Ella & Louis Classic Album Collection

~ Veröffentlichung von Ella Fitzgerald & Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Ella & Louis
2▼CD: Ella & Louis Again
Nr.TitelBewertungLänge
1Let’s Do It
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
8:43
2Stompin’ at the Savoy
Interpret(in):
Ella Fitzgerald (American jazz singer)
cover recording of:
Stompin’ at the Savoy
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:14
3I Won’t Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (am 1957-08-13)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
34:45
4Gee Baby, Ain’t I Good to You
cover recording of:
Gee, Baby Ain’t I Good to You
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:11
5Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957, am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (in 1957, am 1957-07-23)
Trompete:
Louis Armstrong (in 1957, am 1957-07-23)
vocals:
Louis Armstrong (in 1957, am 1957-07-23) und Ella Fitzgerald (American jazz singer) (in 1957, am 1957-07-23)
Interpret(in):
Ella Fitzgerald (American jazz singer)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1957-07-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
3.654:09
6These Foolish Things
cover recording of:
These Foolish Things (Remind Me of You)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
7:23
7I’ve Got My Love to Keep Me Warm
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957, am 1957-08-13)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
cover recording of:
I’ve Got My Love to Keep Me Warm (am 1957-08-13)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
43:10
8Willow Weep for Me
cover recording of:
Willow Weep for Me
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
4:18
9I’m Puttin’ All My Eggs in One Basket
cover recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
3:21
10A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
Sologesang:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (am 1957-08-13)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
43:53
11Ill Wind
cover recording of:
Ill Wind
Texter:
Ted Koehler (in 1934)
Komponist(in):
Harold Arlen (in 1934)
3:44
12Our Love Is Here to Stay
cover recording of:
Love Is Here to Stay (am 1957-08-23)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
4:00
13I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
4:18
14Learnin’ the Blues
cover recording of:
Learnin’ the Blues
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
7:13
15You Won’t Be Satisfied (Until You Break My Heart)
recorded in:
New York, New York, Vereinigte Staaten (am 1946-01-18)
alto saxophone:
George Koenig (am 1946-01-18) und Bill Stegmeyer (am 1946-01-18)
baritone saxophone:
Milton Schatz (am 1946-01-18)
Bass:
Trigger Alpert (am 1946-01-18)
Gitarre:
Danny Perri (am 1946-01-18)
Klarinette und Rohrblattinstrumente:
Bill Stegmeyer (am 1946-01-18)
Klavier:
Joe Bushkin (am 1946-01-18)
Kontrabass:
Trigger Alpert (am 1946-01-18)
Schlagzeug:
Cozy Cole (am 1946-01-18)
Solo-Trompete:
Louis Armstrong
Tenorsaxophon:
Art Drelinger (am 1946-01-18) und Jack Greenberg (am 1946-01-18)
Trompete:
Louis Armstrong (am 1946-01-18) und Billy Butterfield (am 1946-01-18)
vocals:
Louis Armstrong (am 1946-01-18) und Ella Fitzgerald (American jazz singer) (am 1946-01-18)
Orchester:
Bob Haggart and His Orchestra (am 1946-01-18)
conductor:
Bob Haggart (am 1946-01-18)
arranger:
Bob Haggart
cover recording of:
You Won’t Be Satisfied (Until You Break My Heart) (am 1946-01-18)
Verfasser(in):
Freddy James und Larry Stock
42:54
16The Frim Fram Sauce
recorded in:
New York, New York, Vereinigte Staaten (am 1946-01-18)
alto saxophone:
George Koenig (am 1946-01-18) und Bill Stegmeyer (am 1946-01-18)
baritone saxophone:
Milton Schatz (am 1946-01-18)
Bass:
Trigger Alpert (am 1946-01-18)
Gitarre:
Danny Perri (am 1946-01-18)
Klarinette und Rohrblattinstrumente:
Bill Stegmeyer (am 1946-01-18)
Klavier:
Joe Bushkin (am 1946-01-18)
Kontrabass:
Trigger Alpert (am 1946-01-18)
Schlagzeug:
Cozy Cole (am 1946-01-18)
Tenorsaxophon:
Art Drelinger (am 1946-01-18) und Jack Greenberg (am 1946-01-18)
Trompete:
Louis Armstrong (am 1946-01-18) und Billy Butterfield (am 1946-01-18)
vocals:
Louis Armstrong (am 1946-01-18) und Ella Fitzgerald (American jazz singer) (am 1946-01-18)
Orchester:
Bob Haggart and His Orchestra (am 1946-01-18)
conductor:
Bob Haggart (am 1946-01-18)
arranger:
Bob Haggart
cover recording of:
The Frim‐Fram Sauce (am 1946-01-18)
Texter:
Redd Evans (in 1945)
Komponist(in):
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:12
3▶CD: Porgy & Bess

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