Songs of Passion

~ Release by John Dowland, Henry Purcell; Lea Desandre, Jupiter, Thomas Dunford (see all versions of this release, 2 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1First Book of Songs or Ayres: No. 1, Come Again! Sweet Love Doth Now Invite
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite"
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland4:22
2Lachrimae, or Seven Tears: No. 10, Semper Dowland, semper dolens, P. 9
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Semper Dowland Semper dolens, P. 9 (for lute solo)
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
arranger:
Paul Leenhouts
part of:
John Dowland's lute works (number: P. 9)
part of:
Lachrimæ or Seaven Teares, with divers other pavans (The collection of seven teares and 14 other works)
John Dowland5:27
3First Book of Songs or Ayres: No. 9, Go Crystal Tears
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The First Booke of Songs or Ayres, No. 9: “Go Crystal Tears”
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland3:13
4Lachrimae, or Seven Tears: No. 12, The King of Denmark's Galliard, P. 40
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The Most High and Mightie Christianus the fourth King of Denmarke, his Galliard, P. 40 (for lute)
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
part of:
John Dowland's lute works (number: P. 40)
part of:
Lachrimæ or Seaven Teares, with divers other pavans (The collection of seven teares and 14 other works)
John Dowland2:36
5First Book of Songs or Ayres: No. 5, Can She Excuse My Wrongs?
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The First Booke of Songs or Ayres, No. 5: “Can She Excuse My Wrongs?”
lyricist:
[anonymous] (special purpose artist) (in 1597)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland2:07
6Lachrimae, or Seven Tears: No. 2, Lachrimae antiquae
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Lachrimæ, or Seaven Teares: Lachrimae Antiquae Novae
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
part of:
Lachrimæ or Seaven Teares (Just the seven Lachrimæ Pavans)
John Dowland4:26
7A Dream, P. 75
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
A Dream, P. 75
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
part of:
John Dowland's lute works (number: P. 75)
John Dowland4:59
8Second Book of Songs or Ayres: No. 3, Sorrow, Stay
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The Second Booke of Songs or Ayres, No. 3: "Sorrow, Stay"
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland3:11
9Lachrimae, or Seven Tears: No. 14, The Earl of Essex Galliard, P. 42
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The Earle of Essex Galiard
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
part of:
Lachrimæ or Seaven Teares, with divers other pavans (The collection of seven teares and 14 other works)
John Dowland1:11
10Second Book of Songs or Ayres: No. 2, Flow My Tears
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears"
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland4:40
11Frog Galliard, P. 23
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The Frog Galliard, P. 23a
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
part of:
John Dowland's lute works (number: P. 23a)
John Dowland1:57
12First Book of Songs or Ayres: No. 6, Now, o Now, I Needs Must Part
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The First Booke of Songs or Ayres, No. 6: "Now, o now I needs must part"
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland4:08
13The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
baritone vocals:
Huw Montague Rendall
bass vocals:
Alex Rosen (American operatic bass)
contralto vocals:
Jess Dandy (British contralto)
soprano vocals:
Lea Desandre (mezzo-soprano)
tenor vocals:
Laurence Kilsby (tenor)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion"
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell4:50
14Come, Ye Sons of Art Away, Z. 323: V. Strike the Viol
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
soprano vocals:
Lea Desandre (mezzo-soprano)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol
lyricist and librettist:
Nahum Tate
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:55
15O Solitude, My Sweetest Choice, Z. 406
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
soprano vocals:
Lea Desandre (mezzo-soprano)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
O Solitude, Z. 406
lyricist:
Katherine Philips (17th century poet)
composer:
Henry Purcell (Baroque composer) (from 1684 until 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 406)
is based on:
O Solitude
Henry Purcell5:24
16An Evening Hymn on a Ground, Z. 193
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
soprano vocals:
Lea Desandre (mezzo-soprano)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
An Evening Hymn Upon a Ground
composer:
Henry Purcell (Baroque composer)
Henry Purcell4:13
17The Fairy Queen, Z. 629, Act V: Chaconne
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The Fairy Queen, Z. 629: Act V, no. 54. Chaconne: Dance for Chinese Man and Woman
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell2:24
18The Fairy Queen, Z. 629, Act V: O Let Me Weep, For Ever Weep
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
soprano vocals:
Lea Desandre (mezzo-soprano)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The Fairy Queen, Z. 629: Act V, no. 43. The Plaint: "O Let Me Weep"
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell7:50
19The Fairy Queen, Z. 629, Act IV: Now the Night Is Chased Away
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
bass vocals:
Alex Rosen (American operatic bass)
contralto vocals:
Jess Dandy (British contralto)
soprano vocals:
Lea Desandre (mezzo-soprano)
tenor vocals:
Laurence Kilsby (tenor)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
The Fairy Queen, Z. 629: Act IV, no. 31. Solo and Chorus: "Now The Night Is Chac'd Away" (One of the Attendants)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell2:01
20Dido and Aeneas, Z. 626: Overture
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Dido and Aeneas, Z. 626: Overture
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:17
21Dido and Aeneas, Z. 626, Act I: Ah Belinda!
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
soprano vocals:
Lea Desandre (mezzo-soprano)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:04
22Dido and Aeneas, Z. 626, Act II: Echo Dances of Furies
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:48
23Dido and Aeneas, Z. 626, Act II: Thanks to These Lonesome Vales
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
bass vocals:
Alex Rosen (American operatic bass)
contralto vocals:
Jess Dandy (British contralto)
soprano vocals:
Lea Desandre (mezzo-soprano)
tenor vocals:
Laurence Kilsby (tenor)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:23
24Dido and Aeneas, Z. 626, Act III: The Witches's Dance
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:47
25Dido and Aeneas, Z. 626, Act III: Thy Hand, Belinda
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
soprano vocals:
Lea Desandre (mezzo-soprano)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:03
26Dido and Aeneas, Z. 626, Act III: When I Am Laid in Earth
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
double bass:
Doug Balliett (double bassist)
harpsichord and organ:
Arnaud De Pasquale
instruments:
Jupiter (chamber music ensemble)
lute:
Thomas Dunford (lutenist)
recorder:
Julien Martin (French recorder player) and Marine Sablonnière
viola:
Jérôme van Waerbeke (violinist)
viola da gamba:
Myriam Rignol (French violist)
violin:
Louise Ayrton (violinist) and Ruiqi Ren (violinist)
soprano vocals:
Lea Desandre (mezzo-soprano)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:46
27Take Me Back to You
recording engineer:
Olivier Rosset (classical producer and engineer)
art direction:
Thomas Dunford (lutenist)
assistant engineer:
Gaëtan Juge (engineer)
producer:
Daniel Zalay
lute:
Thomas Dunford (lutenist)
harpsichord technician:
Polina Chambaud
recorded at:
Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-09-23 until 2024-09-29)
recording of:
Take Me Back to You
composer:
Doug Balliett (double bassist) and Thomas Dunford (lutenist)
Doug Balliett3:33