5 Original Albums

~ Release by Uriah Heep (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Abominog
#TitleRatingLength
1Too Scared to Run
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Too Scared to Run (from 1981-10 until 1981-12)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
Dinsdale Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music and Intersong Music Ltd.
3?:??
2Chasing Shadows
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Chasing Shadows (from 1981-10 until 1981-12)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music and Intersong Music Ltd.
3?:??
3On the Rebound
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
cover recording of:
On the Rebound (from 1981-10 until 1981-12)
lyricist and composer:
Russ Ballard
publisher:
April Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd. and Russell Ballard Ltd
2.5?:??
4Hot Night in a Cold Town
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Hot Night in a Cold Town
writer:
Geoffrey Cushing-Murray and Rick Littlefield
publisher:
Cushing-Murray Songs
3?:??
5Running All Night (with the Lion)
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Running All Night (with the Lion)
writer:
Mick Box, Bob Daisley, Gary Farr, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
Hit Songs Ltd., Intersong Music, Intersong Music Ltd. and Virgin Ear Music
3?:??
6That's the Way That It Is
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
That’s the Way That It Is (from 1981-10 until 1981-12)
lyricist and composer:
Paul Bliss
publisher:
April Music Inc., April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Paul Bliss Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3?:??
7Prisoner
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Prisoner
writer:
James Lance (Sue Saad And The Next), Tony Riparetti and Michael Towers (singer, composer, and engineer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
3?:??
8Hot Persuasion
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Hot Persuasion (from 1981-10 until 1981-12)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music, Intersong Music Ltd. and O.A.M. Music Publishing
3?:??
9Sell Your Soul
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Sell Your Soul (from 1981-10 until 1981-12)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3?:??
10Think It Over
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Think It Over
writer:
Trevor Bolder (British bassist) and John Sloman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Hit Songs Ltd.
3?:??
11Tin Soldier
recording of:
Tin Soldier
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
United Artists and EMI United Partnership Ltd. (in 1967)
version of:
Anything
cover recording of:
Tin Soldier
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
United Artists and EMI United Partnership Ltd. (in 1967)
version of:
Anything
3?:??
12Son of a Bitch
recording of:
Son of a Bitch
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong (publisher), Intersong Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3?:??
13That's the Way That It Is (alternate demo version)
recording of:
That’s the Way That It Is
lyricist and composer:
Paul Bliss
publisher:
April Music Inc., April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Paul Bliss Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2?:??
14Hot Persuasion (alternate demo version)
recording of:
Hot Persuasion
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music, Intersong Music Ltd. and O.A.M. Music Publishing
2?:??
2▼CD: Demons and Wizards
#TitleRatingLength
1The Wizard
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
The Wizard (from 1972-03 until 1972-04)
writer:
Mark Clarke (Rock, UK) and Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.65?:??
2Traveller in Time
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Traveller in Time (from 1972-03 until 1972-04)
composer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3?:??
3Easy Livin'
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) and Umble Tunes Ltd.
4.25?:??
4Poet's Justice
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Poet's Justice (from 1972-03 until 1972-04)
composer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
2.5?:??
5Circle of Hands
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Circle of Hands (from 1972-03 until 1972-04)
composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.5?:??
6Rainbow Demon
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Rainbow Demon (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.5?:??
7All My Life
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
All My Life (from 1972-03 until 1972-04)
writer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
2?:??
8Paradise/The Spell
producer:
Gerry Bron
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1972)
recording of:
Paradise
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
recording of:
The Spell
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3?:??
3▼CD: Fallen Angel
#TitleRatingLength
1Women of the Night
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Woman of the Night (from 1978-04 until 1978-08)
writer:
Mick Box, Lee Kerslake and John Lawton (British vocalist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
2Falling in Love
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Falling in Love (from 1978-04 until 1978-08)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
?:??
3One More Night
recording of:
One More Night
lyricist, writer and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
?:??
4Put Your Lovin' on Me
recording of:
Put Your Lovin’ on Me
lyricist and composer:
John Lawton (British vocalist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
5Come Back to Me
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978), Castle Copyrights Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Come Back to Me (from 1978-04 until 1978-08)
writer:
Ken Hensley and Lee Kerslake
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), WB Music Corp. (1929–2019) and Umble Tunes Ltd. (in 1978)
5?:??
6Whad'Ya Say
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Whad’ya Say (from 1978-04 until 1978-08)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
5?:??
7Save It
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
solo tenor saxophone:
Chris Mercer (British saxophonist) (from 1978-04 until 1978-08)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Save It (from 1978-04 until 1978-08)
writer:
Trevor Bolder (British bassist) and Pete McDonald (Spiders From Mars)
publisher:
Essex Music International Ltd. and Onward Music Ltd.
?:??
8Love or Nothing
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Love or Nothing (from 1978-04 until 1978-08)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
?:??
9I'm Alive
recording of:
I’m Alive
lyricist and composer:
John Lawton (British vocalist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
10Fallen Angel
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Fallen Angel (from 1978-04 until 1978-08)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
?:??
11Cheater (single B-Side)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978)
recording of:
Cheater
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd. (in 1978)
?:??
12Gimme Love (Struttin') (single B-Side)
producer:
Gerry Bron and Ken Hensley
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978)
recording of:
Gimme Love (Struttin')
writer:
Trevor Bolder (British bassist), Mick Box, Lee Kerslake and John Lawton (British vocalist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
13A Right to Live (Promo B-Side, Previously Unissued Commercially)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Castle Copyrights Ltd. (in 1995)
recording of:
A Right to Live (from 1978 until 1979)
writer:
John Lawton (British vocalist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
?:??
14Been Hurt (Previously Unissued original version with John Lawton Vocals)
lead vocals:
John Lawton (British vocalist)
recording of:
Been Hurt
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
?:??
4▼CD: Raging Silence
#TitleRatingLength
1Hold Your Head Up
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
cover recording of:
Hold Your Head Up
writer:
Rod Argent and Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA and Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
?:??
2Blood Red Roses
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
recording of:
Blood Red Roses
writer:
Peter Goalby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rondor Music (London) Ltd.
?:??
3Voice on My TV
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
recording of:
Voice on My TV
writer:
Mick Box and Phil Lanzon
publisher:
Universal Music Publishing International MGB Ltd.
?:??
4Rich Kid
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
recording of:
Rich Kid
writer:
Trevor Bolder (British bassist)
?:??
5Cry Freedom
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
recording of:
Cry Freedom
writer:
Mick Box and Phil Lanzon
publisher:
Chuzzlewit Ditties and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
?:??
6Bad Bad Man
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
recording of:
Bad Bad Man
writer:
Phil Lanzon
publisher:
A Tale of Two Ditties, BMG Publishing Ltd. and Chuzzlewit Ditties
?:??
7More Fool You
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
recording of:
More Fool You
writer:
Mick Box and Phil Lanzon
?:??
8When the War Is Over
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
cover recording of:
When the War Is Over
lyricist and composer:
Steve Prestwich
publisher:
Australian Tumbleweed Music, BMG Music and BMG Music Pty Ltd
?:??
9Lifeline
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
cover recording of:
Lifeline
writer:
Fergie Frederiksen (vocalist), Tony Haselden (singer-songwriter and guitarist), Leon Medica (bassist, producer and songwriter) and Rod Roddy (member of Le Roux)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), LeMed Music (from 1982 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
?:??
10Rough Justice
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
recording of:
Rough Justice
writer:
Trevor Bolder (British bassist), Mick Box, Phil Lanzon and Bernie Shaw (Canadian-English singer)
publisher:
Chuzzlewit Ditties
?:??
11Miracle Child (single B-Side)
recording of:
Miracle Child
writer:
Trevor Bolder (British bassist), Mick Box and Phil Lanzon
publisher:
Chuzzlewit Ditties
?:??
12Corina (original studio demo version)
recording of:
Corina
writer:
Mick Box, Phil Lanzon and Bernie Shaw (Canadian-English singer)
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
?:??
13Mr. Majestic (original studio demo version)
recording of:
Mr. Majestic
writer:
Phil Lanzon
publisher:
BMG Music Publishing Ltd.
?:??
14Pacific Highway (original studio demo version)
recording of:
Pacific Highway
writer:
Phil Lanzon and Bernie Shaw (Canadian-English singer)
publisher:
BMG Music Publishing Ltd.
?:??
15Blood Red Roses (Previously Unreleased extended version)
recording of:
Blood Red Roses
writer:
Peter Goalby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rondor Music (London) Ltd.
?:??
16Hold Your Head Up (Previously Unreleased extended version)
cover recording of:
Hold Your Head Up
writer:
Rod Argent and Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA and Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
?:??
17Corina (live)
live recording of:
Corina
writer:
Mick Box, Phil Lanzon and Bernie Shaw (Canadian-English singer)
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
?:??
5▼CD: The Magician's Birthday
#TitleRatingLength
1Sunrise
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Sunrise (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
2Spider Woman
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Spider Woman (from 1972-09 until 1972-10)
writer:
Mick Box, David Byron, Lee Kerslake and Gary Thain
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
3Blind Eye
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Mercury Record Productions, Inc. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Blind Eye (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
live recording of:
Blind Eye
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
4Echoes in the Dark
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Echoes in the Dark (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
5Rain
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Rain (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
6Sweet Lorraine
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Sweet Lorraine (from 1972-09 until 1972-10)
writer:
Mick Box, David Byron and Gary Thain
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
7Tales
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Tales (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
8The Magician's Birthday
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
The Magician’s Birthday (from 1972-09 until 1972-10)
writer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??

Credits

Release

manufactured in:Canada
England, United Kingdom
Europe
copyrighted (©) by and phonographic copyright (℗) by:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1972)
Castle Communications PLC (not for label use, copyright holder) (in 1997)
Castle Music (subsidiary of Sanctuary Records Group Ltd.) (in 2001)
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2006)
Universal Music International Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2011)
Discogs:https://www.discogs.com/release/6766958 [info]