Virgin Records: 40 Years of Disruptions

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Tubular Bells (opening theme)Mike Oldfield3:17
2God Save the Queen
tecnico:
Bill Price (UK producer/engineer)
produttore:
Bill Price (UK producer/engineer) e Chris Thomas (UK record producer / remixer)
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito (nel 1977-03)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 21), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 173) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 365)
registrazione di:
God Save the Queen
autore:
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) e Glen Matlock (bass guitarist of the Sex Pistols)
editore:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
Sex Pistols4.43:19
3In the Air Tonight
assistente tecnico:
Nick Launay e Karen Segal (engineer)
tecnico:
Hugh Padgham
assistente produttore:
Hugh Padgham
produttore:
Phil Collins (of Genesis) e Hugh Padgham
chitarra :
Daryl Stuermer (nel 1980)
chitarra basso :
John Giblin (nel 1980)
piano Rhodes, drum machine, batteria, sintetizzatore e vocoder e voce principale:
Phil Collins (of Genesis) (nel 1980)
violino :
Sharokav (nel 1980)
arrangiatore:
Phil Collins (of Genesis)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 35) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 291)
registrazione di:
In the Air Tonight (nel 1980)
paroliere e compositore:
Phil Collins (of Genesis)
editore:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1980, nel 1981), Hit & Run Music (Publishing) Ltd (nel 1980) e Pun Music, Inc. (nel 1981)
parte di:
Risky Business (film soundtrack)
Phil Collins4.35:27
4Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:58
5Senses Working Overtime
tecnico:
Hugh Padgham
produttore:
Hugh Padgham e XTC (English rock band)
edit di:
Senses Working Overtime di XTC (English rock band)
registrazione di:
Senses Working Overtime
paroliere e compositore:
Andy Partridge
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:34
6Buffalo Gals
registrazione di:
Buffalo Gals
compositore:
Anne Dudley (English score composer), Trevor Horn e Malcolm McLaren
editore:
Buffalo Music, Ltd., By Bug House Music, Unforgettable Music, Ltd., Universal Music Publishing, Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal-Polygram International, Inc.
Malcolm McLaren3:41
7Temptation
produttore:
B.E.F. e Greg Walsh (producer and engineer)
voce:
Carol Kenyon
orchestratore:
John Wesley Barker (synthesizer player)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983)
registrazione di:
Temptation
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.653:34
8Red Red Wine
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:03
9Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:23
10Mama
registrata presso:
The Farm (of Genesis fame) in Surrey, England, Regno Unito (nel 1983)
registrazione di:
Mama (nel 1983)
paroliere:
Phil Collins (of Genesis)
compositore:
Tony Banks (Genesis), Phil Collins (of Genesis) e Mike Rutherford
editore:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Rakibitlou Music Ltda., Anthony Banks Ltd. (dal 1983 a oggi), Hit & Run Music (Publishing) Ltd (dal 1983 a oggi), Michael Rutherford Ltd. (dal 1983 a oggi) e Philip Collins Ltd. (dal 1983 a oggi)
Genesis3.156:51
11Together in Electric Dreams
produttore:
Giorgio Moroder e Philip Oakey
tecnico di missaggio:
Brian Reeves
basso :
Arthur Barrow
chitarra :
Richie Zito
sintetizzatore :
Giorgio Moroder
voce di accompagnamento:
E.G. Daily (American singer and actress) e Joe Esposito
voce principale:
Philip Oakey
registrazione di:
Together in Electric Dreams
paroliere:
Philip Oakey
compositore:
Giorgio Moroder
editore:
BMG Gold Songs e WB Music Corp. (1929–2019)
Phil Oakey & Giorgio Moroder2.53:50
12Don’t You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
13I Put a Spell on You
registrazione di:
I Put a Spell on You
paroliere e compositore:
Screamin’ Jay Hawkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (nel 1956) e EMI United Partnership Ltd. (nel 1956)
Bryan Ferry3:55
14China in Your Hand
tecnico:
Norman Goodman
produttore:
Tim Burgess (T'Pau drummer) e Ron Rogers (Ronald Phillip Rogers, T'Pau)
diritti fonografici (℗) detenuti da:
Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
edit di:
China in Your Hand di T’Pau
registrazione di:
China in Your Hand
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. e Virgin Music (Publ.) Ltd. (publisher) (nel 1987)
T’Pau44:00
15Good Life
tecnico:
Ben Grosse (American producer and engineer)
produttore:
Kevin Saunderson
tecnico di missaggio:
Ben Grosse (American producer and engineer) e Kevin "Master Reese" Saunderson
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1989)
registrazione di:
Good Life
autore:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson e Kevin Saunderson
editore:
Drive On Music e Virgin Songs
Inner City33:56
16Buffalo Stance
registrazione di:
Buffalo Stance
autore:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) e Phil Ramacon (soul/R&B/reggae songwriter)
editore:
April Music Ltd., BMG VM Music Ltd. e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Songs France (27, rue de Berri) e Warner Chappell Music France
si basa su:
Looking Good Diving With The Wild Bunch
Neneh Cherry44:06
17Back to Life (However Do You Want Me)
tecnico:
Arabella Rodriguez
produttore e tecnico di missaggio:
Nellee Hooper e Jazzie B
voce e esecutore:
Caron Wheeler (English singer, songwriter, and record producer)
voce principale ospite:
Caron Wheeler (English singer, songwriter, and record producer)
diritti fonografici (℗) detenuti da:
10 Records (nel 1989)
registrata presso e mixata presso:
Brittania Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Regno Unito
registrazione di:
Back to Life
autore:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo e Caron Wheeler (English singer, songwriter, and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler4.23:48
18Unfinished Sympathy
tecnico aggiunto:
Haydn Bendall (producer and engineer)
produttore:
Jonny Dollar (UK producer & songwriter) e Massive Attack
tecnico di missaggio:
Jeremy Allom, Jonny Dollar (UK producer & songwriter) e Massive Attack
voce:
Shara Nelson
direttore d'orchestra:
Wil Malone
direttore d'orchestra aggiunto:
Gavyn Wright (UK violinist, conductor)
arrangiatore archi :
Wil Malone
campionamenti:
Planetary Citizen di Mahavishnu Orchestra
video musicali:
Unfinished Sympathy di Massive Attack directed by Baillie Walsh
versione strumentale di:
Unfinished Sympathy (instrumental) di Massive Attack
registrazione di:
Unfinished Sympathy
autore:
Robert Del Naja, Grant Marshall, Shara Nelson, Jonathan Sharp (UK producer aka Jonny Dollar) e Andrew Vowles
Massive Attack3.555:13
19Sadeness, Part I
diritti fonografici (℗) detenuti da:
Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) (nel 1990)
registrazione di:
Sadeness, Part 1
paroliere:
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein, F. Gregorian e Frank Peterson
compositore:
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein e Frank Peterson
editore:
Manuskript (not for release label use! this is only for copyrights and publishing relationships)
parte di:
Principles of Lust
parte di:
Principles of Lust
Enigma4.84:16
2CD
3CD: Bonus CD

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