Hollywood Greats

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

10 hit tracks from…

Anmerkung zuletzt geändert am 2017-04-07 13:47 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Unchained Melody [album version] (from ‘Ghost’)
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:38
2Flashdance (from ‘Flashdance’)
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:55
3Can’t Take My Eyes Off You (from ‘Bridget Jones’ Diary’)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Andy Williams43:12
4Footloose (from ‘Footloose’)
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:41
5The Power (from ‘Bruce Almighty’)
Snap!3:47
6Papa’s Got a Brand New Bag (from ‘Two Weeks Notice’)
recorded in:
Charlotte, North Carolina, Vereinigte Staaten (in 1965-02)
alto saxophone und Orgel:
Nat Jones (Saxophonist and organist, worked with James Brown) (in 1965-02)
baritone saxophone:
Maceo Parker (US funk/jazz saxophonist) (in 1965-02)
Gitarre:
Jimmy Nolen (in 1965-02)
membranophone:
Melvin Parker (in 1965-02)
Posaune:
Wilmer Milton (in 1965-02) und Levi Rasbury (in 1965-02)
Tenorsaxophon:
Al "Brisco" Clark (in 1965-02), Maceo Parker (US funk/jazz saxophonist) (in 1965-02), St. Clair Pinckney (in 1965-02) und Eldee Williams (in 1965-02)
Trompete:
Joe Dupars (in 1965-02) und Ron Tooley (American trumpeter) (in 1965-02)
Sologesang:
James Brown (The Godfather of Soul) (in 1965-02)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
aufgenommen bei:
Arthur Smith Studios in Charlotte, North Carolina, Vereinigte Staaten (in 1965-02)
recording of:
Papa’s Got a Brand New Bag (in 1965-02)
Texter und Komponist(in):
James Brown (The Godfather of Soul)
Teil von:
MJ: The Musical
James Brown44:19
7Ain’t No Sunshine (from ‘Notting Hill’)
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.552:05
8Will You Still Love Me Tomorrow (from ‘Dirty Dancing’)
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:38
9I Will Survive (from ‘Four Weddings and a Funeral’)
phonographisches Urheberrecht (℗) von:
OVC Ltd. und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1978)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.254:51
10Dream (from ‘You’ve Got Mail’)
phonographisches Urheberrecht (℗) von:
Monument Records (company credits for Monument; do NOT use as release label) (in 1963)
cover recording of:
Dream
Texter und Komponist(in):
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Roy Orbison24:11
11Agony
recording of:
Agony
Rob Rainsbury24:59
12Slow Down
recording of:
Slow Down
Scanner45:56
13Suspend
recording of:
Suspend
The Ponies24:24
14Running
recording of:
Running
Candide32:40
15Master Jazz Thing
recording of:
Master Jazz Thing
The Touts1:59

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sunday Mirror (British newspaper) (in 2004)
Trinity Mirror (in 2004)
Discogs:https://www.discogs.com/release/1785537 [Info]