)
- lyricist:
- Lenny Kravitz
- composer:
- Henry Hirsch, Lenny Kravitz and Craig Ross
- publisher:
- BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Lenny Kravitz | 3.85 | 3:33 |
| 18 | White Wedding, Pt. 1- producer:
- Keith Forsey
- bass:
- Phil Feit (in 1982)
- drums (drum set):
- Steve Missal (in 1982)
- guitar:
- Billy Idol (in 1982) and Steve Stevens (in 1982)
- lead vocals:
- Billy Idol (in 1982)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1982) and Chrysalis Records, Inc. (in 1982)
- edit of:
- White Wedding, Part 1 by Billy Idol
- music videos:
- White Wedding, Pt. 1 by Billy Idol
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 53)
- recording of:
- White Wedding (in 1982)
- lyricist and composer:
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music , Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Copyright Control and Rare Blue Music Inc
| Billy Idol | 2.65 | 3:35 |
| 19 | Turn It On Again- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (from 1979-11 until 1979-12)
- remix of:
- Turn It On Again by Genesis (in 2007)
- recording of:
- Turn It On Again (from 1979-11 until 1979-12)
- lyricist:
- Mike Rutherford
- composer:
- Tony Banks , Phil Collins and Mike Rutherford
- publisher:
- Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH , Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Anthony Banks Ltd. (from 1980 to present) and Philip Collins Ltd. (from 1980 to present)
| Genesis | 3 | 3:53 |
| 20 | The Final Countdown- producer:
- Kevin Elson
- phonographic copyright (℗) by:
- CBS Records AB (in 1986), CBS, Inc. (in 1986), Sony Music Entertainment Inc. (in 1986), Epic Records (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- Copyright Control , EMI , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , EMI Music Sweden AB , Screen Gems–EMI Music, Inc. and Seven Doors Music
| Europe | 4.05 | 4:01 |
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