| # | Title | Artist | Rating | Length |
|---|
| 1 | Money, Money, Money | ABBA | 3.6 | 3:09 |
| 2 | I Don’t Like Mondays | The Boomtown Rats | 4 | 4:17 |
| 3 | Venus | Shocking Blue | 4.15 | 3:03 |
| 4 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.2 | 5:11 |
| 5 | Dreadlock Holiday- producer:
- Graham Gouldman and Eric Stewart
- bass guitar and guitar and background vocals and lead vocals:
- Graham Gouldman
- congas, cowbell, marimba, timbales and triangle:
- Paul Burgess
- drums (drum set) and tambourine:
- Stuart Tosh
- electric piano, maracas and organ:
- Eric Stewart
- guitar and organ:
- Rick Fenn
- synthesizer:
- Duncan Mackay
- background vocals:
- Rick Fenn, Eric Stewart and Stuart Tosh
- recorded by:
- Phonogram Ltd. (London)
- recorded at:
- Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1977)
- recording of:
- Dreadlock Holiday (in 1977)
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , Man-Ken Music Ltd. and St. Anne’s Music Ltd.
| 10cc | 4 | 5:02 |
| 6 | Lola | The Kinks | | 4:11 |
| 7 | Get It On | Marc Bolan | | 1:14 |
| 8 | Sugar Baby Love | The Rubettes | | 3:30 |
| 9 | Please Mr. Postman- engineer:
- Ray Gerhardt
- associate producer:
- Karen Carpenter
- producer:
- Richard Carpenter
- lead vocals:
- Karen Carpenter
- arranger and orchestrator:
- Richard Carpenter
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1974)
- cover recording of:
- Please Mr. Postman (on 1974-07-22)
- writer:
- Robert Bateman (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (in 1961)
- publisher:
- Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
| Carpenters | 4 | 2:50 |
| 10 | Girls Can Get It | Dr. Hook | | 3:16 |
| 11 | Fox on the Run | The Sweet | | 4:51 |
| 12 | You Ain’t Seen Nothing Yet- engineer:
- Mark Smith
- producer:
- Randy Bachman
- solo guitar and lead vocals:
- Randy Bachman
- phonographic copyright (℗) by:
- Mercury Records (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (in 1974), The Island Def Jam Music Group (in 1974), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recording of:
- You Ain’t Seen Nothing Yet
- lyricist and composer:
- Randy Bachman
- publisher:
- BMG Music Publishing Ltd., Ranbach Music , Sony Music Publishing , Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music
- sub-publisher:
- Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH
| Bachman–Turner Overdrive | 4.5 | 3:31 |
| 13 | Joy | Apollo 100 | | 2:35 |
| 14 | Midnight Train to Georgia | Gladys Knight & the Pips | | 4:00 |
| 15 | The Way You Do It | Pussyfoot | | 3:03 |
| 16 | Don’t Let Me Be Misunderstood | Gary Moore | 4 | 3:34 |
| 17 | You’re the First, the Last, My Everything- producer:
- Barry White
- recording of:
- You’re the First, the Last, My Everything (in 1974)
- writer:
- Peter Sterling Radcliffe, Tony Sepe and Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
| Barry White | 4.45 | 4:34 |
| 18 | Cum on Feel the Noize | Slade | | 4:17 |
| 19 | Beach Baby | First Class | | 5:02 |
| 20 | Paranoid- engineer:
- Tom Allom and Brian Humphries
- producer:
- Rodger Bain (from 1970-06 until 1970-07)
- drums (drum set) and percussion:
- Bill Ward (from 1970-06-16 until 1970-06-21)
- electric bass guitar:
- Geezer Butler (from 1970-06-16 until 1970-06-21)
- electric guitar:
- Tony Iommi (from 1970-06-16 until 1970-06-21)
- lead vocals:
- Ozzy Osbourne (in 1970)
- phonographic copyright (℗) by:
- Gimcastle Ltd., Sanctuary Records Group Ltd. , Warner Bros. Records Inc. , Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (in 1976) and Icarus Music (in 2006)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970) and Regent Sound Studios in London , England, United Kingdom (from 1970-06-16 until 1970-06-21)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 4), NME: 50 Greatest Guitar Riffs of All Time (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
- recording of:
- Paranoid (from 1970-06-16 until 1970-07-08)
- lyricist:
- Geezer Butler
- composer:
- Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
- publisher:
- Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
| Black Sabbath | 4.55 | 2:46 |
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